Jean DeMouthe, senior collections manager for geology at Cal Academy, will discuss the basics of gemology, focusing on the types of stones used by jeweler Margaret De Patta, followed by a guided tour of Space-Light-Structure: The Jewelry of Margaret De Patta with Julie Muñiz, Associate Curator of Craft & Decorative Art at The Oakland Museum of California (OMCA). The event will take on Sunday, March 25, 2012 at 2 p.m.
Studio jeweler Margaret De Patta (1903-1964) blended Constructivist principles with Bauhaus design to create miniature sculpture that moved with its wearer. Based in the Bay Area, De Patta, who studied with Bauahus sculptor Moholy-Nagy in Chicago is credited with starting the American studio jewelry movement on the West Coast. The Oakland Museum holds the largest collection of De Patta’s work, most of which was donated by her (third) husband Eugene Bielawski after the artist’s untimely death by suicide in 1964. “Space-Light-Structure” features more than 60 of De Patta’s iconic jewelry pieces as well as ceramics, flatware, photographs, pictograms, and newly released archival material. The exhibition also features stunning Moholy-Nagy photographs, some never exhibited publicly before. Space-Light Structure is a collaboration with the Museum of Arts and Design (MAD) in New York and is co-curated by Ursula Isle-Neuman, MAD’s Curator of Jewelry.
Discover Margaret De Patta’s work online by exploring OMCA’s online collection of De Patta creations.
Stay tuned to ARThound for coverage of “Space-Light Structure” and an interview with Julie Muñiz.
Details: The De Patta lecture begins at 2 p.m on Sunday, March 25, 2012. The Oakland Museum of California (OMCA) is at 1000 Oak Street, at 10th Street, in Oakland. General Admission to OMCA is $12.00.
Pounce! General subscription tickets for the Green Music Center’s Inaugural season go on sale tomorrow, Sunday, March 25, 2012
Subscription packages for the inaugural season of the Green Music Center go on sale to the general public at 8 a.m. on Sunday, March 25, following a two-week advanced ticketing window for Green Music Center capital campaign donors. For additional information, visit gmc.sonoma.edu or call 1-866-955-6040.
Abel Gance’s fabled “Napoleon” has arrived”—artist Paul Davis signs his “Napoleon” posters Sunday morning, March 25, 2012, at Oakland’s Paramount Theatre
Yesterday’s press screening and final orchestra rehearsal of Abel Gance’s legendary silent film “Napoleon,” was an exhilarating all day affair at Oakland’s magnificent historical Paramount Theatre. I hadn’t seen “Napoleon” before and was blown away by silent film historian Kevin Brownlow’s restoration of the 1927 silent film classic—which added an additional 30 minutes of found footage and upgraded the film’s image quality substantially (particularly in tinting and toning) since its previous restoration, some 30 years ago. British composer Carl Davis’ new 5 ½ hour orchestral score, a pastiche of dramatic and inspirational music from the period and some new material, was played valiantly and with great emotion by the Oakland East Bay Symphony. It was also my first opportunity to meet acclaimed New York artist and illustrator, Paul Davis, who designed the limited edition poster for the San Francisco Silent Film Festival’s four exclusive screenings of this masterpiece, unseen in the U.S. for nearly 30 years. Davis’ compelling poster, which uses the colors of the French flag, is based on an actual film frame of Albert Dieudonné, the intriguing French actor who brilliantly brought the adult Napoleon to life on screen. Dieudonné plays Napoleon through age 26, when the film ends, just as the legendary young general is about to lead the French Army into Italy, marking the close of the 18th century. Napoleon became emperor in 1804 and died in 1821, having undone many of the principles he so ardently fought for as he rallied the people and brought France to glory. The poster’s lower section, in red, features Davis’ conception of the film’s final battle, which will be shown in its intended and unforgettable Polyvision panoramic version at the Paramount Theatre.
The festival is selling Davis’ iconic poster in two sizes–27” x 40” and 11” x 17’–and Davis will be signing posters on Sunday, March 25, 2012, at the Paramount Theatre from 11:15 a.m. to 12:15 p.m., just before the film’s second screening at 1:30 p.m. Admission to the signing is free.
Stay tuned to ARThound for an interview with Paul Davis about his conception for the poster. Davis is perhaps best know for his iconic theater posters (including Three Penny Opera and For Colored Girls Who Have Considered Suicide…) for producer Joseph Papp. He also designed the poster for Film Forum’s 1999 screening of the rerelease of Jean Renoir’s Grand Illusion, hailed as one of the greatest movies ever made.
Click here to purchase a limited edition Napoleon poster by Paul Davis. (27” x 40” ($30) and 11” x 17’ ($15) Posters will also be available at all four screenings.
Davis’ poster can be seen in Petaluma at the Petaluma Arts Center, the Central Market restaurant, Petaluma Pie Company, and Santa Rosa Junior College’s Petaluma campus in the Mahoney library and Ellis Auditorium.
Napoleon Event Details:
What: Kevin Brownlow’s 2000 reconstruction, the most complete possible restoration of 1927 5 ½ hour film in the original 20 frames per second, with the final polyvision, requiring 3 screens. The Oakland East Bay Symphony will be conducted by Carl Davis, whose score will be the live accompaniment to the film. This is the U.S. premiere for both the reconstruction and the music.
When: March 24, 25, 31, April 1, 2012
Where: Paramount Theatre, Oakland
Time: All four performances begin at 1:30pm. There will be three intermissions: two 20-minute intermissions and a 1 hour, 45 minute dinner break starting at 5:00pm. View Places to Eat for nearby restaurant recommendations and make reservations in advance.
The film itself is 5½ hours long; with intermissions included, the show will let out at approximately 9:45pm.
Tickets: Buy tickets for all Napoleon performances here.
More Information: San Francisco Silent Film Festival