Soprano Renée Fleming is in San Francisco for the next week—there are several chances to hear her at Davies Hall—special recital with Susan Graham next Wednesday, January 16, 2013
Lyric soprano Renée Fleming has long captivated audiences with her sumptuous voice, consummate artistry, accessibility, and joie de vivre. While opera is clearly her sweet spot, you can’t help but admire this Grammy-winning soprano for her sense of experimentation. She cut her first rock album Dark Hope in 2010 at age 51 and hasn’t slacked off one bit in the classical realm. In October, she drew tears with her tender “Ave Maria” as Desdemona in Verdi’s “Otello” at the Metropolitan Opera. She opened her Met career with this challenging role 17 years ago. In December 2012, she was nominated for a Grammy for “Poèmes,” her visceral album of French works for soprano and orchestra. Bay Area audiences are in for a special treat this week as Fleming returns to Davies Symphony Hall Thursday, Saturday and Sunday with an all French program of orchestral songs by Debussy and Canteloube, with Michael Tilson Thomas (MTT) and the San Francisco Symphony (SFS). And next Wednesday, at Davies, Fleming will perform a duo recital of French works by Debussy, Fauré, and Saint-Saëns with the legendary mezzo-soprano Susan Graham and pianist Bradley Moore. In addition to singing, there’ll be ample opportunity to meet both Fleming and Graham as they sign cd’s following Wednesday’s performance.
MTT & Renée Fleming, January 10, 12, 13, 2013: Davies Symphony Hall: Michael Tilson Thomas leads SFS and soprano Renée Fleming in the world premiere of Robin Holloway’s arrangement, commissioned by the SFS, of Debussy’s C’est l’extase. Fleming also performs selections from Canteloube’s Chants d’Auvergne, and the Orchestra performs Debussy’s Jeux and La Mer. Approximate length: 2 hours
C’est l’extase is Robin Holloway’s new orchestration of Debussy’s settings of the poems of French 19th century poet Paul Verlaine; the cycle includes the six Debussy titled Ariettes oubliées. An SFS commission, the work receives its world premiere in these performances. Previously, SFS and MTT have commissioned and premiered three works by composer Robin Holloway, including Clarissa Sequence (1998), the Fourth Concerto for Orchestra (2007), and 2004’s En blanc et noir, an orchestration of a Debussy work for two pianos that the Orchestra performed on tour in the US and Europe. Holloway taught music at Cambridge University for 32 years, and his students included Judith Weir and Thomas Adès.
Debussy (arr. Robin Holloway) C’est l’extase (Settings of Paul Verlaine) (SFS Commission, world premiere)
Canteloube Selections from Chants d’Auvergne: “La Delaïssádo,” “Malurous qu’o uno fenno,” “Baïlèro”
Debussy La Mer
Pre-Concert Talk: Peter Grunberg will give an “Inside Music” talk from the stage one hour prior to each concert. Free to all concert ticket holders; doors open 15 minutes before.
Audio Program Notes: A free audio podcast about Debussy’s La Mer will be downloadable from sfsymphony.org/podcasts and from the iTunes store.
Thursday, January 10, 2013 at 8 p.m.; Saturday, January 12, 2013 at 8 p.m.; Sunday, January 13, 2013 at 2 p.m.
Renée Fleming and Susan Graham, Davies Symphony Hall, Wednesday, January 16, 2012 at 7 p.m: Their pairing in Richard Strauss’s Der Rosenkavalier in 2000 and 2009 at the Metropolitan Opera was kismet. Since then, whenever Renée Fleming and Susan Graham team up, they create magic. Davies is the first stop in their new month-long cross country tour and these celebrated all-American divas will perform a light-hearted program of 19th century French song literature. This is Graham’s only Bay Area performance in the 2012-13 season. Eight composers, ranging from the romantic Hector Berloiz to the fin-de-siècle Raynaldo Hahn and André Messager, will be featured. French composers from this period were mesmerized by lure of the exotic as were their audiences and, running through these pieces, you’ll hear references to Spain and even India. Bradley Moore will accompany on piano. Approximate length: 2 hours
Saint-Saëns Pastorale, “Viens! Une flute invisible,” and “El desdichado” (Ms. Fleming, Ms. Graham)
Fauré “Piusqu’ici-bas tout âme”, Opus 10, no.1, “Pleurs d’or”, Opus 72, Pavane, Opus 50, and Tarentelle, Opus 10, no.2 (Ms. Fleming, Ms. Graham)
Debussy Claire de lune (Mr. Moore)
Debussy “Mandoline” “Beau soir” (Ms. Fleming)
O. Straus “Je t’aime quand meme” from Trois valses (Ms. Fleming)
Hahn “Le Rossignol” “Infidélité” “Fêtes galantes” “Le Printemps” (Ms. Graham)
Berlioz “La mort d’Ophélie”, Opus 18, no.2 (Ms. Fleming, Ms. Graham)
Messager “Blanche-Marie et Marie-Blanche” from Les p’tites Michu (Ms. Fleming, Ms. Graham)
Offenbach Barcarolle from Les contes d’Hoffmann (Ms. Fleming, Ms. Graham)
Delibes Duo des fleurs from Lakmé (Ms. Fleming, Ms. Graham)
CD signing: Meet Renée Fleming and Susan Graham at a CD signing in the Symphony Store following the concert.
More about Susan Graham: Those who attend the Metropolitan Opera’s Live in HD performances—at Sebastopol’s Rialto Cinemas for Sonoma County—were able to experience Susan Graham in full force last week as Dido in Berlioz’s rarely performed French opera of Trojan War, Les Troyens. Slam dunk! Dido calls for every emotion imaginable—from the agonizing disappointment and hurt of Aeneas’ abandonment to palpable moments of shared tenderness, love and respect. Graham poured forth, taking up the reins held by legendary Lorraine Hunt-Lieberson whose last remarkable performances at the Met in 2003 defined the role. But seeing Graham on screen in a movie theatre is one thing and interacting with her live is another. This is Graham’s only performance in the Bay Area in 2013 and is not to be missed.
Susan Graham as Dido in Act V of Berloiz’s Les Toyens, conducted by Fabio Luisi; produced by Francesca Zambello. 2012-13 season. Video: Metropolitan Opera. Graham is featured on SFS Media’s 2010 release Mahler Songs with Orchestra, singing selections from Mahler’s Rückert-Lieder. In October 2012, Graham released her first solo album since 2008, a compilation on Onyx titled Virgins, Vixens & Viragos, featuring music by Purcell, Berlioz, and Poulenc, among others.
Getting to Davies : Davies Symphony Hall is located at 201 Van Ness Avenue at Grove Street, in San Francisco’s Civic Center, just across the street from City Hall. The main entrance is on the south side of Grove Street between Van Ness Avenue and Franklin Street. Driving to San Francisco and Parking: Be sure to allow ample time when driving into San Francisco on the weekend and crossing the Golden Gate Bridge—on weekends, there can be a 15 to 30 minute back-up on Highway 101 South from Sausalito onwards due to congestion around the toll-plaza. Arrive early at your parking garage of choice because those also fill up on weekends. Recommended Garages: Two garages are very close to Davies— the Performing Arts Garage (1/2 block)(Grove Street between Franklin and Gough Streets) and Civic Center Garage (roughly 2 blocks) (McAllister Street between Polk and Larken Streets) (both have flat $15 pay cash as you enter policy on performance nights)
Tickets and information: www.sfsymphony.org , by phone at (415) 864-6000. Half-price tickets for children 17 and under are available for certain performances.
January 10, 2013 - Posted by genevaanderson | Symphony | Berlioz, Canteloube, Debussy, Delibes, Fauré, Hahn, Mahler Songs with Orchestra, Messager, Michael Tilson Thomas, MTT, MTT & Renée Fleming, Offenbach, Paul Verlaine, Poèmes, Renée Fleming, Robin Holloway, Saint-Saëns, San Francisco Symphony, SFS, Susan Graham, Virgins, Vixens & Viragos
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