San Francisco Opera’s Adler Fellows Perform Opera Favorites for last Sunday’s Marin Guild Gala
Those attending the Marin Chapter of the San Francisco Opera Guild’s annual Champagne Gala this Sunday were serenaded by the voices of angels— San Francisco Opera’s Adler Fellows —in an intimate program of opera arias and ensembles. The gala is the Chapter’s only fundraising event and takes place every August with a performance by the Adler Fellows at the San Domenico Music Conservatory in San Anselmo. Ninety-two people attended Sunday’s concert, which raised over $4500 to fund the Guild’s two most popular programs—the Opera à la Carte music education program for Marin County schools and the Guild’s popular Opera Previews, featuring renowned musicologists and the occasional degree-less deadbeat offering an in-depth look at the season’s operas.
The festivities began as the Guild’s chapter president, Camille Morishige, introduced special guests Ellen Kerrigan and Baker Peeples, who spoke passionately and humorously about their long-time involvement in the Opera à la Carte music education program for Northern California schools. This engaging Opera Guild program brings 45-minute adaptations of San Francisco Opera’s main stage operas to over 130 schools annually with a small travelling team—frequently including Kerrigan and Peeples—and works with students to actually produce an opera. Students learn first-hand about performance, technique and scenery and are given speaking roles, which they must memorize. The Marin Guild has been instrumental in funding the Opera à la Carte program for local schools that cannot afford the annual $300 participation fee. Since its inception 23 years ago, Kerrigan estimated that the program had introduced over 600,000 Northern California students to opera and launched a few careers in music. Several of the program’s initial donors, including George F. Lucas, were in the audience.
The crowd burst into laughter as Peeples quoted his favorite letter from a student: “Dear Opera à la Carte, Before I saw Opera à la Carte’s Die Fledermaus, I thought opera was the worst thing to happen to civilization. Since then, I have changed my mind.” This fall’s program will feature a charming adaptation of Gaetano Donizetti’s The Elixir of Love.
Each year, long-time opera patron and past Marin Chapter president, Vivienne Miller, enthusiastically helps organize the Adler Fellows’ Marin performance. The five Adler Fellows performing this year included Nadine Sierra, soprano; Daniel Montenegro, tenor; Ao Li, baritone; Ryan Kuster, bass-baritone; and David Hanlon, coach and accompanist. What a pleasure to see these rising opera stars perform in an intimate and informal setting and to have the chance to speak with them about their onstage roles in SF Opera performances this fall.
The Adler Fellows represent the finest young operatic voices in the country. Each year, only a few of the 20 San Francisco Opera Merola Opera Program participants—who themselves are selected from a pool of over 800 candidates—are invited to continue on as Adler Fellows. Under the guidance of San Francisco Opera General Director David Gockley and Opera Center Director Sheri Greenawald, the Adler Program offers intensive individual training and roles of increasing importance in San Francisco Opera’s main-stage season.
Sunday’s program included several popular and very demanding arias and ensembles that were especially selected by the Fellows. Before each piece, the Fellows set the scene, explaining what they liked and imbuing the plots with a modern and often humorous spin. The highlights included Daniel Montenegro and Ao Li singing the friendship duet, “Au fond du temple saint,” from Bizet’s Les pêcheurs de perles (The Pearl Fishers); Ryan Kuster as Don Giovanni in the duet “La ci darem la mano” with Nadine Sierra, as Zerlina, in a scene from Mozart’s Don Giovanni and Ao Li performing Dandini’s aria from Rossini’s La Cenerentola (Cinderella). Ryan Kuster gave a moving Blitch’s aria, or “Blitch’s Prayer of Repentance,” from Carlisle Floyd’s Susannah and a special treat was Daniel Montenegro performing the rarely heard beautiful aria “E la solita storia,” known as “Lamento di Federico,” from Francesco Cilea’s L’Arlesiana (The Woman from Arles).
Nadine Sierra was resplendent singing the aria “Je veux vivre” from Gounod’s Roméo et Juliette and as Adina in the wonderful duet, “Una parola, Adina” (“One word, Adina”), with Daniel Montenegro as Nemorino, in Donizetti’s “L’elisir d’amore” (The Elixir of Love). After the performance, she told me how excited and honored she was to be singing the role of Juliet Barbara, representing all women who suffered loss after 9.11, in the world premiere of Heart of a Solider, which opens Saturday, September 10, 2011 at SF Opera. Ryan Kuster will sing the role of a Mandarin and Daniel Montenegro will sing the role of Pong in Puccini’s Turandot, which opens SF Opera’s season on September 9, 2011.
The afternoon program closed with Daniel Montenegro and Ao Li singing one of the greatest tenor-baritone duets of all time, the rousing: “Dio, che nell’alma infondere,” from Verdi’s Don Carlo, in which Don Carlo and Rodrigo pledge themselves to the cause of liberty and to eternal friendship, to the backdrop of a militaristic march. Their duet was full of bravura and showcased these two young men, at their finest, clearly loving the chance to perform for such an enthusiastic audience.
After the performance, guests mingled with the artists and enjoyed champagne and savory hors d’oeuvres and desserts in the conservatory’s idyllic setting. Several gift baskets were raffled off and won by guild members. Verna Parino, 94, one of the Marin Chapter’s former presidents,
won one of the prizes and, gift bag in hand, was delighted to tell me all about her engrossing and in-depth research for Heart of a Soldier and her plans—already formalized– to attend the Ring cycle in Munich in 2012. (Click here to read ARThound’s interview with Verna about SF Opera’s Ring Cycle.) Susan Malott, Managing Director of the SF Opera Guild Board, was delighted with the turnout and enthusiasm and contributed several of her excellent photos to this article. ARThound will be following the Adler Fellows in their various performances this fall, so stay tuned.
Opera Previews Sponsored by the Marin Chaper of the San Francisco Guild for the 2011-2012 Season:
|Mon Aug 29, 2011, 8 p.m.||Turandot: Giacomo Puccini||Dr. Timothy Flynn: Olivet College, Assistant Professor of Music, Music Program Director|
|Thurs Sept 8, 2011, 8 p.m.||Heart of a Soldier: Christopher Theofanidas Donna DiNovelli||Dr. Mitchell Morris: Professor of Musicology, UCLA|
|Mon Sept 19, 2011, 8 p.m.||Lucrezia Borgia: Gaetano Donizetti||Dr. Mary Ann Smart: Professor of Musicology, U.C. Berkeley|
|Mon Oct 10, 2011, 8 p.m.||Don Giovanni: Wolfgang Amadeus Mozart||Dr. Simon Williams: Professor & Chair, Theatre & Dance Dept., U.C. Santa Barbara|
|Mon Oct 24, 2011, 8 p.m.||Serse (Xerxes): George Frideric Handel||Dr. Bruce Lamott: Director, Philharmonia Chorale|
|Thurs May 31, 2012, 8 p.m.||Nixon in China: John Adams||Dr. Stephen Hinton: Professor of Music, Stanford University|
|Mon June 4, 2012 8 p.m.||Attila: Guiseppe Verdi||Dr. Alexandra Amati-Camperi Dept Chair, Professor of Music, University of San Francisco|
All Opera Previews at held at Villa Marin, 100 Thorndale Drive, San Rafael. Time: 8 PM lecture; 7:30 PM complimentary tea/coffee and refreshments. Admission: $10 per lecture or $60 for series. For information, contact Tenki Davis at 415. 457.1118 or firstname.lastname@example.org.
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