Puccini’s “Tosca” opens Thursday, November, 15, 2012 at San Francisco Opera with two different casts—Romanian soprano Angela Gheorghiu and American Patricia Racette will split the lead role of Tosca
An intoxicating beauty, a lecherous villain, boldfaced treachery and murder, topped off by a spectacular suicide: Puccini’s Tosca delivers high drama with a supremely lyrical score that never fails to entertain. San Francisco Opera (SFO) closes its fall season with what looks to be a marvelous Tosca, conducted by SF Opera Music Director Nicola Luisotti and featuring two renowned casts of principal singers, rotating between 12 performances, as was the case with Rigoletto, which opened SFO’s fall season. Splitting the role of Tosca, Romanian soprano Angela Gheorghiu and American soprano and former Adler Fellow, Patricia Racette—two very strong but different voices—promise to enliven the production. Directed by former Adler fellow, Jose Maria Condemi, the production features a gorgeous series of tromp-l’oeil sets designed by Thierry Bosquet and inspired by a 1932 SFO production. Also starring are Italian tenor Massimo Giordano, in his SFO debut, and third-year Adler Fellow, American tenor Brian Jagde as Mario Cavaradossi, and Italian baritone Roberto Frontali and Mark Delavan (former Merolini Woton in recent SFO’s 2011 Ring Cycle, as Baron Scarpia. The final two performances will be conducted by Resident Conductor Giuseppe Finzi.
Romanian soprano Angela Gheorghiu opens the opera on Thursday, singing beside Massimo Giordano as Mario Cavaradossi and Roberto Frontali as baron Scarpia. Gheorghiu returns to SFO following her highly praised 2008 appearance as Mimi in La Bohème. Gheorghiu, known for her theatricality and fiery temperament is well suited for Tosca, one of the great diva soprano roles that not only requires powerful singing but convincing acting as well. For the opera to really succeed, Tosca needs to seduce not only those men on stage but the entire house too. Gheorghiu has previously sung Tosca at the Royal Opera, Covent Garden and Deustche Oper Berlin. She made her SFO debut in 2007 as Magda in Puccini’s La Rondine, a role she reprises this season at the Royal Opera, Covent Garden.
American dramatic soprano Patricia Racette is up on Friday, singing beside Brian Jagde as Mario Cavaradossi and Mark Delavan as Baron Scarpia. She is known for her spectacular suicide leap, which Tosca takes from a castle parapet at the end of the opera. Racette garnered accolades and headlines for the role of Tosca in 2010 when she in stepped in on late notice to make her Met role debut and has since reprised the role at Washington National Opera, the Ravinia Festival and again at the Metropolitan Opera.
Racette also continues her more than 20-year relationship with SFO which she began as a college senior when she won first prize in the Merola Opera Program auditions. She made her debut with the San Francisco Opera in 1989 as the voice of the priestess in Aida. She sang several more roles with SFO while in the Merola program, including Alice Ford in Falstaff, Rosalinda in Die Fledermaus, Sister Osmina in Suor Angelica, and Freia and Helmwige in The Ring Cycle. In 1991, she was made an Adler Fellow which led to several more performances at the SFO over the next two years, including Micaëla in Carmen, Dunyasha in War and Peace, the First Lady in The Magic Flute, and Mimì in La bohème. She most recently appeared at SFO in 2010, as Marguerite in Gounod’s Faust and in 2009 as each of the three heroines in Puccini’s triptych Il Trittico. She has performed in 29 mainstage productions with the Company.
In SFCV interview with Jason Serinus on 11/6/2012, Racette said “My teacher calls it my ‘glove opera.’ My voice is so very, very happy doing this part. It really likes to function just the way this role does….I love that he (Puccini) gives her (Tosca) these magnificent, soaring passages. I don’t feel like I’m singing when I’m doing it. It feels like completely raw emotion riding on music, as though I’m saying things or screaming things. And that’s what’s so masterfully presented in the score. When she drops into the lower part of her voice, there’s more of a maturity to her. It’s unlike any of Puccini’s other roles.”
This production, which was first conceived by opera impresario and stage director Lotfi Mansouri in 1997, is a re-creation of Armando Agnini’s Tosca production that opened the War Memorial Opera House on October 15, 1932 and featured the acclaimed Italian soprano, Claudia Muzio. The national anthem and first act of the opera were broadcast nationally and the opera and the house were given accolades. What better way to kick-off the holiday season than in this historic building with this dramatic and endearing opera.
Jose Maria Condemi’s staging is always interesting and innovative but true to Puccini’s very detailed staging instructions. For SFO’s June 2009 Tosca production, he was praised for cleverly moving the chorus members/extras on the stage so that they had real presence despite their non-speaking roles.
Masestro Luisotti always delights in his passionate conduciting of the SF Opera Orchestra and promises to be one of the highlights of the this production.
Run time is 2 hours and 40 minutes with two intermissions.
Details: War Memorial Opera House is located at 301 Van Ness Avenue, San Francisco. One of the last Beaux-Arts structures built in the United States, the Opera House seats 3,146, with 200 standing room places. Every performance features supertitles (English translations) projected above the stage, visible from every seat.
Performances: The twelve performances of Tosca are November 15 (7:30 p.m.), November 16 (8 p.m.), November 18 (2 p.m.), November 20 (8p.m.), November 21 (7:30 p.m.), November 24 (8 p.m.), November 25 (2 p.m.), November 27 (8 p.m.), November 28 (7:30 p.m.), November 29 (7:30 p.m.), December 1 (8 p.m.) and December 2, 2012 (2 p.m.). Click here to see cast scheduling information. Tickets: $22 to $340 at the Box Office, 301 Van Ness Ave., San Francisco, by phone at (415) 864-3330 or purchase online here. Standing Room tickets go on sale at 10 a.m. on the day of each performance; $10 each, cash only.
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