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Geneva Anderson digs into art

“Maria Stuarda,” Donizetti’s powerful Tudor queen opera, never before performed at the Met, screens on “Met Live in HD” this Saturday, January 19, 2013

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While history informs us that that Mary, Queen of Scotts never actually met Queen Elizabeth I, Donizetti couldn’t resist putting the two rival queens together to clash it out in his dramatic 1834 opera, “Maria Stuarda.”  The Metropolitan Opera premiered this fiercely dramatic opera—the second opera from Donizetti’s bel canto trilogy about the Tudor queens—on New Year’s Eve. With Joyce DiDonato as Mary Queen of Scotts and the debut of the remarkable San Francisco-trained South African soprano Elza van den Heever as Elisabetta, the power struggle between the two queens with two sets of religious beliefs and only one possible, bloody outcome couldn’t have been better cast.  This David McVicar production will be transmitted live around the world on Saturday, January 19, 2013 as part of The Met: Live in HD series and will play at 10 a.m. PST in Sonoma County at Sebastopol’s Rialto Cinemas.   Encore performances will play on Wednesday, January 23, 2013 at 1 p.m. and 7 p.m.  Approximate running time: 166 minutes

 Those lucky enough to have experienced Joyce DiDonato’s rapturous “Drama Queens” performance in November at the Green Music Center’s Weill Hall know what magic this Grammy Award winning mezzo is capable of—channeling the very soul of her composers.  While the role of Mary is normally a soprano role, it’s been transposed for diDonato’s rich and expressive mezzo.  Here’s a taste of the passion DiDonato delivered while practicing the role. Deborah Voight’s interview was part of the Met Live in HD transmission of “Un Ballo in Maschera” on December 8, 2012 and speaks to the wonderful extras that are part and parcel of every Met: Live in HD experience—

Elza van den Heever went to extraordinary lengths to portray the legendary Queen, who is vividly developed in this production.  She even shaved her head in order to better suit the elaborate wigs and high forehead depicted in portraits of the Monarch.  The Wall Street Journal’s Heidi Waleson noted that her “big, well-controlled soprano” was “steely and assertive, with the flexibility to pull off Elizabeth’s vengeful, vitriolic cabalettas.”  And I can’t wait to see her in a wide red skirt by John Macfarlane that opens like curtains to reveal pants. Van den Heever is a graduate of the San Francisco Conservatory of Music, the Merola Opera Program and San Francisco Opera’s (SFO) Adler Fellowship Program.  At SFO, she last portrayed Mary Curtis Lee (general Lee’s wife) in the 2007 world premiere of Philip Glass’s Appomattox and Donna Anna in the Company’s 2007 Don Giovanni. She has also partnered with Michael Tilson Thomas and the San Francisco Symphony, notably in their triple Grammy Award winning 2009 release of Mahler’s Symphony No. 8.

Originally premiered in 1835, Maria Stuarda is based on the German writer, Friedrich Schiller’s play Mary Stuart, which depicts the final days of Mary, Queen of Scots, who was viewed as a challenger to Elizabeth I’s throne and beheaded in 1587. 

“In this mid-point opera we are really focusing on the relationship between two queens in the same moment and the political impossibility of these two women co-existing on the same small island,” said Mr. McVicar.  “It’s based on the Schiller dramatization of Mary’s story which contains the great, mythical scene – which never actually happened in history – when the two queens meet and have a cataclysmic showdown.  It crackles with drama, it crackles with romance and it’s a very, very powerful mid-point in the trilogy of these three operas.”

For Maria Stuarda, Mr. McVicar works with fellow Scotsman, John Macfarlane on set and costume designs. Mr. Macfarlane’s previous work at the Met has included the much-loved fantastical sets and costumes for Hansel and Gretel. Mr. McVicar says that this new production embraces the romance of Maria Stuarda, rather than realism: “When we did the production of Anna Bolena last season at the Met, we went for the ’nth-degree of historical accuracy, particularly in the costuming. With Maria Stuarda being a different type of opera, we’ve gone for a visual style that is free-er, that is more romantic and which somehow, rather than reflecting history, reflects the romantic nature of this retelling of the story and the sweeping romantic nature of Donizetti’s music.”

Cast: Joyce DiDonato, Maria Stuarda; Elza van den Heever, Elisabetta; Matthew Polenzani, Leicester; Joshua Hopkins, Cecil; Matthew Rose, Talbot

Artistic and Production Team: Conductor, Maurizio Benini; Production, David McVicar; Set & Costume Design, John Macfarlane; Lighting Design, Jennifer Tipton; Choreographer, Leah Hausman

Details:  “Maria Stuarda” is Saturday, January 19, 2013 at 10 a.m. (PST), with encore (re-broadcast) performances on Wednesday, January 23, 2013 at 1 p.m. and 7 p.m. (PST).  .  Purchase tickets, $23, for Sebastopol’s Rialto Cinemas and select your seat here.   A list of participating Bay Area cinemas and online ticket purchase is available at www.FathomEvents.com.  For a complete list of cinema locations nationwide and schedule, please visit The Met: Live in HD.  Ticket prices vary by location.  NO ONE cares what you wear or what you eat or drink but please be kind enough to elbow your snoring partners to consciousness.

Sonoma County:
Rialto Cinemas Lakeside
551 Summerfield Road
Santa Rosa, CA 95405

Questions: opera@rialtocinemas.com

Napa County:
Cinemark Napa 8
825 Pearl Street
Napa, CA 94559

Marin County:
The Lark Theater
549 Magnolia Avenue
Larkspur, CA 94939

Cinemark Century Northgate 15
7000 Northgate Drive
San Rafael, CA 94903

Cinemark Cinearts Sequoia 2
25 Throckmorton Avenue
Mill Valley, CA 94941

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January 17, 2013 - Posted by | Opera | , , , , , , , , , , , , , , , , , , , ,

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