San Francisco Symphony performs with MTT at Weill Hall this Thursday, September 12, 2013
As an appetizer to the delights that await us at Weill Hall in its second year, the San Francisco Symphony (SFS) heads North this Thursday, September 12, for “MTT conducts Tchaikovsky’s Piano Concerto No. 1,” the first in a four concert series at Green Music Center (GMC) scheduled for the 2013-14 season. In his only GMC performance this season, Michael Tilson Thomas (MTT), who became SFS Music Director in 1985, will lead SFS in a program that includes the highly-anticipated West Coast premiere of young Canadian conductor Zosha Di Castri’s “Lineage.” Di Castri, 28, is the first recipient of a New Voices Commission a program conceived of by MTT in collaboration with SFS, the New World Symphony Orchestra and publishing house Boosey & Hawkes. The headliner is renowned guest pianist, Yefim Bronfman, who joins SFS for Tchaikovsky’s First Piano Concerto, one of the musical icons of Russian Romanticism and one of Bronfman’s signature offerings. SFS also plays Prokofiev’s otherworldly, outrageous, and over-the-top Third Symphony, based on material from the composer’s daring opera The Fiery Angel.
Program—Michael Tilson Thomas conducts SFS, with guest artist Yefim Bronfman
Zosha Di Castri
Concert is approximately 1 hour and 40 minutes, including intermission
Inside Music at 7 PM: Composer Zosha Di Castri and Peter Grunberg, musical consultant to SFS and Musical Assistant to MTT, will give an informative talk. Free to ticketholders.
Yefim Bronfman— Affectionately known as Fima, Yefim Bronfman has been a frequent guest of the San Francisco Symphony since 1984. He last performed with MTT and the Orchestra at Davies Symphony Hall and the Green Music Center at Sonoma State University in December 2012 in concerts of Beethoven’s Piano Concerto No. 5. Among his recent recordings is one of Tchaikovsky’s Piano Concerto No.1 with Mariss Jansons and the Bayerischer Rundfunk (2007) on Sony. He performed Magnus Lindberg’s Piano Concerto No. 2, commissioned for him, with Alan Gilbert and the New York Philharmonic and released on the Da Capo label. This year The Wall Street Journal praised Bronfman as “a fearless pianist for whom no score is too demanding,” and added, “…a more poetic touch has lately complemented his brawny prowess.”
Zosha Di Castri talks with Jeff Kaliss of San Francisco Classical Voice about “Lineage.” Video by Beth Hondi
Zosha Di Castri— The inaugural New Voices composer, Zosha Di Castri is a Canadian composer and pianist living in New York. She is currently pursuing doctoral studies in composition at Columbia University, studying with Fred Lerdahl and teaching composition, electronic music, and music history. Her work has been performed in Canada, the US, and Europe by the Edmonton Symphony Orchestra, the Internationale Ensemble Modern Akademie, L’Orchestre de la Francophonie, the NEM, JACK Quartet, L’Orchestre national de Lorraine, members of the L.A. Philharmonic and Chicago Symphony Orchestra, and Talea Ensemble. She has participated in residencies at the Banff Center, Domaine Forget, the Nouvel Ensemble Moderne’s Forum, and the National Arts Centre’s summer program. She was named a laureate of the 3rd International Composer’s Competition for the Hamburger Klangwerktage Festival, won two SOCAN Foundation awards for her chamber music in 2011, and in 2012, tied for the John Weinzweig Grand Prize for her first orchestra piece Alba, commissioned by John Adams and Deborah O’Grady and premiered at the Cabrillo Festival in 2011. Recently, her work Cortège garnered her the Jules Léger Prize for New Chamber Music.
Di Castri’s work includes interdisciplinary collaborations in the realms of electronic music, sound installation, video, performance art, and contemporary dance. Her latest mixed-media works include Akkord I for flute, piano, electronics, and large sculpture, and a collaboration with choreographer Thomas Hauert of the ZOO Contemporary Dance Company on a new piece for electronics and dance at Ircam in Paris. She is also creating a new evening-length work for ICE in collaboration with David Adamcyk for ICElab 2014.
Details: “MTT conducts Tchaikovsky” is September 12, 2013 at 8 PM at Green Music Center. Tickets $156-$20. Advance ticket purchase for SFS at Green Music Center must be made through the SFS Box Office Box Office at (415) 864-6000 or online here. You can choose your seat yourself only by phone; if you purchase tickets in advance online, best available seating will be assigned. Tickets can also be purchased on September 12 in person at the Green Music Center Box Office one hour before the performance. As of Tuesday morning, there was amply orchestra seating available.
For more information about San Francisco Symphony, visit http://www.sfsymphony.org/index.aspx
For more information about the Green Music Center, visit www.gmc.edu.
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