ART hound

Geneva Anderson digs into art

Dog Lovers! Tonight is your night…. Julian Roman Pölsler’s “The Wall” (“Die Wand”) screens at 8:45 at the Smith Rafael…part of a week of screenings of foreign Oscar nominees

As the only human survivor after an unexplained global tragedy, German actress Marina Gedeck bonds tightly with her loyal dog in Julian Roman Pölsler’s “The Wall” a film that is true to Marlen Haushofer’s exceptional novel . Image: courtesy of Music Box Films

As the only human survivor after an unexplained global tragedy, German actress Martina Gedeck bonds tightly with her loyal dog in Julian Roman Pölsler’s “The Wall” a film that is true to Marlen Haushofer’s exceptional novel . Image: courtesy of Music Box Films

I wouldn’t be ARThound if I didn’t do a special shout-out for Lynx, the amazing hound that co-stars in  The Wall (Die Wand, 2012) which screens tonight (Wed) at 8:45 PM at the Smith Rafael (Christopher B. Smith Rafael Film Center)  as part of their week of exceptional screenings of foreign Oscar nominations from around the world…. I can’t say it enough… consistently awesome programming!

The Wall (Die Wand):  Austrian director Julian Roman Pölsler’s film is based on Marlen Haushofer’s 1962 dystopian hit novel of the same name (just re-printed in English). The film stars German actress Martina Gedeck from the brilliant 2006 Stassi thriller The Lives of Others (Das Leben der Anderen) and tells the story of a completely ordinary middle-aged woman (Gedeck) who is vacationing with friends in a remote mountain hunting lodge.  Her friends go out to a pub and she stays back with the dog and when they don’t come back, she makes a very creepy discovery.  She is imprisoned on the mountainside by an invisible wall, behind which there seems to be no life.  She appears to be the sole remaining human on earth, along with the dog (a red hound that will steal your heart),a cow, a cat, and a kitten, with which she forms a tight-knit family.

The film rests entirely on Gedeck’s shoulders and she is riveting, delivering a very credible performance that will leave you shivering and running home to snuggle with your dog.  The odd beauty of this film is that this last survivor scenario may be your own romanticized idea of heaven, or hell (Who hasn’t said  “Fuck the world! I’m sick of people…give me just my dog!), but watching Gedeck use her time laboring hard, protecting her pack, and introspectively processing her present life, leads us to right into her moments of intensely felt angst, terror, joy and sorrow. (Screens Wednesday, January 15, 2014 at 8:45 PM, Smith Rafael)

I first reviewed The Wall when it screened at last year’s Berlin & Beyond Film Festival—the very best new films by German, Austrian and Swiss directors—a noteworthy jewel in the huge array of festivals.  This year, the 18th annual Berlin & Beyond Film Festival, kicks off this evening at San Francisco’s historic Castro Theatre with Georg Maas’ Two Lives (Zwei Leben, 2012), Germany’s official entry, short-listed for the best foreign language Oscar at the 2014 Academy Awards.  Click here to read ARThound’s coverage of this year’s Berlin & Beyond.)  Two Lives also screens tomorrow (Thursday) at 6:30 PM at the Smith Rafael and filmmaker Maas will be in attendance for what will be a riveting Q&A.  So, in San Rafael, you’ve got the opportunity to see two great German-language films back-to-back as part of their foreign Oscar nominee programming and, in San Francisco, Berlin & Beyond offers 30 feature length German-language films and 7 shorts over the next week (including six North American premieres and two US premieres).

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January 15, 2014 - Posted by | Film | , , , , , , , ,

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