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Dmitri Hvorostovsky in recital at Davies Hall Sunday, May 25, 2014

Russian baritone Dmitri Hvorostovsky will be performing a program of Russian songs Sunday, May 24, 2014 at Davies Symphony Hall with his longtime artistic partner Ivari Ilja.  Hvorostovsky (52) was last heard in North America at the Metropolitan Opera last fall when he made his acclaimed role debut as Verdi’s “Rigoletto.”  This month, he will be inducted into the Gramphone Hall of Fame.  His most recent solo recording is “In this Moonlit Night” (Ondine, 2013).  In 1989, he won the prestigious BBC Cardiff Singer of the World Competition.  Photo: Pavel Antonov

Russian baritone Dmitri Hvorostovsky will be performing a program of Russian songs Sunday, May 24, 2014 at Davies Symphony Hall with his longtime artistic partner Ivari Ilja. Hvorostovsky (52) was last heard in North America at the Metropolitan Opera last fall when he made his acclaimed role debut as Verdi’s “Rigoletto.” This month, he will be inducted into the Gramophone Hall of Fame. His most recent solo recording is “In this Moonlit Night” (Ondine, 2013). In 1989, at age 27, he won the prestigious BBC Cardiff Singer of the World Competition. Photo: Pavel Antonov

A shout out to opera devotes.  Russian baritone Dmitri Hvorostovsky, a.k.a. the “Silver Fox,” the “Siberian Express” is in town.  He will be performing a program of Russian classics Sunday evening at Davies Hall, accompanied by his long-time recital partner, Estonian pianist Ivari Ilja, the final concert in San Francisco Symphony’s Great Performers Series. There are plenty of great seats still available. There’s not much that can pull me away from gorgeous Sonoma County during a long holiday weekend but I’m not missing my first chance to experience this great singer live in recital, especially since I’ve been following him so avidly through the Metropolitan Opera’s Live in HD transmissions.  There are plenty of great seats still available and, unless the situation changes dramatically by Sunday (do check!), it will be possible to just show up at the Symphony Box Office prior to the performance and select tickets on the spot without having to pay additional fees.

Hvorostovsky, who is based in Russia, has been on his North American tour since mid-May.  He comes to San Francisco from L.A., where he performed Thursday at Los Angeles Opera.  For his West Coast performances, he is presenting a Russian program of Pushkin-inspired romances by Glinka, Borodin, Rachmaninoff, Tchaikovsky and others as well as Shostakovich’s haunting late-period “Suite on Verses of Michelangelo Buonarroti” from 1974.  The rarely performed work is based on chosen texts from Michelangelo (translated into Russian).  Every text has to do with the life and work of the artist, with his achievements, his set-backs, his loves and his sense of destiny.  The texts are arranged into a dramatic cycle of ten songs, with an eleventh hanging at the end, which trace an arc of the poet’s life and the entire cycle has resonances of Musorgsky and Mahler, two of Shostakovich’s heroes.

You may have noticed that the Green Music Center’s newly announced 2014-15 Season is devoid of opera, which so punctuated their fabulous first season.  This makes superstar Hvorostovsky’s presence in the Bay Area a treat to be savored even more.  The performance will be well worth the drive in the City.  Who can forget the great baritone’s last Met Opera Live in HD performance in December 2012 when he sang Renato (Count Anckarström) to Sondra Radvanovsky’s Amelia Anckarström in David’s Alden’s new production of Verdi’s “Un Ballo in Maschera”?  (Both Hvorostovsky and Radvanovsky reprise their roles in the Met’s spring 2015 production of the opera with James Levine conducting.)  One of the pleasures of the HD transmissions is that they are almost as good as being there BUT when you’ve got the chance to experience an artist live and help create the magic, you don’t want to miss it because it will make all the artist’s subsequent performances that you see all the more resonant.  And, of course, a cinematic experience of an opera can be very different from the impression it makes in house because the camera focuses on the important details and often ignores the bigger picture.  Enough said.

My colleague, music critic Sean Martinfield, who writes for Huffington Post, was lucky enough to secure the only interview that Hvorostovsky granted for this Davies appearance. (click here for full interview)  Speaking on Shostakovich’s rarely performed Suite on Verses of Michelangelo Buonarroti, Hvorostovsky said— “The cycle is amazing.  Shostakovich wrote it for piano to begin with and then decided to re-write it for symphony orchestra which he dedicated to the first performer, Evgeny Nesterenko. The way it’s written for piano is so colorful that it sounds like an orchestra. The translation of the poetry of Michelangelo Buonarroti sounds incredible. There has only been one example, by Dietrich Fischer-Dieskau, who decided to sing the songs in the original Italian. I think it was a failure, because you have to move the accents and stresses. The way it sounds in Russian is so complete. It is a cycle where two geniuses meet with each other and create an amazing impact of classic and contemporary. It absolutely reflects the reality we live in now.”

In 2004, Hvorostovsky, who hails from Krasnoyarsk, Siberia, became the first Russian opera singer to give a solo concert with orchestra and chorus on Red Square in Moscow and the concert was televised in over 25 countries.  He has gone on to sing a number of prestigious concerts in Moscow as a part of his own special series, “Dmitri Hvorostovsky and Friends” inviting celebrated artists as Renée Fleming, Jonas Kaufmann, Marcello Giordani, Sumi Jo and Sondra Radvanovsky to join him. In 2005 he gave an historic tour throughout the cities of Russia at the invitation of President Putin, singing to crowds of hundreds of thousands of people to commemorate the soldiers of the Second World War.  He now annually tours the cities of Russia and the former Eastern Europe.  In the video clip below, from the famous Red Square Concert on June 19, 2013, Hvorostovsky is joined by soprano Anna Netrebko as Lev Kontorovich conducts the Masters of Choral Singing choir and Constantine Orbelian conducts the Russia State Symphony Orchestra. They sang Verdi, Puccini and Tchaikovsky, bringing the audience of 8,000 to a stunned silence with an aria from “Eugene Onegin. For the finale, Hvorostovsky sang “Dark Eyes,” one of the most famous Russian romances.

 

2014-15 Guest Vocalists at San Francisco Symphony: Soprano Ruth Ziesak and baritone Christain Gerhaher in Brahms’s A German Requiem (Feb 19-21, 2015); Soprano Dawn Upshaw in Ades & Upsahw (March 5-7, 2014); Mezzo Soprano Sasha Cooke and Soprano Joélle Harvey in Beethoven’s Missa solemnis (June 10-13, 2015); Soprano Karita Mattila in Beethoven’s Pastoral Symphony (June 17 and 19, 2015); Soprano Nina Stemme in Beethoven Festival Fidelio (June 25-6, 2015)  Tickets and subscription packages are on sale now.

Details: “Dmitri Hvorostovsky in Concert” is Sunday, May 25, 2014 at 8PM at Davies Symphony Hall, San Francisco.  Tickets: $15 to $84; purchase online here, or, call (415) 864-6000. For more information, visit www.sfsymphony.org.

Getting to Davies:  Davies Symphony Hall is located at 201 Van Ness Avenue, at Grove Street, in San Francisco’s Civic Center, just across the street from City Hall.  The main entrance is on the south side of Grove Street between Van Ness Avenue and Franklin Street.

Driving to San Francisco and Parking: Be sure to allow ample time when driving into San Francisco on the holiday weekend and crossing the Golden Gate Bridge—there is frequently congestion en route to Davies Hall.  Arrive early at your parking garage of choice as these also fill up early on weekends.  Recommended Garages:  Two garages are very close to Davies— the Performing Arts Garage (1/2 block)(Grove Street between Franklin and Gough Streets) and Civic Center Garage (roughly 2 blocks) (McAllister Street between Polk and Larken Streets) (both have flat $15 pay cash as you enter policy on performance nights)

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May 23, 2014 - Posted by | Classical Music, Opera, Symphony | , , , , , , , , , , , , , , , ,

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