CAAMFest—Asian American film, food, music and comradery kicks off Thursday, March 12, and runs for 11 days in San Francisco, Berkeley and Oakland
The Center for Asian American Media’s CAAMfest turns 33 this year and continues its morph from a pure film festival into a series of festive happenings that fuse cutting edge independent film with music and food—all with an Asian American twist. CAAMFest takes place over the next 11 days in venues all around the Bay Area including the Asian Art Museum and the Oakland Museum of California, which add their enticing exhibits to the mix. Formerly the San Francisco Asian American Film Festival (SFIAAFF), CAAMFest 2015 offers more than 100 movies and videos focused on the discovery of new talents, voices and visions. It’s by far the largest festival of Asian American movies in North America. Under the leadership of Masashi Niwano, now in his fifth year as festival & exhibitions director, the event has become one of the country’s major platforms for conveying the richness and diversity of the Asian American multicultural experience. ARThound loves this festival because it’s so excellently curated, delivering rich and unusual stories from around the globe that stay with you for years.
This year, you’ll see Asian American broadly defined too. Iranian director Rakshan Banietemad’s new film, Tales, which picked up the award for Best Screenplay at Venice, caught the CAAMFest programmers’ eyes, not just because it’s a great film but because the director, working under dior conditions in Iran, creatively stitched together a series of shorts, stories from her previous films, to create a full length film. In so doing, she managed to navigate the bureaucracy of the Iranian cultural ministry which requires a license for a feature but not for shorts. Bravo! There are also stories involving the Asian diaspora. Juan Martín Hsu’s La Salada is set in Argentina’s bustling discount market, La Salada, just outside of Buenos Aires, and involves an ensemble cast of Korean, Taiwanese, and Bolivian immigrants whose experiences all converge at the market. It’s thus no surprise that “travel” is this year’s theme. Opportunities for armchair travel abound and over 200 guests will be flying in CAAMFest.
Opening Night: The festival kicks off at the historic Castro Theatre on Thursday evening (March 12), with Benson Lee’s Seoul Searching (2015), his new feature film which garnered quite a buzz when it premiered at Sundance in January. A tribute to the 1980’s teen movies of John Hughes, but infused with a Korean sensibility and Lee’s own experiences, this dramedy is set in a state run summer camp in Korea that brings together Korean teens from all over the globe for the purpose of teaching them about their culture. Lee uses the teen’s stories, and their unexpected twists, to explore the Korean diaspora. Lee’s Planet B-Boy, about break-dancers in an international competition, won best documentary and the audience award at CAAMfest in 2008. Lee and several cast members will attend.
Opening Gala: After the screening, there’s an opening night gala at the Asian Art Museum, with a 1980’s dance party with cocktails and fine food amidst the Seduction exhibit of Edo-period Japan. The exhibition has over 60 works of art and features Japanese artist Hishikawa Moronobu’s (1618-1694) spectacular 58 foot long painted silk handscroll, A Visit to the Yoshiwara, which is shown completely unfurled for the first time. The masterpiece, on loan from the John C. Weber, depicts daily life in the entertainment district in the 17th century.
CAAMfest’s Centerpiece movie: Shonali Bose’s Margarita with a Straw (2014) screens at Castro on Sunday, March 15th and represents the powerful storytelling and moments of palpable intimacy that CAAMFest is famous for. Kalki Koechlin plays Laila, a young woman from Delhi who is determined not to let her cerebral palsy interfere with her life —she writes lyrics for a rock band, flirts wildly with her classmates and dreams of going to New York to participate in NYU’s prestigious creative writing program to which she’s been admitted. Set in Delhi and New York, the film is a brave and glorious homage to that old adage—“follow your heart.”
Closing Night: The festival’s closes with Bruce Seidel’s Lucky Chow, a six-part PBS series which will be showcased over the course of two days—Saturday and Sunday, March 21 and 22—at Oakland’s New Parkway Theater. The series features Danielle Chang (LUCKYRICE culinary festival founder) as she travel across America, taking in the Asian food landscape. Accompanying the film will be an Asian-inspired curated menu from the New Parkway kitchen. Other food-related films are Grace Lee’s Off the Menu: Asian America and Edmond Wong’s Supper Club exploring Bay Area restaurants.
Honoring the 40th anniversary of Cambodia’s fall to the Khmer Rouge: Lest we not forget the tragic moments that also define cultures, CAAMfest is presenting a collection of powerful stories of survival and resiliency from Cambodia’s tragic Khmer Rouge period. As part of the Spotlight feature on acclaimed filmmaker Arthur Dong, his new documentary, The Killing Fields of Dr. Haing S. Ngor, chronicles the years encapsulating the Khmer Rouge’s tyranny through the eyes of Dr. Haing S. Ngor, who escaped to America and recreated his experience in the film The Killing Fields, for which he won an Academy Award in 1984. Dong will be in conversation with film critic and author B. Ruby Rich on Friday, March 20 at New People Cinema.
Perfectly Peachy: The festival is also honoring the Masumoto Family, fourth generation peach California peach farmers, with a CAAMFeast Award and a special evening of storytelling at the OMCA (Oakland Museum of California) on Friday, March 20, where the CAAM-produced documentary, Changing Season: On the Masumoto Family Farm, will have its world premiere. The entire family— Mas, Marcy, Nikiko and Korio Masumoto—will be in attendance. The Masumotos, who have an 80 acre farm south of Fresno, are famous for their highly-prized heirloom Sun Crest peaches and tenacious adherence to sustainable practices as well as their lyrical writing on farming and food. When was the last time you visited the Oakland Museum? CAAMFest provides a perfect opportunity to combine film with art. Fertile Ground: Art and Community in California (ends April 12) is an exciting collaboration between SFMOMA and OMCA that explores California artists, many of them Bay Area artists. Marion Gray: Within the Light (ends June 21) is a riveting exploration of San Francisco-based photographer Marion Gray’s work over the past 40 years documenting Bay Area artists and art happenings. Bees: Tiny Insects, Big Impact (ends September 20) will educate and entertain the entire family.
Music: In addition to the movies, Korean musicians have a strong presence at CAAMFest with performances from Awkwafina (Chinese Korean American rapper Nora Lum from Queens) and Suboi, the Vietnamese “Queen of Hip Hop” and a host of other party rockers who will keep things lively before and after the movies.
Stay tuned to ARThound for an interview with the Masumotos about all things peachy.
When/Where: CAAMfest 2015 runs March 12-22, 2014 at 8 screening venues in San Francisco, Berkeley, and Oakland and as well as select museums, bars and music halls.
Tickets: This popular festival sells outs, so advance ticket purchase is highly recommended for most films and events. Regular screenings are $14 with $1 to $2 discounts for students, seniors, disabled and current CAAM members. Special screenings, programs and social events are more. Festival 6-pack passes are also available for $75 (6 screenings for price of 5). All access passes are $450 for CAAM members and $500 for general. Click here for ticket purchases online. Tickets may also be purchased in person and various venue box offices open one hour before the first festival screening of the day. Rush Tickets: If a screening or event has sold all of its available tickets, there is still a chance to get in by waiting in the Rush line. The Rush line will form outside of the venue around 45 minutes before the screening is set to begin. Cash only and one rush ticket per person and there are no guarantees.
No comments yet.