ARThound

Geneva Anderson digs into art

SIFF2020 is postponed due to COVID-19 risk

“Born a King,” SIFF2020’s opening night feature, was slated to screen at Sonoma’s historic Sebastiani Theater on March 26.  Shot in the UK and Saudi Arabia, the Spanish co-production is the coming of age story of the future King Faisal (played by Abdullah Ali), who in 1919 was sent to on a high-stakes diplomatic mission to England by his warrior father, Prince Abdul Aziz.   His task was to resolve issues around the unification of Saudi Arabia.  At the time, England was fostering dissent by selling weapons to numerous Saudi tribes to encourage warring among themselves instead of collaboration.  The story follows the 14 year-old Arab prince from the Arabian desert to cosmopolitan England where he encounters Lord Curzon, Winston Churchill, and Princess Mary.  SIFF2020 will feature over 90 films, including indie features, docs, world cinema and shorts.

Originally scheduled for March 25-29, 2020, the 23rd Sonoma International Film Festival (SIFF2020) has joined the ranks of North Bay cultural organizations that have postponed programming due to COVID-19 concerns.  The move makes sense for this beloved high-end festival which prides itself on film shown in intimate venues and partying in close quarters.  SIFF’s renowned Backlot tent features lavish self-serve buffet tables with local delicacies as well as wine from Sonoma vintners and trendy beverages.  Festival Director Kevin McNeely promises “We’ll be back.”  For those who have purchased passes or tickets to special culinary and wine events, the festival is asking for patience instead of requests for refunds. Check SIFF’s website for updates on the new date: http://www.sonomafilmfest.org

 

March 11, 2020 Posted by | Film, Food | , , , , , , | Leave a comment

The 22nd Sonoma International Film Festival kicks off Wednesday—here are your must-see’s

Luminous, emotional, dazzling…if you see just one of SIFF’s 123 films, see Yuli!  Directed by Catalan filmmaker Icíar Bollaín (Take My Eyes) and written by Paul Laverty (I, Daniel Blake) with cinematography by Alex Catalán, this bio-pic follows Cuban dance super-star, Carlos Acosta, from his early life in an impoverished Havana neighborhood as he defies all odds and becomes the first black artist to perform as Romeo at the Royal Ballet in London. Acosta goes on to dance in the world’s leading companies and form his own dance company in Havana.  Bollaín masterfully conveys the pride, frustration and contradictions of living in Castro’s Cuba.  Wonderful performances by Carlos Acosta and the participation of the Acosta Danza Company will raise your heart beat.

Ask anyone who makes the film festival circuit and they’ll tell you that the Sonoma International Film Festival (SIFF) tops their list for the “best time” fests–good film, incredible atmosphere, great parties and music, and the Backlot tent’s superb food and unending flow of wine and craft booze.  The 22nd edition of this gem kicks off Wednesday, March 27, with an opening-night reception at the Backlot Tent from 5 to 7 pm, followed by two screenings of Bruce Beresford’s new period drama, Ladies in Black. SIFF continues in full force Thursday through Sunday offering some 123 films from 31 countries with an anticipated 200 filmmakers in attendance who will participate in on stage interviews and audience Q&A’s.  All films are shown at seven intimate venues within walking distance of Sonoma’s historic plaza so there’s no driving, just meandering charming streets where all the plants are beginning their glorious spring bloom.

SIFF has lots to offer both locals and destination visitors.  Festival passes are the way to go if you’re interested in easy access to films, the marvelous parties, and the Backlot tent.  If you want to see a few films, single tickets are $15 when purchased in advance.  SIFF caters heavily to pass holders and offers just a limited number of individual tickets for many of its films.  Lock in those tickets right now before they are snapped up.  Click here to read about all the pass options and price points.

Here are ARThound’s festival recommendations:

OPENING NIGHT (WED):  Ladies in Black

Australian director Bruce Beresford’s drama Ladies in Black stars Julia Ormond and Angourie Rice and powerfully recreates the postwar culture of 1950’s Sydney.  It took Beresford (Driving Miss Daisy (1989), Tender Mercies (1983)) 24 years to bring the story to the big screen but it has become Australia’s highest grossing film, ever.  Photo: Sony Pictures, Lisa Tomasetti

Based on Madeleine St. John’s 1993 debut novel The Women in Black, Ladies in Black is set in 1959 Sydney at a time when European migration and the women’s movement are starting to impact Australiaand offers an upbeat reflection on the impact of immigration and integration.  Julia Ormond (Mad Men) stars as Magda, a wise and sophisticated Slovenian emigre who heads the evening wear section of a large department store.  She, along with several other immigrants from Central and Eastern Europe, are vital to the store’s success.  Angourie Rice plays the fresh faced and adorable student, Lisa, who lands a temporary job at the store and ends up working alongside these glamorous and self-assured women who encourage her to embrace fashion and to empower herself.  SIFF always pairs shorts with features.  Screening first is Domee Shi’s 8 minute animated film Bao about a dumpling that springs to life as a lively growing boy and gives a weary Chinese mom a life lesson.

Beauty and Ruin (THURS)

A still from Marc de Guerre’s feature documentary Beauty and Ruin of school children at the Detroit Institute of Art. Photo: courtesy Subject Chaser Films

How much does art matter to a city on the verge of distinction?  Canadian director Marc de Guerre’s latest feature documentary explores the fate of the Detroit Institute of Art (DIA), one of America’s great art museums, in the wake of the city’s 2013 bankruptcy.  With a debt approaching $18.5 billion in 2014, and the DIA the largest asset the city of Detroit owns outright, a bitter brawl emerges over whether the city-owned artworks should be sold to pay down the debt.  DIA housed 66,000 artworks, including an irreplaceable collection of European masterpieces from Titian, Van Eyck, Rembrandt, Bellini, Brueghel, Tintoretto, Fra Angelico and dozens of others. Most of these were bought during the 30-year period, a century ago, when Detroit was the center of American industry.  No other American museum the size of the institute has ever confronted such a threat to the integrity of its collection.  Emotions and racial tensions reach their zenith when it is revealed that the pending bankruptcy has put the pensions of retired city workers are at risk.  This thorough unpacking of the museum’s story includes interviews with all the key players—the DIA director, the Emergency Manager of Detroit, the retirees, an activist Baptist pastor and acclaimed artist Charles McGee.  Screens: Thursday March 28, 6:30 p.m., Sonoma Valley Museum of Art. Open to festival pass-holders only.

Botero: (THURS and FRI)

A still from Don Millar’s documentary, Botero, the definitive documentary profile of the life and work of Fernando Botero, one of the world’s most recognized living artists.   Image: Hogan Millar Media

Directed by Canadian film and television director, Don Millar (Oil Slick, Full Force, Off the Clock), Botero offers a poetic behind-the-scenes look at the life and art of the 86-year-old self-taught Colombian painter and sculptor whose unique style always evokes strong reactions.  Art critic Rosalind Krauss of Columbia University calls his work “terrible,” while others offer praise and penetrating insight into his oeuvre, calling Botero’s critics intellectual snobs.  Don Millar lets you decide.  Either way, Botero’s story is fascinating.  Born in provincial Medellin, Colombia, in 1932, he arrived in New York as a young artist with $200 in his pocket.  Through a stroke of luck, he meets a curator whose connections get him into MOMA and, all of a sudden, he is famous. “I like fullness, generosity, sensuality” says Botero.  “Reality is rather dry.”  The audience learns that, even today, Botero is happiest in his Monaco studio where he says he is still learning as he strives to be the best painter in the world, because “my life is to paint.”  The film weaves together original footage shot in 10 cities across China, Europe, New York and Colombia, with decades of family photos and archival footage alongside unprecedented access to the artist.  Screens:  Thursday, March 28, 4:14 p.m., Landmark Vineyards at Andrews Hall and Friday, March 29, 3:30 p.m., Sonoma Valley Museum of Art.

 

Yuli (THURS & SAT)

A still from Icíar Bollaín’s Yuli with Edilson Manuel Olbera as the young Carlos Acosta.  Yuli won the Best Screenplay Award at San Sebastian and has gone on to receive five nominations for the Spanish ‘Goya’ awards including Best New Actor for Carlos Acosta, Best Cinematography and Best Adapted Screenplay.

It’s very difficult to pull off a drama about dance where the acting is an engaging as the dance itself.  Icíar Bollaín has done it with a riveting drama set largely in Castro’s Cuba with astonishing dance scenes and bursts of family drama.  Sit back and soak in the artistry of the astounding Carlos Acosta.  (In Spanish with English subtitles) Screens: Thursday March 28, 1 p.m., Burlingame Hall and Saturday, March 30, 11:30 a.m., Meyer Sound & Dolby Hall at Vets I)

 

Yellow is Forbidden (FRI and SAT)

Chinese designer Guo Pei’s international breakthrough moment was designing Rihanna’s golden gown for the 2015 Met Gala. The 55 pound dress took 100 workers 50,000 hours to create and became one of the most talked about dresses in history. Pietra’s Brettkelly’s documentary explores Guo Pei’s rise to fame and her unique way of interpreting her aesthetic history.  Photo: Getty Images

New Zealand documentarian Pietra Brettkelly (A Flickering Truth, 2015) has created a fascinating and intimate portrait of fashion designer Guo Pei that also speaks to the energy and aesthetic of a rapidly evolving China.  She tracks Guo Pei just as she has burst onto the international scene—when Rihanna wore her hand-embroidered canary yellow gown to the Met Gala in 2015—through her remarkable 2017 show “Legend,” presented at La Conciergerie, in Paris, where Guo Pei proved to the world that she had penetrated haute couture’s most elite circle.  The film takes us into Pei’s life, connecting the dots between her life experiences and aesthetic expression—her upbringing in the Cultural Revolution; her relationship with Cao Bao Jie, her husband and partner; her elderly parents who don’t grasp the scope of her talent, her A-list clients, and her team of craftsmen and embroiderers.  Her world is one of struggle, passionate dreaming and a constant balancing of her artistic passions with the financial reality of running a business.  Ample attention is devoted to her atelier, where she obsesses over the handcrafting of garments that can take over two years to create.  Pei is a curious mix of old and new, a balancing of East and West with an absolutely unique way of interpreting her aesthetic history.  (97 min, in Chinese and French with English subtitles.) Screens:  Friday, March 29, 2019, noon, Andrews Hall, and Saturday, March 30, 2:15 p.m., Vintage House

 

Restaurant from the Sky: (FRI and SUN)

A sill from Yoshihiro’s food drama, Restaurant in the Sky (2019). Photo: SIFF

Yoshihiro Fukagawa has made a number of dramas that tenderly explore human emotions against the gourmet food backdrop.  Restaurant in the Sky unfolds on a bucolic cattle ranch in Setana, Hokkidao where Wataru (Yo Oizumi) lives with his wife Kotoe (Manami Honjou) and his daughter, Shiori.  He inherited the cattle ranch from his father and he also runs a cheese workshop but he lacks passion.  He enjoys hanging out with his sheep farmer friend Kanbe (Masaki Okada) who moved to the area from hectic Tokyo.  After a chef from a famous Sapporo restaurant visits and praises Waturu’s produce and creates a masterful farm-to-table meal with ingredients sourced the ranch, Wataru has his ahh-hah moment.  He will open a restaurant for only one day to let people know about Setana’s wonderful food.  This is a goal that unites the family and community but suddenly a tragedy occurs.  (126 min, in Japanese with English subtitles)  Screens: Friday, March 29, 9 a.m., Sebastiani and Sunday, March 31, 1:45 p.m., Sebastiani

Details: The 22nd Sonoma International Film Festival is Wednesday, March 22 through Sunday, March 31, 2019.  For information, tickets, festival passes, prices, and benefits visit www.sonomafilmfest.org.

March 22, 2019 Posted by | Art, Film, Food | , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The 13th California Artisan Cheese Festival is this weekend: cheese and all the wonders that pair with cheese

Petaluman Phaedra Achor, founder of Monarch Bitters, will be sampling her craft bitters and flavored syrups at Sunday’s Artisan Cheese Tasting and Marketplace at Grace Pavilion.  Last September, Monarch Bitters was ranked second place in a USA Today people’s choice competition for the nation’s top 10 Best Craft Mixers and in November 2018, the Press Democrat ranked it #6 of top Sonoma County businesses.   Achor’s bitters, potent extracts, are handcrafted from organic and wild harvested roots, barks, aromatic herbs and flowers which are sourced in Sonoma County and bottled by hand in Petaluma. Achor operates out of a rented space in an industrial park in Petaluma, so the Artisan Cheese Festival is an opportunity to meet her in person, learn all about bitters and taste her wondrous concoctions.  Her newest flavors include Smoked Salt & Pepper Bitters; Honey Aromatic Bitters; and Honey Lavender Bitters, which join her famous Bacon Tobacco, Citrus Basil, Cayenne Ginger, Celery Horseradish, Cherry Vanilla, California Bay Laurel, Orange, Rose Petal, and Wormwood bitters.  Photo: courtesy Monarch Bitters

Bring on the cheese and please, bring on the cocktails!  For the first time, specialty cocktails will be served at the California Artisan Cheese Festival’s Sunday Marketplace at Grace Pavilion at the Sonoma County Fairgrounds.  Of course, cheese is front and center as the California Artisan Cheese Festival kicks off this Saturday morning with eight fabulous full-day Farm and Producer tours all around Sonoma and Marin Counties (there are a few remaining spaces in five of these tours) as well as educational seminars and pairing demos in the morning and afternoon at Santa Rosa’s historic mid-century Flamingo Hotel.  Led by cheesemakers, cheese experts, bestselling authors and luminaries of wine, craft cocktails, ciders, and beers,  these seminars ($75-$85) are a convergence of expertise and passion.  Each seminar entails informed tasting, useful science and lots of ideas for inspired pairings.  This year’s Seminar #5 “Cheese & Cocktails: The Basics of Bitters, Booze and Cheese,” promises to demystify the universe of bitters and help identify the cheeses that will round out cocktails like Manhattans and Mai Tais.   Saturday evening’s new event, “Cheese, Bites & Booze!” at the Jackson Family Wines Hangar at the Sonoma Jet Center is sold out as is Sunday’s celebrity chef gourmet brunch.

Sunday’s Artisan Cheese Tasting and Marketplace, from noon to 4 p.m. at Grace Pavilion, at the Sonoma County Fairgrounds, is the event’s grand finale ($50).   If you never attended the festival before, it’s an excellent introduction.  The soirée is abuzz with energy, bringing together over 125 leading artisan cheese and food producers, winemakers, brewers, specialty spirit producers and makers for a final round of indulgence as participants chat, taste, sip, shop while meandering through a delightful epicurean maze.  Everyone brings home an Artisan Cheese Festival insulated cheese tote bag, a wine glass, and oodles of ideas for elegant home gatherings.  And most importantly, new and dear cheese friends.

 

Phaedra Achor, owner of Petaluma-based Monarch Bitters. Photo: courtesy Monarch Bitters

It was ARThound’s pleasure to speak with Phaedra Achor about Monarch Bitters, which will be featured in Saturday’s seminar, “Cheese & Cocktails,” Saturday evening’s swank “Cheese, Bites & Booze” event at the Jackson Family Wines Hangar, and Sunday’s Artisan Cheese Tasting and Marketplace.

What are bitters?

Phaedra Achor: Bitters are high ABV (alcohol by volume), mine are 40-44%, and extracts that are created by macerating alcohol with any number of botanicals and aromatics such as spices, barks, roots, fruits.  My syrups have no alcohol content, and are infusions.

What’s behind the name “Monarch Bitters”?

Phaedra Achor:  I’ve always been very drawn to the monarch butterfly, its beauty and place in the world, its journey and metamorphosis, all of which are very symbolic for me.  Another piece fits in with my logo—a woman wearing a crown of wild flowers.  Since this is a botanically based product, I really wanted to convey the message of a strong and purposeful woman, a monarch of the forest, who is using the power of botanicals to create.

When and how did you start Monarch Bitters?

Phaedra Achor:  I love flavor chemistry, especially working with plants and botanicals to create flavor profiles.  In 2015, I hosted a cocktail party and wanted to do something very different, so I started planning a few months early.  My idea was to create five unique cocktails.  In my research, I came across these wonderful pre and post-Prohibition cocktails, all of which called for bitters.  I remember looking into bitters and thinking ‘I can do this.’  I ended up using barks and roots and herbs and spices and I created five bitters, one for each of the cocktails I served.  It was a huge hit.  At some point during this gathering, I walked into my living room and found this woman, a guest of a guest, someone I did not know at all, sniffing my tincture bottles.  She asked where these bitters came from.  I told her I made them all and she was blown away.  She explained that she was a bartender and that my bitters were far superior to what she was using and she offered to connect me with the owner where she worked.  I never followed through on that, but she planted a seed at just the right moment.  She left and I never saw her again but she was vital.

After that party, I started researching who was making bitters in Sonoma County, no one, and the craft cocktail industry.  I learned that people were using bitters like cooks use spices in the kitchen, so I thought this was a very interesting niche.  I was surprised that no one was doing this in Sonoma County because we are such an artisanal community.  I spent all of 2016 researching and reformulating and that’s because a lot of the botanicals I had chosen to use were considered dietary herbal supplements by the FDA.  I had to decide if I wanted my business to be categorized as a medicine, a dietary herbal supplement, or if I wanted it to be food bitters.  I’m not an herbalist and wasn’t interested in making herbal medicine, so I had to make some changes.  I launched in 2017 and from there, it just taken off.  Those contests which have recognized my bitters have been such a complement and honor and really fueled my business.

How do you come up with your flavor profiles, which are so unique?

Phaedra Achor:   The ideas just come to me.  I think this comes from my culinary background.  It’s taken a long time for me to own this and to state it out loud but I have ‘flavor wisdom.’  I just know how flavors will come together and taste.  Aside from the orange, lavender and aromatics, which are quite common bitters flavors, I have very intentionally created flavor profiles that didn’t previously exist outside of my brand, such as cayenne ginger, bacon tobacco, and honey aromatics.  I recently created a smoked salt and peppercorn bitters, which is also a fantastic culinary bitters.  Bitters can be used widely and people just aren’t aware of their versatility.  Aside from alcohol, bitters can be added to sparking water, lemonade, teas, coffees and in baking and cooking to replace an extract.  I’ve added my cherry vanilla bitters to whipped cream and it creates a wonderful cherry cordial whipped cream with a gorgeous flavor.

Is there a reason why you use dropper bottles?

Phaedra Achor:  Yes, it’s for accuracy and it recalls the history of bitters, which were initially used as medicine.  When I’m using the dropper and drawing up the bitters, it feels healing and right.

What the best way to taste bitters?

Phaedra Achor:  If people want to taste bitters straight, I will have them make a fist and hold out their hand upright, like they were holding a candle.  I’ll put a little drop right into that little divot between the thumb and index finger and they can taste it with their tongue.

Your ideas for bitters and cheese.

Phaedra Achor:  I tend to like softer, creamier cheeses, like bries.  Typically, the astringency of high fruit alcohol can be challenging with foods, so for a cocktail, I tend to go with a lower AVB  (alcohol by volume) content found in sherries or brandies and add my bitters to that when I want to indulge in cheese.  I’ve also taken my Citrus Basil Bitters and mixed it with honey to create a bittered honey to use as a pairing with cheese.   Bitters, adding bitter to the palate, can create wonderful opportunities to pair with food and cheese.  When it comes to cheeses, I work more with my citrus and aromatic flavors.

What’s next for Monarch Bitters?

Phaedra Achor: I am working on opening up a little apothecary in downtown Petaluma that will be a storefront for all of my products and hope to be open in June.  Right now, I am one of three bitters companies in the North Bay (King Floyd’s, Bitter Girl Bitters) and on Sunday, March 31, we will all be competing in The Bitter Brawl at Young and Yonder Spirits in Healdsburg.  This is a benefit for Compassion Without Borders.  We’ll each be paired with a bartender and will compete to create the best cocktail.

 

Details:  California’s 13th Artisan Cheese Festival is March 23-24, 2019 at various cheese country locations in Sonoma and Marin counties. Tickets for all festival events are sold separately online.  All events take place, rain or shine.

Click here for full information. Chick here to go to Eventbrite to purchase tickets

 

March 21, 2019 Posted by | Food, Wine | , , , , , , , , , , , | Leave a comment

Connoisseur’s quest—13th Annual California Artisan Cheese Festival, March 23-4, 2019

Farm tour participants at Tomales Farmstead Creamery, learning all about dairy goats and cheese-making.  This year, nine farm tours are offered at the California Artisan Cheese Festival.   In Tour E,  “Farm Forward, ” Farmstead Creamery will showcase their new Daily Driver SF venture by providing a gourmet brunch to participants.  This tour starts out Saturday morning at Tamara Hicks and David Jablons’ Toluma Farms dairy in West Petaluma, where guests will meet “the kids.”  Afterwards, it’s off to historic Tomales to Jan Lee’s AppleGarden Farm, where grazing pasture has been transformed to an orchard where apples are dry-farmed for cider. The tour wraps at the Marin French Cheese Company, the country’s oldest continuously operating cheese company.  All along the way, there are bites, drinks, and photo ops. Photo: Kelly J Owen

It happens every March—people from round the country gather for the California Artisan Cheese Festival and a weekend of cheese and all it can be paired with.  Tickets are on sale now for the two-day festival, which turns 13 this year, and is now headquartered at the Flamingo Hotel in Santa Rosa.  If you are interested in a farm tour, buy your tickets now.  Who wouldn’t be?  Nine wonderful tours kick off this year’s festival on Saturday morning and they all include an upscale lunch as well as lots of interaction and sampling.  You get to meet innovative local cheesemakers and “ooh and ahh” their baby goats in bucolic abodes, as well as sample and learn about artisan delicacies that pair well with cheese.

Back in town, at the Flamingo Hotel, the festival offers five interactive seminars with bestselling authors, cult cheesemakers, and luminaries of cocktails, ciders and craft beers. On Saturday evening, a new event, “Cheese, Bites & Booze!” at the Jackson Family Wines Hangar, promises nonstop fun as cheesemakers, chefs and cheesemongers compete to create the best cheesy bite.  Regional artisan wine, cider, spirits, and beer are on the house!

Get up early Sunday morning for a scrumptious brunch, at Saralee & Richard’s Barn at the Sonoma County Fairgrounds, featuring cheese in every course and a live cooking demonstration by chefs/owners Daniel Kedan and Marianna Gardenhire of Michelin Guide awarded Backyard Restaurant in Forestville.  The weekend concludes with the renowned Artisan Marketplace which brings together leading artisan cheesemakers, authors, and dozens of specialty food, beer, wine and spirit producers for a final round of cheese and shopping.  This year, the marketplace will be serving specialty cocktails too.  And did I mention samples galore?  The festival has non-profit status and its proceeds support California farmers and cheesemakers in their ongoing effort to advance sustainability.

For those of lucky enough to live in the heart of cheese land, this is an event that is too good to pass up.

Details:  California’s 13th Artisan Cheese Festival is March 23-24, 2019 at various cheese country locations in Sonoma and Marin counties. Tickets for all festival events—farms tours, seminars, Saturday evening “Cheese, Bites & Booze,” Sunday morning “Bubbles & Brunch,” and Sunday’s Marketplace—  are all sold separately online.  All events take place, rain or shine.

Click here for full information. Chick here to go to Eventbrite to purchase tickets.

February 3, 2019 Posted by | Food, Wine | , , , , , , , , , , , , , , , , , , | Leave a comment

The 21st Sonoma International Film Festival kicks off Wednesday…a long list of great short films

Stanford students Cameron McClellan and Jacob Langsner’s short film, Going Home, addresses the Sonoma wildfires of 2017 and screens twice at the 21st Sonoma International Film Festival, March 21-25, 2018.   The film is paired with the world premiere of producer Stephen Most and director Kevin White’s full-length documentary, Wilder than Wild (2017) which explores the central Sierra’s Rim Fire of 2013 and the wine country’s wildfires of 2017.   SIFF’s line-up includes 110 films from around the world, 6 SIFF-curated shorts programs, the LUNAFEST traveling festival of shorts celebrating female filmmakers, and the annual “Student Showcase” of shorts from Sonoma Valley High School’s Media Arts Program.  Image: still from Going Home, courtesy Cameron McClellan.

Stanford freshman Cameron McClellan, who hails from the UK, never dreamed that his first film ever would be accepted as an official selection of the Sonoma International Film Festival and that his subject, the Sonoma fires of October 2017, would hit so close to home.  Shortly before McClellan completed the interviews for Going Home, a 6:33 min short, which he co-produced with freshman Jacob Langsner, he learned that his 83 year-old grandfather’s home on Calistoga’s Franz Valley School Road had been burned to the ground by the infamous Tubbs fire which wreaked havoc from Calistoga to Santa Rosa and remained unstoppable for days.

McClellan and Langsner’s film will screen twice at the 21st Sonoma International Film Festival (SIFF), March 21-25, which is dedicated to the Sonoma Firefighters, First Responders and the rebuilding of our Sonoma Community.

“Going Home is a special film not only because of the Sonoma fires, but because it covers the subject from a unique perspective and is succinct,” says Steve Shor, SIFF’s chief programmer.

Cameron McClellan co-produced and directed Going Home as a project for his first film course at Stanford, Film Production 114: Intro to Film and Video Production.  The short film screens twice at SIFF. Image: Geneva Anderson

Going Home is among 15 shorts that have been paired with feature films and one of dozens of shorts that the four-day-long festival will screen in its line-up of 110 films from around the world.   The prevalence of shorts demonstrates SIFF’s regard for emerging and student filmmakers and for the art of the short format itself.  Limited only by their truncated run time, shorts embrace the best of traditional story-telling and have become a vital and budget-conscious way for filmmakers to connect with audiences.

McClellan’s film project got rolling when he and Langsner managed to hitch a ride from Palo Alto to Napa with some students from the Stanford Storytelling Project who were going there to interview families impacted by the fires. “We drove down and pretty much shot all the footage we could over the course of a day,” said McClellan.  “Our idea had been to interview several families but we really had no idea how many families we would have access to or the visuals that we would be able to get.  We ended up with access to two families, who we stayed with.  We did a very long interview with Dale and Kathy Albin from Santa Rosa who had lost their home in the fire and that’s how the whole film emerged.”

McClellan said that he was nervous about how to speak with the victims of such trauma but was relieved that the conversation carried itself and their story just spilled out.  In terms of creative choices, the two directors debated about how to best use the footage they had.  They selected a haunting shot of a burnt out car for the film’s poster.  They went with just showing a single image of the Albin house before the fire, and placed that at the end of the film, as a reminder of what had once been.

McClellan found about the status of his grandfather’s home just a few days before his visit to Napa.  “The smoke had blocked the mobile signal.  There was a long period when we just hadn’t heard from them.  Then, after we established contact, no one knew what had happened with the property as they weren’t allowed to go the site and there was no information.  Doing this project first, before I managed to get out to my grandpa’s place, prepared me for what I would see and his reaction to the loss.  Since I didn’t really live in the house, I didn’t have a huge connection to everything that was lost but you do find the loss hits you in waves…you’ll think about times you spent there with family and realize…oh, that’s gone.”

McClellan has never attended a film festival before and is excited to participate at Sonoma and to continue with film-making.  His short will screen before with the world premiere of  producer Stephen Most and director Kevin White’s full-length documentary,  Wilder than Wild (2017) which journeys from the Rim Fire of 2013, which burned 257,000 acres in the central Sierra, to the wine country’s wildfires of 2017, which destroyed 9,000 buildings and killed 44 people.  The film reveals how fuel build-up and climate change have made Western wild-lands vulnerable to large, high intensity wildfires, while the greenhouse gases released from these fires have accelerated climate change.   The result is a vicious cycle that jeopardizes forests and creates extreme weather and even more wildfires.

This year, in addition to its pairing of shorts with feature films, SIFF is offering six  90-minute-long curated shorts programs—Animated Shorts, Comedy Shorts, Delicious Shorts, Documentary Shorts, Dramatic Shorts, and World Cinema shorts.  A new SIFF addition, inspired by the immense popularity of its longer films that embrace diverse culinary cultures, artisan chefs and vintners is the Delicious Shorts programming—five international food and wine shorts from six countries.  The festival also welcomes back LUNAFEST, the popular traveling film festival showcasing women filmmakers, which is always hosted at the Sonoma Valley Museum of Art and features a fabulous gourmet spread featuring LUNA bars.

Polish filmmaker Bartosz Dziamski’s The Chef at the Palace (2017, 6 min) is part of SIFF’s new “Delicious Shorts” program. The film introduces Maciej Nowicki, executive chef at the Museum of King Jan III’s Palace at Wilanów, who researches and reconstructs the world of Polish flavors in old Polish cookbooks re-published by the museum.  Dziamski tracks him in the library and in the garden as he harvests sunchokes, whose baby stalks used to be known as Polish asparagus.  We learn that the first rule of reconstructing long forgotten recipes that lack precise weights and measures for ingredients is keeping things in perspective, which Nowicki gains by reading historical texts.  The film leaves us craving a full length feature on this extraordinary character.  Image: Bartosz Dziamski

SIFF’s pride and joy—the “Student Showcase,” which is presented twice this year, will feature over three hours of shorts from student filmmakers in Sonoma Valley High School’s lauded Media Arts Program.  Since 2002, SIFF and its members have donated nearly $500,000 to SVHS’s Media Arts Program which creates opportunities in the digital arts through film-making classes, animation, script-writing, film theory, and storytelling.   The program has become a launchpad for students interested in pursuing film in college and film school.

Shorts at SIFF 21:

Animated Shorts (11 films, 96 min) Thursday/March 22, 6:30 p.m., Sonoma Valley Museum of Art and Saturday/March 24, 2:15 p.m., Vintage House.

Comedy Shorts (7 films, 77 min) Thursday/March 22, 3:45 p.m. and Friday/March 23, 1:30 p.m, both at SF Chronicle House of Docs and Shorts at Vets II.

Delicious Shorts (5 films, 91 min) Thursday/March 22, 2 p.m., Celebrity Cruises Theatre at Burlingame Hall and Friday/March 23, 6:30 p.m., SF Chronicle House of Docs and Shorts at Vets II.

Dramatic Shorts (7 films, 94 min) Thursday/March 22, 11 a.m., SF Chronicle House of Docs and Shorts at Vets II and Saturday/March 24, 9 a.m., Celebrity Cruises Theatre at Burlingame Hall.

Documentary Shorts (4 films, 96 min) Friday/March 23, 9 a.m., Andrews Hall and Saturday, 7:15 p.m., SF Chronicle House of Docs and Shorts at Vets II.

World Cinema Shorts (5 films, 85 min) Sunday, 9 a.m., Andrews Hall.

Lunafest (9 films, 90 min) Saturday, March 24, 4 p.m., Sonoma Valley Museum of Art

Sonoma Valley High School Media Arts Program, Thursday/March 22, 8:45 a.m.- 1 p.m., Sebastiani Theatre and Sunday/March 25, 11:15 a.m. – 2:30 p.m., Andrews Hall.

 

Details:

The Sonoma International Film Festival is Wednesday, March 21 through Sunday, March 25.  All films are shown at seven intimate venues within walking distance of Sonoma’s historic plaza so there’s no driving, just meandering charming streets where roses, lilacs and irises are in glorious spring bloom.  The best way to experience the Festival and ensure stress-free access to all films and the Backlot Tent’s wonderful food and wine is by getting a SIFF pass. Cinema Passes are $280 (Good for all films, panels and Backlot Tent during daytime hours); Soiree Passes are $850. (Priority access to all films, Backlot Tent VIP area, Opening Night Reception, regular events & parties & priority offerings for special receptions during Festival).  Punch Cards: $35 good for any 4 films with access only after all passholders and reserved ticket holders have been admitted.

For information, tickets, festival passes, prices, and benefits visit www.sonomafilmfest.org.

March 18, 2018 Posted by | Film, Food | , , , , , , , , , , , , , , , , , , | Leave a comment

Pounce!— tickets on sale now for Devour! Sonoma Chefs & Shorts Gala Dinner at the 21st Sonoma International Film Festival

SIFF21’s five-course dinner and film shorts event, “Devour! Sonoma Chefs & Shorts Gala Dinner” is Thursday, March 22, 2018, 6pm, at the Sonoma Veterans Hall.  A unique collaboration between SIFF and Devour! The Food Film Fest, the evening will celebrate cinema, food and wine.  Image: courtesy Phototype

The Sonoma International Film Festival (SIFF), March 21-25, 2018, celebrates its 21st anniversary this year and has just announced its first special film/food/wine event, Devour! Sonoma Chefs & Shorts Gala Dinner, Thursday, March 22, 2018, at 6pm the Sonoma Veterans Hall.  SIFF is partnering with Canada’s renowned Devour! The Food Film Fest to bring this unique experience to SIFF film and food aficionados.

The evening will feature an extraordinary five-course dinner, with each course taking its inspiration from short food films from around the world.  Lia Rinaldo, managing director of Devour! will serve as curator.   Culinary collaborators include luminaries such as Dominique Crenn (first woman to earn two Michelin Stars and named Best Female Chef in 2016, Atelier Crenn, San Francisco), Evan Funke (Felix Trattoria, Los Angeles), Michael Howell (Founder of Devour!, Wolfville, Nova Scotia) and Sonoma Chefs John McReynolds (Edge) and John Toulze (The Girl and The Fig).  Each course will be paired with Sonoma’s finest wine, including Gloria Ferrer and WindVane, as well as Benjamin Bridge from Michael Howell’s backyard in Wolfville, Nova Scotia.  The films are screened simultaneously with the dinner.  This unique offering has sold out in many locations around the world, and with this combination of award-winning chefs, great local foods and wines, it’s sure to please SIFF’s savvy foodies.   “SIFF is thrilled to work with Devour! The Food Film Fest to bring this first Chefs & Shorts culinary experience to our festival attendees!” said SIFF Executive Director Kevin McNeely.

Details:  Devour! Sonoma Chefs & Shorts Gala Dinner is Thursday, March 22, 2018, at 6pm the Sonoma Veterans Hall.  Tickets are $120 for Soiree pass holders, $150 for all other pass holders and $200 for general public.  Click here to purchase tickets for this event or visit  www.sonomafilmfest.org to first purchase your festival pass.

 SIFF Pass Information:
SIFF21 is Wednesday, March 21 through Sunday, March 25.  The best way to experience this very popular festival and to have access to all films is by getting a SIFF pass. Currently, Cinema Passes are $225 and Soiree Passes are $725.  All Cinema pass holders will have day access to the Backlot Tent in SIFF Village.  Soiree pass holders will have day VIP area and evening party access.  For information about tickets, festival passes, prices, and benefits visit www.sonomafilmfest.org.

More about Devour!  Combining cinematic talent with extraordinary gastronomic activities, Devour! The Food Film Fest is the world’s largest film festival focused on food and drink. This annual five-day festival hosts 100+ events, high profile chefs & celebrated filmmakers from around the world and, just this past season, attracted almost 11,000 food and film lovers to Nova Scotia, Canada. The eighth edition of Devour! is slated for October 24-28, 2018.

 

January 31, 2018 Posted by | Film, Food | , , , , , , , , , , , , , , , , | Leave a comment

The Sonoma International Film Festival turns 20 this year: the line-up celebrates wine, food and art and so do the parties—Wednesday, March 29 through Sunday, April 2, 2017

Christian Bale and Charlotte Le Bon in a scene from the historical drama, “The Promise,” which opens the 20th Sonoma International Film Festival Wednesday at Sonoma’s Sebastiani Theater. Actress Angela Sarafyan will be in attendance opening night. The sweeping romance, co-written and directed by Terry George (“Hotel Rwanda”), is set in the final days of the Ottoman Empire and follows a love triangle between Michael (Oscar Isaac), a medical student; Chris (Academy Award winner Christian Bales), a renowned American photojournalist; and Ana (Charlotte Le Bon), a sophisticated Armenian artist who both men fall for. Sarafyan plays the medical student’s wife from an arranged marriage. One of the most expensive independently financed films ever made ($100 million before tax concessions), the sumptuous drama deals directly with the Armenian genocide and is said to recall “Doctor Zhivago” and “Reds.” This year’s five-day festival features over 130 films, including independent features, docs, world cinema, shorts, student films AND parties. Image: courtesy IMDB

If you love great cinema, sampling world class food, wine and spirits from local artisan chefs, makers and vintners, it doesn’t get any better than the Sonoma International Film Festival (SIFF) which celebrates its 20th anniversary this year.  This beloved five-day festival has always the best parties of any film festival around, but, this year, a bottle runs through SIFF’s programming as well as its famed Backlot tent.  Eleven of the festival’s 130 films are tales of wine and gastronomy and the celebrities, criminals and unsung heroes from these universes.   The festival is dedicated to supporting independent filmmakers from around the world, and inspiring film lovers while plying them with food and wine.   There’s also Student Showcases,  the wonderful program of shorts from local high school film students which the festival supports enthusiastically.  All films are shown at seven intimate venues within walking distance of Sonoma’s historic plaza so there’s no driving, just meandering charming streets where roses, lilacs and irises are in glorious spring bloom.

ARThound’s top film and event picks:

The Turkish Way

Chef Joan Roca of the acclaimed restaurant, El Celler de Can Roca (center), in a scene from Luis González’s engrossing new food travelogue “The Turkish Way,” screening twice at SIFF 20. Image: BBVA Contenidos

On the heels of the immensely popular Cooking Up a Tribute (2015), which had last year’s SIFF attendees queuing excitedly in enormous lines,  director Luis González again teams with the Roca brothers—Joan, Josep and Jordi, owners of Catalonia’s Celler de Can Roca, Restaurant Magazine‘s Best Restaurant in the World honoree—to take a five-week tour across Turkey.   Their mission: to plunge into the diverse culinary cultures merging at this cradle of civilization.  Hot on the trail of new ideas for their own restaurant as well, the brothers engage with sommeliers, chefs and farmers from bustling Istanbul to the bucolic vineyards of Cappadocia and share a meal and chat  with the innovators of New Anatolian cuisine.  They discover an ancient nation on the cusp of a food revolution. (2016, 86 min) (Screens: Thurs, March 30, 11:45 am, Celebrity Cruises Mobile Cinema, and Fri, March 31, 9:15 am, Sonoma Veterans Hall Two)

Celebrity Cruises Mobile Cinema—the venue designation “CCMC” indicates Celebrity Cruises brand new mobile pop-up movie theater featuring a high definition projection and sound system, where guests can enjoy beverages, wine, truffle popcorn and enter to win great prizes, such as a luxurious cruise to the Caribbean for two.

The Distinguished Citizen (El ciudadano ilustre)

Oscar Martínez as author Daniel Mantovani in “The Distinguished Citizen,” Argentina’s foreign-language Oscar submission, screens twice at SIFF 20.

A favorite at last December’s International Festival of New Latin American Cinema in Havana, Cuba, Argentinian directing partners Gaston Duprat and Mariano Cohn’s latest comedy, El ciudadano ilustre, stars Oscar Martinez (Paulina) as a Noble Prize-winning Argentinean author who returns to the village of his birth for the first time in 40 years. Divided into five chapters, the film follows Daniel Mantovani (Martinez) from his spacious Barcelona villa to the modest hotel room booked for him in backwater Salas, Argentina, where he is to be honored with a medal and a full slate of cultural activities.  The scenes are played to maximum comedic effect with outstanding performances all around.  What makes the story work so well is that we can all relate to the long suppressed memories and emotions a visit back home can evoke.  It turns out that while Mantovani has been living a cosmopolitan life in Europe,  he’s taken all of his literary inspiration from Salas and the citizens of Salas have strong feelings about his depictions.  Mantovani shines as he explores his complex relationship with his roots and his past.  (2016, 117 min) (Screens: Thursday March 30, 1 pm, Sebastiani, and Sat, April 1, 12:30 pm, Sonoma Veterans Hall One.

Franca: Chaos and Creation

Photographer and filmmaker, Francesco Carrozzini, and his mother, Franca Sozzani, editor in chief of “Vogue Italia,” in a still from the documentary film, “Franca: Chaos and Creation” which was four years in the making. Image: Mission Media

Fashion films have become a documentary genre unto themselves.  When the subject at hand is Franca Sozzani, the fearless editor-in-chief of Vogue Italia and the director is her son, Francesco Carrozzini, expect nothing short of art and an iconic framing of fashion history.  The groundbreaking shoots and themed issues that she engineered over the last quarter century in collaboration with photographer Steven Meisel transcended fashion. Domestic violence, plastic surgery, substance abuse, racism and environmental catastrophes are just some of the issues that Sozzani tackled in her work, often leading to criticism that social commentary had no place in the pages of a publication such as Vogue.  Sozzani believed in the power of the image – some Vogue Italias featured 50-page-long fashion shoots where the clothes were barely visible and subordinate to the overall composition of the photographs.   And Franca Sozani, well, there are moments when she reveals herself to her son in this intimate portrait, that only a son could have captured.  Sozzani passed in December 2016 at the age of 66.  (2016, 80 min) (Screens: Thursday, March 30, 3 pm, Sonoma Veterans Hall One and Friday, March 31, 2:30 pm, Sonoma Veterans Hall Two)

Afterimage

Boguslaw Linda as Polish artist Wladyslaw Strzeminski in Andrzej Wajda’s biopic “After Image.” Image: courtesy TIFF

Sadly, the Polish master, Andrzej Wajda (A Generation, Kanal, Ashes and Diamonds) died at age 90, in 2016,  just after completing Afterimage.  This biopic of the Polish avant-garde painter, Wladyslaw Strzeminski, Poland’s foreign language Oscar submission for 2016, is a story from Wajda’s own past, battling passionately for artistic expression in the vice-grip of state ideology and censorship.  Set in the dark years of Soviet rule, 1948 to 1952, the film tracks the highly-principled painter and handicapped (double amputee) professor Strzeminski, played by the masterful Boguslaw Linda (Blind Chance, Pan Tadeusz), as he battles the Socialist Realism movement in an attempt to advance his progressive art and inspire his students.  His activity as a solo artist and his participation in groups that he organized in the 1920s and 1930s (together with his wife, Katarzyna Kobro, and painter Henryk Stazewski) played a fundamental role in the history of 20th-century Polish art.  A man of great integrity and energy, Strzeminski was persecuted but refused to compromise.  The film’s title is borrowed directly from the painter’s famous series of paintings from 1948–1949.  It refers to persistent images, those optical illusions that continue to appear under one’s eyelids after staring at a reflective object. (2016, 98 min) (Screens:  Thurs, March 30, 9:15 am, Celebrity Cruises Mobile Cinema and Sat, April 1, 9:30 am, Sonoma Veterans Hall One)

Unleashed

A scene from Finn Taylor’s “Unleashed,” with Kate Micucci, screening twice at SIFF 20. (Image: courtesy Braveheart Films

 I wouldn’t be ARThound if I didn’t point out the festival’s dog-related flicks. What if your pets turned into full-grown men?  I couldn’t resist the wacky premise behind Finn Taylor’s Unleashed, which has a thirty-something software app designer Emma (Kate Micucci) settling into her life in San Francisco when her cat, Ajax, and her dog, Summit, disappear only to reappear in her life as full-grown men (Steve Howet and Justin Chatwin).  All their four-legged memories are fully intact and they vie for her affection in their very specific cat and dog styles.  This delightful film picked the 39th Mill Valley Film Festival’s Audience Favorite Award /US Cinema Indie.  (2016, 93 min) (Screens: Thurs, March 30 at 12 noon, Sonoma Veterans Hall One and Sat, April 1, 12 noon, Sebastiani)

Young Filmmakers

Don’t forget the student films!:  One of the festival highlights is the annual Student Showcases, films from Peter Hansen’s Media Arts Program students at Sonoma Valley High School (SVHS), screening twice this year. Since 2002, SIFF and its members have donated nearly $500,000 to SVHS’s Media Arts Program which opens doorways to creativity in the digital arts through filmmaking classes, animation, scriptwriting, film theory, and, most of all, storytelling.  The festival also supports media programs in the Valley’s two middle schools. (Student Showcase Screenings: Thursday, March 30, 10am to 12:30 pm, Sebastiani and Sunday, April 2, 3 to 5:30 pm, Sonoma Vets Hall One

Peter Hansen has selected SVHS senior Owen Summers’ stop action 6 min claymation film Magic Beans to be accepted into the Sonoma International Film Festival. In 15 years, only three student films from SVHS have been chosen as official SIFF selections. Owen is a senior at Sonoma Valley High School.  (Screens: Thurs, March 30 in Shorts Films Program, Vintage House, and Sunday, April 2, 9 am at the Taiwan Tourism Bureau Theatre (Andrews Hall).

SIFF Emerging Artist Award: This year, 18 year-old student filmmaker Kiara Ramirez will be honored with the festival’s first SIFF Emerging Artist Award.  Her six minute short, the first she has produced and directed, is the mini-doc, Detrás del Muro (Behind the Wall), a thoughtful and sharply edited human portrait of immigration issues was inspired by the rhetoric of last year’s primaries

Parties:  

New this year: you can attend parties without a pass for $50.

Emerald Party: A big bash on Thursday, March 30 celebrates several 20th anniversaries—SIFF’s, Sondra Bernstein’s the girl & the fig, and Tito’s Vodka.  Sondra’s celebrating by creating superb food for the party. Cake by Crisp Bake Shop and other birthday surprises will be in store.  An after-party continues at The Starling for signature craft cocktails and music with Ten Foot Tone.  Purchase $50 ticket here.

Taiwanese Night: On Friday, March 31, the Back Lot Tent is transformed into a lively Taiwanese Night Market, courtesy of the Taiwan Tourism Bureau. Purchase $50 ticket here.

Festival Awards & Celebration Party: Saturday, April 1, Walk the carpet and celebrate SIFF’s finest films at the Award Ceremony.  Following the awards, toast the winners with wine, cocktails, Lagunitas, food from the girl & the fig and live music with Loosely Covered. Purchase $50 ticket here.

SIFF 20 Details:

The 20th Sonoma International Film Festival starts Wednesday, March 29 and runs through Sunday, April 2, 2016.  PASSES:  SIFF can be enjoyed at different levels and passes provide access to films, parties in SIFF Village’s Backlot Tent, after parties, receptions, and industry events and panels.  Currently, Cinema Passes are $275 for and Soiree Passes are $725.  All Cinema pass holders will have day access to the Backlot Tent in SIFF Village and all films.  Soiree pass holders will have day VIP area and evening party access and all films.  New this year:  exciting options for attending several screenings and individual parties without buying all-inclusive passes.  For information about festival passes, prices, and benefits visit sonomafilmfest.org.   SINGLE TICKETS:  A limited number of $15 tickets are available for each film screening.  These sell out rapidly, so purchase these in advance online at sonomafilmfest.org.

March 27, 2017 Posted by | Dance, Film, Food, Jazz Music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Cheese Lover? Your Ultimate Cheese weekend awaits at the 11th California Artisan Cheese Festival, Friday-Sunday, in and around Petaluma

Cheese royals Sue Conley and Peggy Smith (L & R), co-founders of Cowgirl Creamery, will join sisters Jill Giacomini Basch and Lynn Giacomini Stray of Point Reyes Farmstead Cheese to share their cheese stories in a “Cream of the Crop” seminar Saturday morning at the 11th California Artisan Cheese Festival.  Participants will savor artfully composed bites of cheese paired with local craft rums while learning about the unique terroir of the picturesque Point Reyes area. They will also receive a comp subscription to “Culture” magazine. This is just 1 of 6 exciting seminars offered at this year’s festival, which includes farm tours, curated wine and cheese evening tastings, gourmet competitions, cheese-centric dinners and a brunch prepared by celebrity chefs and Sunday’s legendary tasting tent and market. Photo: Books, Inc.

From newly-released small-batch artisan cheeses to those that have an international following, the focus of the 11th California Artisan Cheese Festival is on our region’s artisan cheese and the inside track on haute pairings and pours.  This wonderful event, which kicks off Friday, is held in and around Petaluma’s Sheraton Sonoma County and is considered one of the country’s top, if not the best, artisan cheese festivals.  Friday is always devoted to day-long farm tours which get more creative every year.  These are so popular they sell out within days of being announced in January.  The opportunity to meet the farm animals and to get the low-down on what makes our area’s cheese so special straight from the farmers who produce it always proves too good to pass up.  Each tour also includes a gourmet lunch with wine in a bucolic setting and an informative talk by a leading cheese educator.  Don’t despair, there are still two full days (Sat and Sun) of fascinating activities that are not yet sold out.

Saturday’s Seminars and Pairings Demos

A good number of spaces are still available in the seminars listed below, all which are held in or within a few steps of the hotel (click here for full descriptions and pricing).  Show up early to purchase your tickets in person at festival headquarters in the lobby of the Sheraton.

Saturday morning: 10 to 11:30 AM:

Cheese & Charcuterie (Vanessa Chang and author, educator Laura Werlin) Foolproof pairings of artisan cheese, old world meats and rosé.

Mighty Morphing Milk (author, educator Janet Fletcher, Liam Callahan (Bellwether Farms), Jennifer Bice (Redwood Hill Farm & Creamery) Explore the magical transformation of exceptional goat, sheep and cow milk into yogurt, fresh cheese and aged cheese with an emphasis on cultures, techniques and timing decisions.  Plentiful tastings.

Cream of the Crop (Sue Conley and Peggy Smith, co-founders Cowgirl Creamery and Jill Giacomini Stray and Lynn Giacomini Stray, co-founders of Point Reyes Farmstead Cheese) A lively conversation about cheese, politics and preserving family farms with tastings and cheese pairings with local craft rums.

Petaluma’s Achadinha Cheese Company (Osh-a-deen-a), renowned for its blended goat and cow milk cheese, participates regularly in the festival’s popular farm tours.  The Pachecho family’s third generation run both Achadinha Cheese Company and the Pacheco Family Dairy but will swear that it’s the animals that run everything.   Their 250 goats and 60 cows are pastured on 230 sprawling acres on Chileno Valley Road.  Achadinha is the creator of the famous mold-ripened aged goat’s milk cheese, “Capricious,” whose memorable sweetness is directly related to the farm’s terroir.  The family also produces a mean feta.  Photo: Achadinha

Saturday Afternoon: 1:30 to 3 PM:

Cheese and Chocolate (Vanessa Chang and author, educator Laura Werlin)  An indulgent exploration of two of life’s pleasures: cheese and chocolate with an emphasis on great pairings and how to heighten the pleasure even more with beer and port.

California Cheese: Past, Present, and Future (Kiri Fisher, The Cheese School) Taste your way through the history of cheese as you learn more about the special roots of our local dairy industry, the cheese-making renaissance of the 1980’s and 1990’s, the challenges the industry currently faces and what cheeses are on the horizon.

Saturday evening Cheese & Cocktails, 5 to 7 PM:

A new two hour event, event under the Big Top at the Sheraton featuring cheesemakers showcasing their favorite cheeses while local craft distilleries sample their best spirits both as straight pours and mixed cocktails.  The mood is celebratory and this is great place to meet friends for drinks.

Sunday Artisan Cheese Tasting & Marketplace, 12 to 4 PM:

Say “hello” to the makers as you gather under the big top Sunday for a final cheesy soirée with over 90 artisan producers of local cheeses, wines, beers, ciders and other specialty foods.  Discover the next wave of interesting cheese accompaniments, cheesemaking products, books and the new innovative cheese vaults that let you preserve your expensive cheeses.

Sunday’s Artisan Cheese Tasting and Marketplace is the festival’s bustling grand finale. New this year is Volo Chocolate of Healdsburg—small-batch handmade chocolates with beans sourced from Mexico’s Chiapas and Oaxaca regions and stone ground and fire-roasted in traditional Mexican style. Each bar comes in an earthy expressionist wrapper, just as artful as the contents. Photo: Volo

Don’t miss the demos!  Pick up new recipes, tips and tricks from cheese twins, Charlie and Michael Kalish, winners of Season 7 of “The Great Food Truck Race” and hosts of their own Food network Show “Big Cheese,” who will give a “Grilled Cheese Two Ways” demo at 12:30 PM.

Award winning local food writer and author, Michele Anna Jordan will demonstrate Butter Making at 1:45 PM, teaching everyone how they can churn their own butter at home in just minutes. There will ample samples of organic goat, sheep and cow milk butters and attendees can take a hand at the churn.

Aside from eating well and to your heart’s content, the tasting tent is an exciting launch pad for gourmet products which are just getting their start.  This year’s “gotta have it” find is Volo Chocolate, the love child of Healdsburg chefs, Jeff and Susan Mall.  In 2015, the couple sold their beloved Zin restaurant and moved to Baja to embark on a quiet life as resort chefs.  Soon, they found themselves enamored with Mexican cacao and they embraced the traditional Mexican method of fire-roasting the cacao beans to create their own chocolate.  Now, they are back in Healdsburg creating small-batch handmade bean-to-bar chocolates with beans sourced from Mexico’s Chiapas and Oaxaca regions.  These delectable bars are available mainly through their website, so this is your chance to sample and pounce.

Other newcomers to this year’s tent include:  Chico Honey Co., Dick Taylor Chocolates, Firebrand Artisan Breads, Hensley Hard Goods, Joseph Jewel Winery, Lemonbird Preserves, Moonside Creamery, and Seismic Brewing.

Details:  California’s 11th Artisan Cheese Festival is March 24-26, 2017 at the Sheraton Sonoma County in Petaluma and various cheese country locations.  Tickets for all festival events are sold separately online until March 23 (Thursday) and then will be available at the event itself.  All events take place, rain or shine.

Click here for full information. Chick here to go to Eventbrite to purchase tickets.

March 23, 2017 Posted by | Food | , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CAAMFest 2017 review: In Jon Maxwell’s documentary “AKA Seoul,” five Korean adult adoptees journey to Seoul to meet their birth families and to explore the intersection of adoption with their identities

Alt rapper and Korean adoptee Dan Mathews (Dan aka Dan) visits Korea with four other Korean adoptees in the summer of 2016 in Jon Maxwell’s documentary “AKA Seoul” (2016), screening twice at CAAMFest 35, March 9-19, 2017. Mathews reconnects with his biological family, including his identical twin brother who remained with his birth family in Korea, while Mathews was relinquished and adopted by an American family. Mathews will be in attendance at both screenings as will Min Matson, of San Francisco, who also appears in the film. Image: courtesy CAAM

Exploration of identity has always been a complex challenge for adoptees and it’s particularly true for those raised in adoptive families of a different race and culture. Jon Maxwell’s new documentary AKA Seoul (70 min, 2016), screening twice at the upcoming CAAMFest, impressively encapsulates a range of experiences shared by five Korean twenty-something adoptees who journey to Korea in the summer of 2016 to find themselves as they connect with their birth families and their native Korea.

The film is a sequel to the documentary series AKA DAN, which chronicled the 2013 journey of alternative rapper and Korean adoptee Dan Matthews as he met his biological Korean family, including an identical twin brother he never knew about. AKA Seoul picks up three years later as Matthews and four other Korean adoptees—Chelsea Katsaros, Siri Szemenkar, Min Matson, and Peter Boskey—get together in Seoul in various restaurants, bars and tattoo parlors to unpack various aspects of their identity as Koreans, as adoptees and as adults.  Since they are all in the immediate throws of searching and reuniting and each experience is unique, what results is a very fluid and candid snapshot of adoption.

Siri Szemenkar, a Korean adoptee raised in Sweden visits Korea, meets her birthmother, and reflects on experiencing Korean culture for the first time in Jon Maxwell’s documentary “AKA Seoul” (2016), screening twice at CAAMFest 35, March 9-19, 2017. Image: courtesy CAAM

  • Dan Mathews introduces his adoptive mom, Lynn Mathews, from Camarillo CA, to his Korean birthmother while continuing to process that he has an identical twin brother who remained in Korea with his birth family while he was adopted out.  His brother is learning English to strengthen their bond and to facilitate communication for the entire birth family while Mathews is trying to figure out how much interaction he actually wants.
  • Siri Szemenkar, who was raised in Sweden with virtually no contact with Asians, meets with adoption agency officials in Seoul to get information about her birthmother.  After being stonewalled, she is told that her birthmother wants to meet her. Her hopes are dashed when the birthmother cancels and then elevated when she changes her mind.
  • Min Matson shares his story as a transgender Korean adoptee and what it’s like to experience Seoul and Korean LGBT culture for the first time as a male. Min’s adoptive mother was Dutch and his adoptive dad was Norwegian and, while he felt really loved by his parents, he had strong feelings that he was boy in a girl’s body even before he started elementary school. He shares his isolation and his adoptive family’s struggle with his search to find his identity, which included a suicide attempt. When he first went to Korean as a masculine looking woman, it was hard for him to fit in with Korean women and to identify with the culture. When he returns, on this trip, to embrace Seoul as a Korean male, with a sense of body security, he feels different, as if he really fits in.
  • Chelsea Katsaros, a 28 year old genetics student at University of Minnesota, was raised by adoptive parents of Norwegian and Greek ancestry in Minnesota and grew up around surrounded by people who didn’t look like her. She admits that pressure of being Asian in a white family and culture, was stressful. When she realized as a teenager that she was gay, and came out at age 19, she felt even more pressure because her adoptive family was deeply religious and would not accept her, ultimately leading her to sever communication with them altogether.  Holding an orphan in her arms on a visit to Seoul’s Eastern Social Welfare Society, she laments that she will never be able to adopt a Korean baby herself because she is gay and Korean policy only allows for heterosexual adoptions.
  • As free-spirited poet and textile artist, Peter Boskey, meanders through the back alleys and shops of Seoul collecting fabric and mementos for his art, he discusses his creative life and the influence of adoption on his artwork. Not only is his artwork a deep expression of who he is, it has been profoundly healing.

What makes AKA Seoul so relevant is the lens feels very fresh.  The five adoptees, aside from being very creatively inclined, represent a broad spectrum in terms of their life interests, sexual orientation (two are gay, one is transsexual), and levels of self-awareness.  The common thread is that many of them were raised by white adoptive parents and grew up in communities where they had little contact with other Asians, much less Koreans.  As a result, they often ended up feeling isolated within their families and communities, despite feeling that they very loved. The mere sensation of seeing people who look like them and feeling a kind of completeness within themselves is one of their most special take-aways from Korea.

Peter Boskey is a textile artist and poet who was raised in the suburbs of Boston with two adopted siblings. He first visited Seoul in 2009. On this 2016 visit, he mines the vibrant shops and stalls of Korea, the country of his birth, for artifacts that he can incorporate into his artworks that will express aspects of his experience as a Korean American adoptee. Image: courtesy CAAM

Another is the natural comradery, empathy, and bonding that develops between the five as they eat and drink together, get special tattoos, and unpack their adoptee experiences.  They form a pack and we sense that they will be there to support each other long after they leave Korea.  As many of these adoptees confide, they’ve walked a tight rope all their lives trying to please their adoptive parents and to fit in.  This became increasingly difficult as they went through adolescence and into adulthood.  In AKA Seoul, we experience their personal healing and see their complex identities emerge out of their interactions with each other and with their native culture.  Albeit, they are all at various stages of processing their experiences and this impacts their coherency but this makes it feel real.  Seeing this documentary at CAAMFest, where it will be followed up with a live discussion with at least two of the adoptees from the film, Dan Mathews and Min Matson, should be a very enriching experience.

More about CAAMFest 35:

CAAMFest celebrates its 35th year in 2017 with a ten day festival—March 9-19— in San Francisco and Oakland that explores the shifting tides of Asian American culture. Formerly the San Francisco International Asian American Film Festival (SFIAAFF), CAAMFest expanded in 2013 beyond film to also include music and food from locales touched by Asian culture.  A presentation of the non-profit media organization, CAAM (Center for Asian American Media), CAAMFest’s film offerings include cutting-edge dramas, unflinching documentaries and innovative short films. Throughout CAAM’s history, the organization has supported documentary films and filmmakers by both funding and co-producing films.

This year’s festival will include 113 films and video— 22 feature narratives, 26 documentaries, 65 short films and videos. There will be 10 world premieres, 4 North American premieres, 3 US premieres, 14 West Coast premieres, 36 Bay Area premieres, and 1 special sneak preview.

Celebrating CAAMFest’s 35th anniversary, this year’s Special Presentations will include a diverse lineup of local and international spotlights, interactive works, anniversary screenings that revisit films from the 1980’s and 90’s, a Pacific Islander showcase, community screenings and touching documentaries on the legacy of Japanese American Internment.

Details: AKA Seoul screens at CAAMFest 35—Friday, March 10 (6:30 PM, Alamo Drafthouse Cinema) and Saturday, March 18 (8:20PM, New Parkway Theater, Oakland).  Purchase $14 tickets in advance online here.   The Alamo Drafthouse at New Mission is located at 2550 Mission Street, San Francisco (There will be a special food and drink menu exclusive to CAAMFest festival screenings.) The New Parkway Theater is located at 474 24th Street, Oakland)

To buy $20 tickets to Directions in Sound Friday, March 10, 9:30 PM at Gray Area (5 min walk from Alamo Drafthouse), featuring Dan Mathews (Dan AKA dan) and 4 other performers, click here.

For information about CAAMFest 35, visit http://caamfest.com/2017/.

March 8, 2017 Posted by | Film, Food | , , , , , , , , , , , , , , , | Leave a comment

Russian Bells will clang at Fort Ross’ Harvest Festival in a special Russian Bell concert with Percussionist Victor Avdienko—Saturday, October 15, 2016

San Francisco Symphony percussionist Victor Avdienko will play a “peal” or set of authentic Russian bronze bells in America’s Second Secular Russian Bell Concert at Fort Ross on Saturday, October 15, 2106 as part of the 4th Annual Fort Ross-Seaview Harvest Festival. The 6-bell peal was cast in 2014 in the Urals by Pyatkov & Co., a famous modern Russian bell foundry in Kamensky-Uralsy. Blagovest Bells of Novato, California, the sole promoter of Russian bells and bell-ringing in the U.S., made the zvonnitsa (support structure) in 2015. The program will include several tradition zvons and a few contemporary zvons, along with some improvisations. Photo: courtesy Blagovest Bells

San Francisco Symphony percussionist Victor Avdienko will play a “peal” or set of authentic Russian bronze bells in America’s Second Secular Russian Bell Concert at Fort Ross on Saturday, October 15, 2106 as part of the 4th Annual Fort Ross-Seaview Harvest Festival. The 6-bell peal was cast in 2014 in the Urals by Pyatkov & Co., a famous modern Russian bell foundry in Kamensky-Uralsy. Blagovest Bells of Novato, California, the sole promoter of Russian bells and bell-ringing in the U.S., made the zvonnitsa (support structure) in 2015. The program will include several tradition zvons and a few contemporary zvons, along with some improvisations. Photo: courtesy Blagovest Bells

 

The majestic sound of Russian bells will fill the air at historic Fort Ross this Saturday as San Francisco Symphony Percussionist Victor Avdienko performs a special concert for the 4th annual Fort Ross-Seaview Wine and Harvest Festival.  Since the founding of Fort Ross in 1812 by the Russian-American Company, a trading and fur trapping firm, Russian bells have had a place of prominence.  They were utilized both as signal bells at the fort’s two sentry boxes located diagonally in its Northern and Southern corners and, after 1824, as church bells in the belfry of the fort’s Holy Trinity–Saint Nicholas Chapel.  On Saturday, the peal of six Russian bells will serve a purely musical purpose in America’s Second Secular Russian Bell Concert which will take place at the Visitor’s Center at 1:10 pm.  The concert is produced by Mark Galperin, General Manager of Blagovest Bells of Novato, the sole promoter of Russian bells and bell-ringing in the U.S.

The program will include a mix of traditional liturgical and contemporary secular “zvons” (peals) and improvisations—

“Perezvon”– a chain peal, from largest bell to smallest in order, used at the Blessing of the Water

Traditional Trezvons (three-part Russian bell peals)

“Festal Lenten Zvon”– a traditional Russian Peal from the famous belfry of the Assumption Cathedral in the Kremlin of the Rostov Veliky, Yaroslavl Region, Russia

“Optina Zvon”– a peal from Optina Pustyn, the famous Entrance of the Theotokos into the Temple Monastery for men near Kozelsk, Kaluga Region, Russia

“Krasnyj Zvon” by Vladimir Petrovsky

Improvisational Trezvons

Mark Galperin of Blagovest Bells, Marin, at Fort Ross. Galperin is North America’s foremost expert on Russian bells and the producer of Saturday’s concert at Fort Ross. Galperin is a former physicist who immigrated to Marin in 1995. In 1998, he began collaborating with Father Stephan Meholick of San Anselmo’s St. Nicholas Orthodox Church to build a bell collection for the church. These bells were the first authentic Russian bells that SFS percussionist Victor Avdienko ever heard played live. Photo: Blagovest Bells

Mark Galperin of Blagovest Bells at Fort Ross. Galperin is North America’s foremost expert on Russian bells and the producer of Saturday’s concert at Fort Ross.  Galperin is a former physicist who immigrated to Marin in 1995.  In 1998, he began collaborating with Father Stephan Meholick of San Anselmo’s St. Nicholas Orthodox Church to build a Russian bell collection for the church. These bells were the first authentic Russian bells that SFS percussionist Victor Avdienko ever heard played live.  Photo: Blagovest Bells

Percussionist Victor Avdienko has performed, recorded, and toured with the San Francisco Symphony (SFS) for 20 years.  He was brought up in San Francisco’s Holy Virgin Cathedral Russian Orthodox Church on Geary Street but, during those days, he never heard authentic Russian bells played live there.  Instead, he heard plenty of recordings of majestic Russian bells which always fascinated him.  His performance of Tchaikovsky’s “1812 Overture” with the San Francisco Symphony in the summer of 2014 was the first time authentic Russian bells were ever used for that very popular piece in the United States.  Galperin organized the loan of those bells to SFS from San Anselmo’s St. Nicholas Orthodox Church.  He had also lent Blagovest Bells’ 5-bell Russian demo peal to SFS for its Keeping Score Summer Institute in June 2009.  The friendship between Galperin and Avdienko was solidified over their mutual love of bell music. Avdienko and Galperin’s first independent concert, America’s First Secular Russian Bell Concert was held at Fort Ross during the 3rd Fort Ross Harvest Festival.

Saturday’s outdoor concert at Fort Ross will occur rain or shine.  In addition to Russian bells, the folk group Dolina will also be performing a number of traditional Russian and Cossak folk dances throughout the day.

To read ARThound’s 2014 feature article on SFS percussionist Victor Avdienko and the first Russian bells to play at Green Music Center’s famed Weill Hall, click here. 

Details:  The bell concert is 1:10 PM on Saturday, October 15, 2016 at the Fort Ross Visitor Center, Fort Ross State Historic Park.  The concert is free but visitors must pay park admission of $20/car which includes entrance to the Fort Ross Harvest Festival. Fort Ross, is located 11 miles north of Jenner on Highway One and is the main tourist attraction between Bodega Bay and Fort Bragg.

The Fort Ross Harvest Festival is Saturday, October 15, 2016 from 10AM to 6PM and offers a full day of world-class wine tasting, a wine seminar featuring rare wines grown in the remote steep mountain top Seaview region, apple picking in a historic apple orchard, delicious local foods, historic crafts and music and Russian dancing, all set on the spectacular Sonoma Coast at Fort Ross State Historic Park.  Entrance to the festival is $20/car and wine tasting tickets range from $40 to $90 depending on category of wine tasting.

October 12, 2016 Posted by | Classical Music, Food, Green Music Center, Symphony | , , , , , , , | 1 Comment