Cheese Lover? Your Ultimate Cheese weekend awaits at the 11th California Artisan Cheese Festival, Friday-Sunday, in and around Petaluma
From newly-released small-batch artisan cheeses to those that have an international following, the focus of the 11th California Artisan Cheese Festival is on our region’s artisan cheese and the inside track on haute pairings and pours. This wonderful event, which kicks off Friday, is held in and around Petaluma’s Sheraton Sonoma County and is considered one of the country’s top, if not the best, artisan cheese festivals. Friday is always devoted to day-long farm tours which get more creative every year. These are so popular they sell out within days of being announced in January. The opportunity to meet the farm animals and to get the low-down on what makes our area’s cheese so special straight from the farmers who produce it always proves too good to pass up. Each tour also includes a gourmet lunch with wine in a bucolic setting and an informative talk by a leading cheese educator. Don’t despair, there are still two full days (Sat and Sun) of fascinating activities that are not yet sold out.
Saturday’s Seminars and Pairings Demos
A good number of spaces are still available in the seminars listed below, all which are held in or within a few steps of the hotel (click here for full descriptions and pricing). Show up early to purchase your tickets in person at festival headquarters in the lobby of the Sheraton.
Saturday morning: 10 to 11:30 AM:
Cheese & Charcuterie (Vanessa Chang and author, educator Laura Werlin) Foolproof pairings of artisan cheese, old world meats and rosé.
Mighty Morphing Milk (author, educator Janet Fletcher, Liam Callahan (Bellwether Farms), Jennifer Bice (Redwood Hill Farm & Creamery) Explore the magical transformation of exceptional goat, sheep and cow milk into yogurt, fresh cheese and aged cheese with an emphasis on cultures, techniques and timing decisions. Plentiful tastings.
Cream of the Crop (Sue Conley and Peggy Smith, co-founders Cowgirl Creamery and Jill Giacomini Stray and Lynn Giacomini Stray, co-founders of Point Reyes Farmstead Cheese) A lively conversation about cheese, politics and preserving family farms with tastings and cheese pairings with local craft rums.
Saturday Afternoon: 1:30 to 3 PM:
Cheese and Chocolate (Vanessa Chang and author, educator Laura Werlin) An indulgent exploration of two of life’s pleasures: cheese and chocolate with an emphasis on great pairings and how to heighten the pleasure even more with beer and port.
California Cheese: Past, Present, and Future (Kiri Fisher, The Cheese School) Taste your way through the history of cheese as you learn more about the special roots of our local dairy industry, the cheese-making renaissance of the 1980’s and 1990’s, the challenges the industry currently faces and what cheeses are on the horizon.
Saturday evening Cheese & Cocktails, 5 to 7 PM:
A new two hour event, event under the Big Top at the Sheraton featuring cheesemakers showcasing their favorite cheeses while local craft distilleries sample their best spirits both as straight pours and mixed cocktails. The mood is celebratory and this is great place to meet friends for drinks.
Sunday Artisan Cheese Tasting & Marketplace, 12 to 4 PM:
Say “hello” to the makers as you gather under the big top Sunday for a final cheesy soirée with over 90 artisan producers of local cheeses, wines, beers, ciders and other specialty foods. Discover the next wave of interesting cheese accompaniments, cheesemaking products, books and the new innovative cheese vaults that let you preserve your expensive cheeses.
Don’t miss the demos! Pick up new recipes, tips and tricks from cheese twins, Charlie and Michael Kalish, winners of Season 7 of “The Great Food Truck Race” and hosts of their own Food network Show “Big Cheese,” who will give a “Grilled Cheese Two Ways” demo at 12:30 PM.
Award winning local food writer and author, Michele Anna Jordan will demonstrate Butter Making at 1:45 PM, teaching everyone how they can churn their own butter at home in just minutes. There will ample samples of organic goat, sheep and cow milk butters and attendees can take a hand at the churn.
Aside from eating well and to your heart’s content, the tasting tent is an exciting launch pad for gourmet products which are just getting their start. This year’s “gotta have it” find is Volo Chocolate, the love child of Healdsburg chefs, Jeff and Susan Mall. In 2015, the couple sold their beloved Zin restaurant and moved to Baja to embark on a quiet life as resort chefs. Soon, they found themselves enamored with Mexican cacao and they embraced the traditional Mexican method of fire-roasting the cacao beans to create their own chocolate. Now, they are back in Healdsburg creating small-batch handmade bean-to-bar chocolates with beans sourced from Mexico’s Chiapas and Oaxaca regions. These delectable bars are available mainly through their website, so this is your chance to sample and pounce.
Other newcomers to this year’s tent include: Chico Honey Co., Dick Taylor Chocolates, Firebrand Artisan Breads, Hensley Hard Goods, Joseph Jewel Winery, Lemonbird Preserves, Moonside Creamery, and Seismic Brewing.
Details: California’s 11th Artisan Cheese Festival is March 24-26, 2017 at the Sheraton Sonoma County in Petaluma and various cheese country locations. Tickets for all festival events are sold separately online until March 23 (Thursday) and then will be available at the event itself. All events take place, rain or shine.
CAAMFest 2017 review: In Jon Maxwell’s documentary “AKA Seoul,” five Korean adult adoptees journey to Seoul to meet their birth families and to explore the intersection of adoption with their identities
Exploration of identity has always been a complex challenge for adoptees and it’s particularly true for those raised in adoptive families of a different race and culture. Jon Maxwell’s new documentary AKA Seoul (70 min, 2016), screening twice at the upcoming CAAMFest, impressively encapsulates a range of experiences shared by five Korean twenty-something adoptees who journey to Korea in the summer of 2016 to find themselves as they connect with their birth families and their native Korea.
The film is a sequel to the documentary series AKA DAN, which chronicled the 2013 journey of alternative rapper and Korean adoptee Dan Matthews as he met his biological Korean family, including an identical twin brother he never knew about. AKA Seoul picks up three years later as Matthews and four other Korean adoptees—Chelsea Katsaros, Siri Szemenkar, Min Matson, and Peter Boskey—get together in Seoul in various restaurants, bars and tattoo parlors to unpack various aspects of their identity as Koreans, as adoptees and as adults. Since they are all in the immediate throws of searching and reuniting and each experience is unique, what results is a very fluid and candid snapshot of adoption.
- Dan Mathews introduces his adoptive mom, Lynn Mathews, from Camarillo CA, to his Korean birthmother while continuing to process that he has an identical twin brother who remained in Korea with his birth family while he was adopted out. His brother is learning English to strengthen their bond and to facilitate communication for the entire birth family while Mathews is trying to figure out how much interaction he actually wants.
- Siri Szemenkar, who was raised in Sweden with virtually no contact with Asians, meets with adoption agency officials in Seoul to get information about her birthmother. After being stonewalled, she is told that her birthmother wants to meet her. Her hopes are dashed when the birthmother cancels and then elevated when she changes her mind.
- Min Matson shares his story as a transgender Korean adoptee and what it’s like to experience Seoul and Korean LGBT culture for the first time as a male. Min’s adoptive mother was Dutch and his adoptive dad was Norwegian and, while he felt really loved by his parents, he had strong feelings that he was boy in a girl’s body even before he started elementary school. He shares his isolation and his adoptive family’s struggle with his search to find his identity, which included a suicide attempt. When he first went to Korean as a masculine looking woman, it was hard for him to fit in with Korean women and to identify with the culture. When he returns, on this trip, to embrace Seoul as a Korean male, with a sense of body security, he feels different, as if he really fits in.
- Chelsea Katsaros, a 28 year old genetics student at University of Minnesota, was raised by adoptive parents of Norwegian and Greek ancestry in Minnesota and grew up around surrounded by people who didn’t look like her. She admits that pressure of being Asian in a white family and culture, was stressful. When she realized as a teenager that she was gay, and came out at age 19, she felt even more pressure because her adoptive family was deeply religious and would not accept her, ultimately leading her to sever communication with them altogether. Holding an orphan in her arms on a visit to Seoul’s Eastern Social Welfare Society, she laments that she will never be able to adopt a Korean baby herself because she is gay and Korean policy only allows for heterosexual adoptions.
- As free-spirited poet and textile artist, Peter Boskey, meanders through the back alleys and shops of Seoul collecting fabric and mementos for his art, he discusses his creative life and the influence of adoption on his artwork. Not only is his artwork a deep expression of who he is, it has been profoundly healing.
What makes AKA Seoul so relevant is the lens feels very fresh. The five adoptees, aside from being very creatively inclined, represent a broad spectrum in terms of their life interests, sexual orientation (two are gay, one is transsexual), and levels of self-awareness. The common thread is that many of them were raised by white adoptive parents and grew up in communities where they had little contact with other Asians, much less Koreans. As a result, they often ended up feeling isolated within their families and communities, despite feeling that they very loved. The mere sensation of seeing people who look like them and feeling a kind of completeness within themselves is one of their most special take-aways from Korea.
Another is the natural comradery, empathy, and bonding that develops between the five as they eat and drink together, get special tattoos, and unpack their adoptee experiences. They form a pack and we sense that they will be there to support each other long after they leave Korea. As many of these adoptees confide, they’ve walked a tight rope all their lives trying to please their adoptive parents and to fit in. This became increasingly difficult as they went through adolescence and into adulthood. In AKA Seoul, we experience their personal healing and see their complex identities emerge out of their interactions with each other and with their native culture. Albeit, they are all at various stages of processing their experiences and this impacts their coherency but this makes it feel real. Seeing this documentary at CAAMFest, where it will be followed up with a live discussion with at least two of the adoptees from the film, Dan Mathews and Min Matson, should be a very enriching experience.
More about CAAMFest 35:
CAAMFest celebrates its 35th year in 2017 with a ten day festival—March 9-19— in San Francisco and Oakland that explores the shifting tides of Asian American culture. Formerly the San Francisco International Asian American Film Festival (SFIAAFF), CAAMFest expanded in 2013 beyond film to also include music and food from locales touched by Asian culture. A presentation of the non-profit media organization, CAAM (Center for Asian American Media), CAAMFest’s film offerings include cutting-edge dramas, unflinching documentaries and innovative short films. Throughout CAAM’s history, the organization has supported documentary films and filmmakers by both funding and co-producing films.
This year’s festival will include 113 films and video— 22 feature narratives, 26 documentaries, 65 short films and videos. There will be 10 world premieres, 4 North American premieres, 3 US premieres, 14 West Coast premieres, 36 Bay Area premieres, and 1 special sneak preview.
Celebrating CAAMFest’s 35th anniversary, this year’s Special Presentations will include a diverse lineup of local and international spotlights, interactive works, anniversary screenings that revisit films from the 1980’s and 90’s, a Pacific Islander showcase, community screenings and touching documentaries on the legacy of Japanese American Internment.
Details: AKA Seoul screens at CAAMFest 35—Friday, March 10 (6:30 PM, Alamo Drafthouse Cinema) and Saturday, March 18 (8:20PM, New Parkway Theater, Oakland). Purchase $14 tickets in advance online here. The Alamo Drafthouse at New Mission is located at 2550 Mission Street, San Francisco (There will be a special food and drink menu exclusive to CAAMFest festival screenings.) The New Parkway Theater is located at 474 24th Street, Oakland)
For information about CAAMFest 35, visit http://caamfest.com/2017/.
Russian Bells will clang at Fort Ross’ Harvest Festival in a special Russian Bell concert with Percussionist Victor Avdienko—Saturday, October 15, 2016
The majestic sound of Russian bells will fill the air at historic Fort Ross this Saturday as San Francisco Symphony Percussionist Victor Avdienko performs a special concert for the 4th annual Fort Ross-Seaview Wine and Harvest Festival. Since the founding of Fort Ross in 1812 by the Russian-American Company, a trading and fur trapping firm, Russian bells have had a place of prominence. They were utilized both as signal bells at the fort’s two sentry boxes located diagonally in its Northern and Southern corners and, after 1824, as church bells in the belfry of the fort’s Holy Trinity–Saint Nicholas Chapel. On Saturday, the peal of six Russian bells will serve a purely musical purpose in America’s Second Secular Russian Bell Concert which will take place at the Visitor’s Center at 1:10 pm. The concert is produced by Mark Galperin, General Manager of Blagovest Bells of Novato, the sole promoter of Russian bells and bell-ringing in the U.S.
The program will include a mix of traditional liturgical and contemporary secular “zvons” (peals) and improvisations—
“Perezvon”– a chain peal, from largest bell to smallest in order, used at the Blessing of the Water
Traditional Trezvons (three-part Russian bell peals)
“Festal Lenten Zvon”– a traditional Russian Peal from the famous belfry of the Assumption Cathedral in the Kremlin of the Rostov Veliky, Yaroslavl Region, Russia
“Optina Zvon”– a peal from Optina Pustyn, the famous Entrance of the Theotokos into the Temple Monastery for men near Kozelsk, Kaluga Region, Russia
“Krasnyj Zvon” by Vladimir Petrovsky
Percussionist Victor Avdienko has performed, recorded, and toured with the San Francisco Symphony (SFS) for 20 years. He was brought up in San Francisco’s Holy Virgin Cathedral Russian Orthodox Church on Geary Street but, during those days, he never heard authentic Russian bells played live there. Instead, he heard plenty of recordings of majestic Russian bells which always fascinated him. His performance of Tchaikovsky’s “1812 Overture” with the San Francisco Symphony in the summer of 2014 was the first time authentic Russian bells were ever used for that very popular piece in the United States. Galperin organized the loan of those bells to SFS from San Anselmo’s St. Nicholas Orthodox Church. He had also lent Blagovest Bells’ 5-bell Russian demo peal to SFS for its Keeping Score Summer Institute in June 2009. The friendship between Galperin and Avdienko was solidified over their mutual love of bell music. Avdienko and Galperin’s first independent concert, America’s First Secular Russian Bell Concert was held at Fort Ross during the 3rd Fort Ross Harvest Festival.
Saturday’s outdoor concert at Fort Ross will occur rain or shine. In addition to Russian bells, the folk group Dolina will also be performing a number of traditional Russian and Cossak folk dances throughout the day.
To read ARThound’s 2014 feature article on SFS percussionist Victor Avdienko and the first Russian bells to play at Green Music Center’s famed Weill Hall, click here.
Details: The bell concert is 1:10 PM on Saturday, October 15, 2016 at the Fort Ross Visitor Center, Fort Ross State Historic Park. The concert is free but visitors must pay park admission of $20/car which includes entrance to the Fort Ross Harvest Festival. Fort Ross, is located 11 miles north of Jenner on Highway One and is the main tourist attraction between Bodega Bay and Fort Bragg.
The Fort Ross Harvest Festival is Saturday, October 15, 2016 from 10AM to 6PM and offers a full day of world-class wine tasting, a wine seminar featuring rare wines grown in the remote steep mountain top Seaview region, apple picking in a historic apple orchard, delicious local foods, historic crafts and music and Russian dancing, all set on the spectacular Sonoma Coast at Fort Ross State Historic Park. Entrance to the festival is $20/car and wine tasting tickets range from $40 to $90 depending on category of wine tasting.
The 11th annual Taste of Petaluma is Saturday, August 20, 2016, from 11 a.m. to 4 p.m. and it’s all about connecting with Petaluma’s small-town charm and wonderful cuisine—bite by glorious bite. Taste is a benefit for Cinnabar Theater, Petaluma’s beloved professional theater, which opens its 44th season in September with The Most Happy Fella, a heartwarming musical romance set in the Wine Country. If you’ve ever attended one of Cinnabar’s remarkable performances on the old schoolhouse atop the hill, you know what a treasure Cinnabar is. This year’s Taste features over 80 Petaluma restaurants and food, wine and beverage purveyors at 42 locales scattered across Petaluma’s historic downtown. Over 60 musicians and dancers will be performing too, offering just as promising an entertainment menu (full performance schedule here). This culinary walking tour draws people from all over the Bay Area and $40 gets you 10 generously portioned tastes of your choosing.
“We have more new restaurants here than some towns have restaurants,” says Laura Sunday, Taste of Petaluma’s founder. “Taste will guide you through the dozens of eateries that call Petaluma their home. It’s a great day to wander around eating, sipping and hearing music with friends or family. There’s something delicious at every turn.”
Recently, I was invited to attend two “mini Tastes” along with a number of the North Bay food writers. Together, we visited eight downtown gems that represent Petaluma’s ever-changing food landscape─ Quinua Cocina Peruana, Out to Lunch Fine Catering, The Shuckery, Supreme Sweets, Thai River, Speakeasy and The Big Easy, Sonoma Spice Queen and Corkscrew Café and Wine Bar.
Two of our tastings took place within the newly restored Hotel Petaluma, which I recommend you get take a peek at during Taste. The restoration isn’t quite complete but the lobby is finished and is so harmoniously appointed you’ll find yourself wanting to plop down and have a drink. The spacious formal dining hall, with its tall ceilings and pastel blue plaster walls, fired my imagination, taking me back to times spent in Europe. Its places like this and our beloved Petaluma Seed Bank and historic Cinnabar Theater that coax me to invite friends to Petaluma. And then there’s the food!
The newcomers to Taste of Petaluma are previewed first; then the tried and true─
Quinua Cocina Peruana
Out to Lunch Fine Catering
Speakeasy and The Big Easy
Sonoma Spice Queen
CorkScrew Wine Bar
Taste of Petaluma Details:
The 11th Annual Taste of Petaluma is Saturday, August 20, 2016 from 11:30 AM to 4 PM. Ticket packages are $40 and consist of 10 tasting tickets, good for 1 taste each. Tickets can also be purchased on the day of the event from 10:30 AM onwards at Helen Putnam Plaza. Only 1500 tickets will be sold. Advance Tickets can be purchased online here (with surcharge) and must be picked up on the day of the event. Advance tickets can be purchased in person until Friday, August 19, 3 p.m. at the following venues in Petaluma—Blush Collections (117 Kentucky Street), Cinnabar Theater (333 Petaluma Blvd. North), Gallery One (209 Western Ave.), and Velvet Ice Collections (140 2nd Street, Theater Square). All Advance tickets need to be picked up at WILL CALL at Helen Putnam Plaza (129 Petaluma Blvd. North) after 10:30 AM on the day of the event.
All participants receive a plastic wine glass. You can purchase more tickets throughout the day for $4 each.
Parking Alert: Parking downtown is 2 hours. Just a couple blocks out of downtown there are no restrictions. The Theater Square garage has unlimited, free parking. The Keller St. garage is 4 hours, except for the top floor which is 10 hours. Parking tickets are $50. Be forewarned and read the signs.
The 19th Sonoma International Film Festival─a feel-great extravaganza of film, food, wine and sprits─starts Wednesday in wonderful Sonoma
The 19th Sonoma International Film Festival (SIFF) kicks off tonight at the historic Sebastiani Theatre with Norwegian director Joachim Tier’s family drama, Louder Than Bombs (2015) and a live “vertical dance performance” with members of the dynamic Bandaloop dance group performing choreographed moves from ropes on the Sebastiani’s roof. Over the next 5 nights and 4 days, the festival will present over 100 films from two dozen countries and over 200 filmmakers from around the globe will attend. Among this year’s treasures are three exciting films shot in Cuba whose stories are bound to inspire a trip to this delightful island before the big Western chain hotels devour the beach space and those beloved’57 Chevys are replaced with Toyotas. One of these is the late journalist Denne Bart Petitclerc’s remarkable Papa Hemingway in Cuba, the first American production shot in Cuba since the 1960 trade embargo. This is the story of Hemingway and his experiences in Cuba, where he lived with his fourth wife, Mary, as told through the eyes Petitclerc when he was a young reporter at the Miami Herald. And food! Complementing its diverse and truly international program of independent cinema, SIFF offers a unique blend of world-class cuisine from local artisans and exceptional wine from Sonoma vintners, making for an epicurean experience few film festivals in the world can match. This year, SIFF is offering a complementary tasting and pairing along with its two screenings of Cooking Up a Tribute which takes us on globe-trotting road trip with the fabled Catalonian eatery El Celler de Can Roca. Browse the program and then pounce─a limited number of $15 tickets are available for pre-purchase online for all films.
ARThound’s top picks for films and events─
You’d never guess that Viva, a touching portrayal of a young gay Cuban man’s struggle to find himself, was the work of Irish director Paddy Breathnach. Directed and shot in Havana, with some very heavy-lifting from Cuban actors Héctor Medina and Jorge Perugorría, this beautiful story captures the yearning of Jesus (Medina), a young gay hairdresser working at a Havana nightclub for drag queens, to step out on stage and perform as a female. Encouraged by his mentor, Mama (Luis Alberto García), Jesus finally gets his opportunity to perform and it awakens sometime vital within. But when his estranged father Angel (Jorge Perugorría) abruptly reenters his life, his world is quickly turned upside down. As father and son tussle over their opposing expectations of each other, Viva morphs into a love story with the two men struggling to understand each other and to reconcile as a family. The drama, Ireland’s Oscar submission for Best foreign Language Film this year, also paints a rich portrait of street life in Havana and the divide between those Cubans who are embracing the coming changes and those who are battling to survive. (Screens: Thursday, March 31, 9:15 PM and Saturday, April 2, 2:15 PM, both at Sebastiani Theatre)
Papa Hemingway in Havana
Bob Yari’s vital film tells the fabled story of Hemingway in Cuba through the eyes of the late journalist Denne Bart Petitclerc (Giovanni Ribisi), a former San Francisco Chronicle reporter and Sonoma resident. Papa’s backstory was long and difficult because the film was created during the embargo. It took Yari two years to convince the US State Department and US Treasury to make an exception and he had to agree to a $100,000 spending limit for the cast and crew –unheard of for a Hollywood production. On the Cuban side, Yari was required to submit the script to the government in Havana. In addition to a fiery story that profiles two gifted writers who bond over fishing, the film features a stand-out performance by Joely Richardson who plays Hemingway’s fourth wife, Mary Welsh Hemingway. The drama was shot in Hemingway’s home Finca Vigia and locations throughout Cuba including La Floridita and Ambos Mundos Hotel. (Screens: Thursday, 3/31 6:30 PM, Sebastiani Theatre and Saturday, April 2, 2:30 PM at Veterans Hall I)
Cooking Up a Tribute / A Taste of Film:
The documentary Cooking Up a Tribute follows the famed Catalonian eatery El Celler de Can Roca (Girona, Spain) as it boldly closes up shop and embarks on a five week global road tour─from Texas to Mexico to Colombia and Peru. The idea is to improvise with local ingredients to create unique tasting menus for each locale. Opened in 1986 by the Roca brothers, Joan, Josep and Jordi, El Celler de Can Roca holds three Michelin stars. In 2013 and 2015, it was named the best restaurant in the world by Restaurant magazine. Perhaps the best footage in this ambitious doc is shot tagging along with renowned sommelier/maitre d’ Josep Roca on a fascinating pre-exploratory journey where he nails down the places his team will visit. Here’s your chance to watch agave being smoked to produce mescal in Oaxaca and to explore the seemingly infinite number of gorgeous Peruvian potatoes with names like “Bull’s Blood” and “Yellow Egg Yolk.” Free Food, Wine: The festival’s Premiere Sponsor, Celebrity Cruises, will activate their onboard “A Taste of Film” multisensory experience at both film screenings and filmgoers will receive a glass of JCB by Jean-Charles Boisset’s French sparkling No. 69 Crémant de Bourgogne with a carefully curated food tasting, which will bring the aromas and flavors of the food documentary to life. (83 min, 2015) (Screens Fri, April 1, 2:30 PM at Vintage House and Sunday, April 3, 3 PM at Vintage House with complimentary drink and tastings at the film.)
Gordon Getty: There will be Music
At 82, billionaire American composer Gordon Getty, industrialist J. Paul Getty’s son from his fifth marriage, remains a dedicated music creator, economic theorist, vintner, venture capitalist, philanthropist and longtime supporter of our beloved San Francisco Symphony. When your name is Getty, is it a help or hindrance being accepted as a serious composer? Seasoned director Peter Rosen, who has produced and directed over 100 full-length films and television programs on the luminaries of the art world, captures Getty, the musician, at work and in candid conversation with fellow composer and conductor Michael Tilson Thomas about his creative process and vision. He even captures a few of Getty’s endearing expletives─“Jeepers creepers!” and “Holy flying mackerel.” Schooled at San Francisco’s Conservatory for Music in the early 1960’s, Getty studied music theory with Sol Joseph. His business career and responsibilities as head of the Getty Foundation impinged on his time for composition and it wasn’t until the 1980s when Getty published his first work, The White Election, a song cycle on Emily Dickinson poems. He’s actually spent decades of his life carefully working and honing his music and his oeuvre includes “Joan and the Bells,” “Plump Jack,” “Usher House,” “Poor Peter,” “Four Dickinson Songs,” “The White Election” and more─pieces that have been performed all over the world. (2015, 68 min) Screens Friday, April 1, 5:30 PM, Vintage House (Getty will be present) and Saturday, April 2, Andrews Hall, 2:30 PM
The Messenger: Making a documentary is a labor of love that often takes years to realize. To understand what was happening with global populations of songbirds, Canadian director Su Rynard and her team followed songbirds on three different continents through several seasons. The message of her riveting documentary is urgent─songbirds are disappearing and many species are in serious decline. Changes in our world have brought utter catastrophe to theirs and soon they will be gone. Each year, twice a year, songbirds embark on a dangerous and difficult migratory journey. Every species has its own story to tell but the resounding commonality is that songbirds are in danger. Whose song will we hear when they are gone? The film is full of gorgeous shots of birds and clips of bird songs. (2015, 90 min) (Screens: Friday, April 1, 2:30 PM at Andrews Hall and Sunday, April 3, 9:30 AM at Vintage House)
ARThound’s previous festival coverage:
Details: The 19th Sonoma International Film Festival starts Wednesday, March 30 and runs through Sunday, April 2, 2016. To enjoy guaranteed access to all films, themed nightly parties in SIFF Village’s Backlot Tent, after parties, receptions, and industry events and panels, buy all inclusive passes online at sonomafilmfest.org. A limited number of $15 tickets are available for each film screening too and these will sell out rapidly, so purchase these in advance online at sonomafilmfest.org.
Cheesemaking in Poland 7,500 years ago: Princeton Archaeologist, Dr. Peter Bogucki tells the story with archaeology, analytical chemistry and genetics at SRJC this Sunday, March 6, 2016
We all know that archaeology entails a great deal of puzzle solving. In 1981, Princeton Archaeologist Peter Bogucki was a key player on an international team of archaeologists investigating ancient Polish agricultural sites when he revisited a site in the Kuyavia region of Northern Poland. The site yielded some roughly 7,000 year-old hole-pierced “potsherds”—prehistoric pottery fragments. Later, when Bogucki (pronounced bow-good’-ski) was back in the States visiting a friend in Vermont, he examined some 19th century sieve-like ceramics used in cheesemaking that were somehow similar. The spark was lit! On the drive home, it hit him. Could it be that those shreds of perforated pottery, that had been unearthed for years at Neolithic farming sites in northern Poland, were evidence of ancient cheesemaking? In 1984, he revealed his theory in the Oxford Journal of Archaeology. The hitch was that it was impossible to prove that that the bits of pottery were the remains of a cheesemaker rather some other type of strainer.
It would take some of the most cutting edge developments in biochemistry—and 30 years—until researchers at the University of Bristol used a new type of test to measure ancient molecular remnants embedded within the pottery. When evidence of bovine dairy lipids were found, Bogucki’s hypothesis was finally confirmed and the scientific floodgates were opened.
The presence of these bovine milk byproducts in the potsherds not only provided evidence that perforated pots were used to separate cheese curds from whey, it also explains how Neolithic Europeans, who were generally unable to digest lactose, were able to use milk for food—the whey retains the bulk of the lactose in milk, allowing the farmers to eat the low-lactose cheese. This discovery, which highlights the interplay between human cultural development and biological evolution, was published in the scientific journal Nature in December 2012 and has attracted worldwide attention.
Science is the art of refinement and enlightenment. The transformation of milk to a more tolerable product, cheese, for the lactose-intolerant may have helped promote dairying among the first farmers in Europe, Bogucki postulated. Richard Evershed and his team at the University of Bristol, who were in close contact with Bogucki, further postulated that the presence of dairying over several generations may have set in motion a biological change in Europeans—lactase persistence—retaining the lactase enzyme, which breaks down lactose, well into adulthood, which changed Western digestive capabilities. The discovery that the modern European digestive system is partly a legacy of Neolithic dairy farming practices is in turn fueling new research.
This Sunday, at 4 p.m., Bogucki will give the Robert Braidwood lecture, The Archaeology of Cheese: Cattle, Strainers, Chemistry, and Genes, at the Petaluma campus of SRJC in Ellis Auditorium (Room PC310). His talk is free and open to the public.
With the 10th California Artisan Cheese Festival following next weekend (March 18-20), in and around Petaluma’s Sheraton Sonoma County and various cheese country locations, March promises a bounty of cheese-related events. The cheese festival, which focuses on cheese sampling and education, also offers a full day of cheese-related seminars but none of this year’s seminars focus on the history of cheese or offer the depth of science and archaeology that will be covered in Bogucki’s talk. Click here for ARThound’s coverage.
More on Dr. Peter Bogucki: Currently, Dr. Bogucki is Associate Dean for Undergraduate Affairs at the School of Engineering and Applied Science at Princeton University. He received his degrees from Harvard University (Ph.D.) and the University of Pennsylvania. Since 1976 he has studied early farming societies in Europe (ca. 6000 – 3000 BCE), specifically in Poland with excavations at the sites of Brześć Kujawski and Osłonki. Dr. Bogucki has published extensively, and received numerous honors for his work.
Details: The Archaeology of Cheese: Cattle, Strainers, Chemistry, and Genes is Sunday, March 6 at 4 p.m., Ellis Auditorium, Petaluma campus of SRJC, 680 Sonoma Mountain Parkway Petaluma. The lecture is free but a parking fee is required for all-on campus parking.
Tickets for the 10th California Artisan Cheese Festival are now on sale: ARThound talks cheese with Judy Groverman Walker, the festival’s executive director
Love cheese? A growing number of artisan cheese aficionados travel far and wide to cheese gatherings across the country, but we in the Bay Area don’t have to because Petaluma and its pastoral farmlands are cheese paradise for both producers and consumers. This March 18-20, 2016, California’s Artisan Cheese Festival, takes place in and around Petaluma’s Sheraton Sonoma County and it’s considered one of the nation’s top, if not the best, cheese festivals. The festival celebrates its 10th anniversary this year and promise a glorious immersion in all things cheese. From new small-batch and very rare artisan cheeses to those that have already garnered international recognition, the spotlight is on the vibrant hues, bold aromas, and surprising flavors that make our region’s cheeses so divine. You’ll meet the local farmers who produce these cheeses and get to “ohh” and “ahhh” and cuddle their kids, lambs and calves. You’ll have classes with legendary food tzars who will feed you and, in the process, help you drill down on your own personal preferences. You’ll be briefed on the latest trends in pairing artisan cheeses with special foods, boutique wines and artisan brewed beers and ciders. And what stories you’ll hear! But unless you register soon, you’ll miss out on the farm tours and the special events this three-day extravaganza has to offer because the festival always sells out.
In honor of its 10th anniversary, the festival will expand its beloved Farm Tours to both Friday and Saturday with two new destinations in the Sacramento area and educational components will be included in every Farm Tour. A not-to-be-missed 10 Year Anniversary Celebration will be held under the Big Top on Saturday night. For the festival’s full schedule and to buy your tickets ($45 to $135), click here.
ARThound spoke with Judy Groverman Walker, the festival’s executive director, about this year’s festivities. Judy has been at the helm for the past five years. Like Arthound, Judy grew up in a 4-H farming family with deep roots in Sonoma County and has had lots of experience with raising and grazing animals as well as understanding the economics of running a dairy and bringing a product to market. Her transition to a career in designing and promoting food events seems a perfect fit for this Windsor resident who spent most of life in Sonoma County.
This is the 10th anniversary of this very special festival…what’s your history with the festival and how has it changed since you became the executive director?
Judy Groverman Walker: I’ve been involved since 2012 and, prior to that, I organized a number of local food and wine events—I helped start Kendall Jackson’s Heirloom Tomato Festival and worked with River Valley Winegrowers who used to do Grape to Glass, a three-day event. The California Artisan Cheese Festival has been growing steadily each year, both in attendees and cheesemakers. This year, we have 33 artisan cheesemakers already confirmed. This is always a struggle because those who are located further away from the festival are the hardest to pull away for a weekend because, either they’re a small farm and just can’t get away, or it’s just not cost effective. Most of the cheesemakers are from around the Bay Area. There’s never been much Southern California representation but, this year, Golden Valley Farm, from Chowchilla, the only sheep dairy in the San Joaquin Valley, will be participating again. They produce some wonderful Pecorino cheeses that have the flavor and aroma of various wines. Last year was their first time at the festival and they participated in a seminar and were at Sunday’s Artisan Cheese Tasting & Marketplace. Phillip Franco from Sierra Cheese in Compton will participate as a panelist in one of our Farm tours too. While I’ve been with the festival, I’ve noticed more cheesemakers popping up in proximity to the festival (the Petaluma area) and I think the festival has had something to do with that.
You were the first festival in the country to offer an extended weekend of artisan cheese-related events. There are more cheese festivals now; what remains unique about your festival?
Judy Groverman Walker: Because we live in an area that really appreciates fine cheese, you might assume there would be cheese festivals all over the rest of the country too. Actually, there are just a handful and ours is one of the biggest, the most comprehensive, and the best. The Great Wisconsin Cheese Festival in Little Chute (three days, early June) and the Vermont Cheesemaker’s Festival (one day, mid-July) are large festivals but don’t have our breadth. The Oregon Cheese Festival is also very well known but it’s little and just one day and is mainly about sampling. We give participants the chance to taste cheeses from over 30 artisan cheesemakers, so that’s a lot of variety. Because we represent California and so many diverse artisan cheesemakers, we maintain a strong education element that reflects and sets trends. All of this is in one place. Our farm tours are very special too and we are always working to improve them. They give consumers a chance to see firsthand how the cheeses are made and to meet and pet the goats, sheep and cows and water buffalos and get up close and personal with the farmers and ask questions about the entire process. These are our most popular events and they start to sell out a couple of days after we put up the announcement.
This year, we’ve added a panel discussion or some sort of education aspect to each tour. We’re seeing a lot of interest in local farmstead ciders right now and they happen to pair wonderfully with cheeses, so we’ve incorporated cider stops into a couple of the farm tours. Farm Tour C will visit Apple Garden Farm in Tomales and Farm Tour D visits Devoto Orchards in Sebastopol. We realized that some of some of our cheesemakers don’t get enough attention because they are further away, so we added two farm tours that take place in the Sacramento Valley area. One tour goes North and the other goes South, with stops along the way where participants can meet cheesemakers and find out what they are doing that might be different from what we are doing here.
Are there any special plans for your 10th anniversary?
Judy Groverman Walker: We’re still working out the details but Saturday night will be our 10th anniversary celebration. We’ve invited restaurants to come in and we’re partnering up cheesemakers with chefs and we’ll have live music and a photo booth and it will be a very fun and festive environment. Look for more on that in the coming weeks on the festival webpage.
Any speakers who have proven to be crowd favorites over the years that you invite back again and again?
Judy Groverman Walker: We include Laura Werlin and Janet Fletcher every year because they are such experts and such great communicators and teachers. This year, they will also participate in the farm tours. Laura will do a seminar with some California’s instrumental cheesemakers (Farm Tour C) and she’ll also do a Saturday afternoon seminar, ‘Farm to Table, Bean to Bar’ on pairing cheese and chocolate, which is selling very well.
Janet Fletcher, who has spent years and year working with cheese, will do a mixed milk cheese tasting seminar that we’ve incorporated into Farm tours A and B) and will lead a Saturday afternoon pairing seminar, ‘Dubbel Down: Belgian-style Beer and Cheese’ which is a primer on Belgian style beers made in the U.S. and American artisan cheeses.
Chef, author and teacher, John Ash, has been involved with the festival since it began and has done wonderful seminars and cooking demos and has overseen some of our dinners and carried out the live festival broadcast with KSRO. This will be the first year he’s doing the Sunday morning brunch which has California cheese at every course and features our region’s sparkling wines. He’ll also do a live cooking demonstration and I’m very excited about that.
You offer a sake and cheese pairing seminar on Saturday afternoon with Chef Tominaga of Hana and sommelier Robert Bath…is this the newest trend?
Judy Groverman Walker: We’ve had some of our cheesemakers experimenting with sake and that’s why we’re giving it a try. I’ve not heard that this is trending but after the festival there may be a lot more interest. And, of course, if sous chefs believe it can work, then it will be in restaurants and take off. It’s such an odd combination but we feel it will have appeal. I wish I could go because it’s something I know very little about.
For someone who has one day to spend at the festival, what do you recommend?
Judy Groverman Walker: If you like cheese and you’re a restaurant person and you want your cheese prepared into something, then Saturday evening’s special California Cheesin’ event is for you because chefs from leading restaurants are going to use cheese in very creative and diverse dishes. If you just want pure cheese sampling then Friday night’s Cheesemongers’ Duel will offer cheeses that famous cheesemongers have turned into “the best bite” and Sunday’s Artisan Cheese Tasting and Marketplace is straight cheese in its raw form.
What is the “value” in spending $45 to enter Sunday’s tasting tent?
Judy Groverman Walker: We give you the opportunity to try all these cheeses and include all all the beer, wine and cider you can drink, along with live entertainment. You also get an insulated insulate shopping, an ice pack and a wine glass. You are face to face with the actual cheesemakers, talking cheese and can come away with a lot of information. In between tastes, you can watch live demonstrations conducted by local chefs and cheese experts on topics like how to put together the perfect cheese board for a party. There are lots of cheese accessories too—cheeseboards, cheese knives—and local high-end gourmet accompaniments like small batch jams, tapenades, olive oils, and the latest artisan whole grain crackers. You’re not going to see jewelry makers because we keep it cheese-related. Lots of people use this as a head-start on holiday shopping and entertaining too. The newest CA artisan cheese spreads are showcased too. This year, I’m excited about Chevoo (pronounced SHAY-voo), run by an Australian couple who live in Sonoma. They’ve taken fresh Cyprus Grove goat curd and put it into an olive oil base that has been infused with different herbs. This is brand new. The tasting tent is the place to try all of these new gourmet products.
We have artisan cheesemakers from outside our area who want to participate but we try to limit it to California. We let Beehive Cheese (hand-rubbed Barely Buzzed, Teahive, Seahive) attend because they’re from Northern Utah and there’s no other cheese organization they can associate with and we are the closest festival they can attend. And we also let Willapa Hills come down from Southwest Washington come too. They started out with just sheep’s milk cheese and now have expanded into sheep/cow milk blends (Two-faced Blue, Ewe Old Cow).
Details: California’s 10th Artisan Cheese Festival is March 18-20, 2016 at the Sheraton Sonoma County in Petaluma and various cheese country locations. Tickets for all festival events are sold separately and all events take place, rain or shine. Click here to go to Eventbrite to purchase tickets.
Love Lavender? Mataznas Creek Winery’s 19th annual “Days of Wine and Lavender” is Saturday, June 27, 2015
Nestled between three mountain peaks in Sonoma County’s bucolic Bennett Valley, the Matanzas Creek Winery and vineyard is home to over three acres of lavender gardens. Planted in 1991 and nurtured by the vineyard’s gardeners, these spectacular plants frame the entrance to the winery and are now in full bloom. On Saturday, June 27, 2015, from noon to 4 PM, Matanzas Creek celebrates its bounty with its festive 19th Annual Days of Wine & Lavender. The wonderful afternoon includes Matanzas Creek’s special wines, including its latest releases of crisp, aromatic Bennett Valley Chardonnay and its exclusive, hedonistic, Journey label which includes its 2013 Journey Sauvignon Blanc and 2013 Bennett Valley Pinot Noir which has hints of rose petals. Attendance is limited at this special gathering, so guests never feel overcrowded as they stroll the expansive property, taking in the vineyards and the vibrant bust of purple. The healing fragrance of lavender wafts through the air while the bees buzz. Live music keeps the tempo celebratory as guests partake of special food and wine pairings to their heart’s content. Many of these creative gourmet delights are lavender themed.
There are photo booths, opportunities to paint in the lavender fields or just zone out in comfy lounge chairs and take in the view. Not only do I love this event for the food and wine, but it’s wonderful to stock up on Matanzas Creek’s lavender bath and body products which are made with the finest ingredients and beautifully packaged. The concentration/staying power of their fragrance and nurturing qualities are evident immediately and these products make wonderful gifts. Don’t miss the opportunity to bliss out by spritzing yourself with their amazing Lavender Mist. A personal favorite, used by all members of our household, is Matanzas Creek Lavender Blend After Shave Lotion which has warm spicy notes and leaves your skin as smooth as silk.
Good Deeds: The event benefits the Ceres Community Project, a non-profit that involves local teens as gardeners or chefs. Ceres aims to bring 88,000 nutrient-rich meals to those with serious illnesses or to those in need in Sonoma and Marin counties this year. For more information about Ceres and its wonderful classes, visit http://www.ceresproject.org/.
Details: Saturday June 27th, noon to 4 p.m. Tickets: $95 General Public and $75 Wine Club members. Advance ticket purchase is essential as the festival sells out in advance each year. To purchase tickets, click here. Matanzas Creek Winery is located at 6097 Bennett Valley Road, Santa Rosa, CA 95404 For more information, phone: 800 590-6464
The 18th Sonoma International Film Festival (SIFF) starts Wednesday and will screen over 90 films from more than two dozen countries over 5 nights and 4 days. The big nights have been well-covered in the media. Among the treasures that you might not have yet discovered are several films, each an artwork in itself, on artists and designers, some virtually unknown, whose gift for creative expression will inspire and delight. $15 tickets are available for pre-purchase online for all of the films mentioned below. Victor Mancilla’s documentary, ART and Revolutions, about Mexico’s famed artist-engraver, José Guasalupe Posada, will screens Saturday at the Sonoma Valley Museum of Art, will have an accompanying art exhibition and a lively post-screening Q& A with the director and Jim Nikas, the collector. The opening night film, Alan Rickman’s A Little Chaos, which has Kate Winslet playing an unorthodox thinking widow hired to design part of the gardens at Versailles, has also peaked my interest. I love how Winslet embodies strength on scene and I’m intrigued with garden design, which poses interesting questions, artistic and otherwise. What is nature, how do we fit into it and how should we shape it when we can both physically and visually? Some of these fascinating issues are practical and others philosophical but we can only hope that Winslet’s Sabine de Barra tackles them substantively as she (predictably) snuggles up with the court’s renowned landscape architect artist André Le Notre (Matthias Schoenaerts) to design one of the most exquisite gardens ever conceived.
Now, on to the art line up—
Searching for Posada: ART and Revolutions (Mexico/USA, 2014, 41 minutes) Called a “revolutionary artist of the people” and hailed as “the Goya of Mexico” and yet virtually unknown, Mexican artist and printmaker José Guadalupe Posada (1852-1913) created a vast portfolio of important work. Mexican director Victor Mancilla (201 Squadron: The Forgotten Eagles (2009) Best Historical Documentary award, Smithsonian Institution) tells Posada’s story through Jim Nikas (of Marin), an obsessed American collector of Posada’s works. Nikas, who has the largest collection of Posada’s in the U.S., embarks on a passionate search for the truth about the artist. Traveling to the Posada’s hometown of Aguascalientes, to Leon and then Mexico City, Nikas meets art historians and encounters things that would have amazed even the artist Posada himself, including Fidel Castro’s pajamas and Che Guevera’s backpack. Three-and-a-half years in the making, ART and Revolutions© was shot on location in Mexico and features music by pianist Natasha Marin, wife of actor and avid Chicano Art collector Cheech Marin. (Screens: Saturday, March 28, 5 PM, Sonoma Valley of Art, $15 tickets) There is a post-screening Q & A with the director and Jim Nikas and an Exhibition of Posada’s original artwork from the collection of the Posada Art Foundation.
Art House—(USA, 90 min) Photographer Don Freeman’s masterful documentary Art House explores the handmade homes crafted by and lived in by eleven American—Frederic Church, Russel Wright, George Nakashima, Raoul Hague, Costantino Nivola, Paolo Soleri, Henry Chapman Mercer, Wharton Esherick, Henry Varnum Poor, Byrdcliffe Arts Colony, and Eliphante. Embracing the synergy of curves, natural materials and muted light, each glorious home reflects its creator’s distinctive voice and practice as it merges with architecture. An anthem to creative souls who follow their hearts, this inspirational and gorgeously shot doc makes the sleek pages of Architectural Digest and Dwell seem passé. (Screens: Thursday, March 26, 5:30 PM, Women’s Club; Sunday, March 29, 7:30 PM Sonoma Valley Museum of Art. $15 tickets)
Beltracchi: The Art of Forgery (Beltracchi: Die Kunst der Falschung)—(Germany, 2014, 93 min) It’s ironic that 58-year-old German Wolfgang Beltracchi looks like Alfred Durer. Beltracchi masterminded one of the most lucrative art scams in postwar European history. For decades, this self-taught painter, and self-proclaimed hippie, passed off his own paintings as newly-discovered masterpieces by Max Ernst, André Derain, Max Pechstein, Georges Braque, and other Expressionists and Surrealists from the early 20th century. His wife, Helene Beltracchi, along with two accomplices, created convincing backstories and sold the paintings for six and seven figures through auction houses in Germany and France, including Sotheby’s and Christie’s. One fake Max Ernst hung for months in a retrospective at the Metropolitan Museum of Art. In 2004, Steve Martin purchased a fake Heinrich Campendonk for $860,000 through a Parisian gallery. Arne Birkenstock’s Lola award winning documentary Beltracchi: The Art of Forgery (“Beltracchi: Die Kunst der Falschung,” 2014), features the larger than life Beltracchi sharing his secrets; those he duped sharing their dismay; and those who caught him talking about the painting that blew it all up. (Screens: Thursday, March 26, 8 PM, Woman’s Club and Sunday, March 29, 5 PM, Sonoma Valley Museum of Art, $15 tickets)
Generosity of Eye—(USA, 63 min) Octogenarian William Louis-Dreyfus, the father of Julia Louis-Dreyfus (Elaine Benes on “Seinfeld) and now “Veep” ) started collecting art in the early 1960s, things that caught his eye, not investment pieces. While there are no Warhols, Freuds, or Picassos in his 3,500 piece collection, he conservatively estimates it to be worth at least $10 million and possible as much as $50 to $60 million. (from 5.26.14 Wall Street Journal article) There are pieces by Paul Gaugin, Vassily Kandinsky, Leonardo Cremonini, George Boorujy, Helen Frankenthaler, and self-taught African-American artist and former slave Bill Traylor. Louis-Dreyfus served as chairman of Louis Dreyfus Group, a global conglomerate started by his great-grandfather in 1851. Forbes estimated his net worth at $3.4 billion in 2006. Director Brad Hill, who is Julia Louis-Dreyfus’ husband, has captured the very personal story of her discovering how her father’s passion for art and justice led him to donate most of this collection over the next several decades to the New York-based non-profit, the Harlem Children’s Zone, HCZ. This touching story of a major art collection transforming into educational opportunity that will help kids in Harlem escape the vicious cycle of poverty has the intimacy of a home movie. (Click here to view the Louis-Dreyfus Family Collection web site which includes the entire collection) (Screens: Thursday, March 26, 9:30 AM Sebastiani Theatre and Sunday, March 29, 5:30 PM Burlingame Hall. $15 tickets)
Dior and I —(France, 90 min) There are just a handful of fashion greats who have had French designer Christian Dior’s enduring impact on 20th century style. Filmmaker Frédéric Tcheng (co-director Diana Vreeland: The Eye Has to Travel, 2012 and Valentino: The Last Emperor, 2008) delivers another insightful exploration of this style pioneer’s enduring influence through the storied world of the House of Christian Dior. Dior passed in 1957 but his name has lived on through this contemporary fashion house, now owned by Groupe Arnault. This thoughtful doc delivers a dramatic behind-the-scenes look at the new Artistic Director, Raf Simons’ very first Haute Couture collection. From conception through its ultimate exhibition, the process is shown to be a nerve-racking labor of love. Stoic Simons must coax the very best from his dedicated collaborators who literally make it all happen. Tcheng’s revealing homage to pressure cooker couture is fascinating. (Screens: Thursday, March 26, 2 PM Sonoma Community Center and Saturday, March 28, 8:30 PM Sonoma Valley Art Museum $15 tickets)
Art & Design Shorts Program—Fine cinematography comes in various packages. SIFF has a soft place for shorts, recognizing that, outside of the festival circuit, there is little chance to experience the synergy of a well-executed short. The festival offers three curated shorts programs and will screen dozens of individual shorts in advance of its feature-length programming. British artist David Hockney, Italian architect and interior designer Paola Navone, , 5th generation farmer and vintner Jim Bundschu, multifaceted designer Michael Vanderbyl and various Native American architects, builders and tribal members are the subjects of five Art & Design shorts that are guaranteed to stimulate your senses and fire up your imagination. Total run time is approximately one hour (Screens: Friday, March 27 12:30 PM and Sunday, March 29, 9:30 AM both at Woman’s Club. $15 tickets)
ARThound’s previous festival coverage:
SIFF 18 details:
Full festival schedule by film type is available online here.
Full schedule in calendar form is available online here.
Official Full SIFF Film Guide is available online here.
Information about passes and tickets is here.
Sebastiani Theatre – 476 First St. East (seats 325)
Sonoma Community Center-Andrews Hall – 276 East Napa Street (seats 150)
Mia’s Kitchen at Vintage House – 126 First Street West (seats 150)
Sonoma Woman’s Club – 574 First Street. East (seats 100)
Sonoma Valley Museum of Art – 551 Broadway (seats 70)
Vintage House– 264 First Street East
La Luz Center – 17560 Gregor Street, Boyes Hot Springs (3.5 miles from town square)