
The 20th Berlin & Beyond Film Festival, January 14-20, 2016, celebrates the ongoing career achievement of Berliner Tom Schilling by honoring him with a Spotlight Award in Acting and screening two of his most recent sensations: the blockbuster thriller “Who Am I – No System is Safe” (2014) on Opening Night and the 6-time German Film Award winner, the wry comedy, “A Coffee in Berlin” (Oh Boy) (2012) on Saturday, January 16, 2016. Image: Berlin & Beyond
The Berlin & Beyond Film Festival, America’s largest festival of new cinema from Germany, Austria, Switzerland and beyond, kicks off Thursday evening, January 14 at San Francisco’s historic Castro Theatre. The festival celebrates its 20th anniversary this year with an impressive line-up of 24 features, documentaries and shorts, some very special tributes and what promises to be a dazzling closing night fusion of silent film and music. The focus of the festival is German language cinema but it’s the exceptional storytelling, intense drama and highly cinematic nature of the films, and the complete abandonment of Hollywood special effects, that make Berlin & Beyond such a stand-out. Also, this fest is a must-do for cinephiles in the German-speaking community and there’s something undeniably special about hearing crisp German spoken all around the theatre. B & B rolls out in three venues this year: the Castro Theatre from Thursday-Sunday which has awards, special guests and parties; the Goethe-Institut, San Francisco, from Monday-Wednesday (Jan 18-20, 2016) and on Sunday, January 31, 2016 at Pacific’s Janet Leigh Theatre in Stockton.
It all begins Thursday evening at 6 PM with an Opening Night Party at the Castro Theatre mezzanine that will include appetizers and drinks and many special friends of the festival who have been involved over the years. At 8 PM, the festival officially starts with a celebration of Berliner Tom Schilling who will be honored with the Berlin & Beyond Film Festival’s Spotlight Award in Acting. Afterwards, Baran bo Odar’s blockbuster thriller Who Am I – No System is Safe (105 min, 2014) screens. Schilling plays Ben, a computer geek who catches the eye of a radical group that wants to use his phenomenal hacking skills to overturn the system. He joins their group and their edgy lifestyle quickly loses its appeal when he becomes a wanted man. The film fuses high-stakes information age intrigue with the age-old search for identity and belonging. The evening includes a Q&A with Schilling. His impressive performance in Peter Sehr and Marie Noëlle’s period drama Ludwig II (2012), the centerpiece film at Berlin & Beyond 2014, will undoubtedly also be discussed.

Thomas Schilling in a scene from Jan Ole Gerster’s “A Coffee in Berlin” (Oh Boy) (2012)
On Saturday at 9:30 PM, Schilling stars in the 6-time German Film Award winner A Coffee in Berlin (Oh Boy) (86 min, 2012). For a debut-feature, writer-director Jan Ole Gerster got everything darn near perfect in this comedic portrait of prolonged adolescence, a plight that, sadly, seems global. The film, shot in black and white, unfolds in a day-in-the-life manner. Schilling plays Nikko, an apathetic twentysomething who has quit law school but neglected to tell his dad, who continues to pay his living expenses under the assumption he’s a student. As Nikko searches for a place to get a cup of coffee, Gerster draws us in to a world that is insanely frustrating to those who keep schedules and live by standards of accountability. Obtuse Nikko skates along, falters, has insane interactions with nearly everyone he encounters and, oddly, we find ourselves fully engaged and desperately wondering about that coffee.
The Castro Theatre segment closes on Sunday with a restored version of Walther Ruttman’s 1927 silent documentary Berlin: Symphony of a Great City with live music created and performed by the Berlin-based band ALP, a Berlin band that “mixes rock band dynamics, improvisation and laptop electronics.” Ruttman, a pioneer of modern multimedia art, was influenced heavily by the Russians, especially the montage theories of Dziga Vertov. Ruttman’s visual poem, in conjunction with ALP’s innovative rhythm, will take people back to a bygone era and capture a full day, from morning to midnight, in this bustling metropolis.

A scene from Walther Ruttman’s 1927 silent film “Berlin, Symphony of a Great City. ” Berlin & Beyond celebrates its 20th anniversary with a restored version of this film with live music created and performed by the Berlin-based band ALP. Image: courtesy Berlin & Beyond

Daniel Carsenly’s “After Spring Comes Fall” (2015) has its North American premiere at the 20th Berlin & Beyond. Mina (Halima Ilter), a young Kurdish woman flees Syria after her neighborhood is stormed by the military and her husband is badly injured. As she starts a new life in Berlin, she works illegally and sends money to her family in Syria to pay for husband’s mounting medical expenses. The Syrian Security Service traces her transactions and finds her. Through intimidation and threats of violence, they force her to work as an informant. Over time, Mina gains the trust of the Syrian opposition and uses this to relay information on the Syrian Resistance to her handlers. Screens: Saturday, January 16, 4 PM, Castro Theatre

A scene from Iraqi filmmaker Samir’s 3D documentary epic “Iraqi Odyssey 3D” (2014), Switzerland’s Oscar submission for Best Foreign Language Film. Tracing the emigrations of his Iraqi family for more than half a century, the expatriate director, who lives in Switzerland, creates a vital portrait of the impact of Iraq’s tragic history on one large middle class family that has been uprooted and scattered all over the world. 163 minutes. In Arabic, English, German with English subtitles. Screens: Sunday, January 17, 2016 at 1 PM
Details: The 20th Berlin & Beyond Film Festival is January 14-16, 2016 at the Castro Theatre, 429 Castro Street, San Francisco and January 17-20 at the Goethe-Institut, 530 Bush Street, San Francisco. Tickets: $11 to $15 per screening and there are also passes that offer discounts on multiple screenings and parties. For more information and tickets: www.berlinbeyond.com
January 13, 2016
Posted by genevaanderson |
Film | 20th Berlin & Beyond, ALP, Austrian film, Baran bo Odar, Berlin, Berlin & Beyond, Berlin & Beyond 2016, Berlin & Beyond Film Festival, Berlin: Symphony of a Great City, Daniel Carsenty, Dziga Vertov, German film, Goethe-Institut San Francisco, Halima Ilter, Samir, Swiss film, Symphony of a Great City, Tom Schilling, Walther Ruttman, Who Am I - No System is Safe |
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Georg Maas’ “Two Lives” (Zwei Leben, 2012), Germany’s official entry, short-listed for the best foreign language Oscar at the 2014 Academy Awards, kicks off the 18th Berlin & Beyond Film Festival, January 15-21, 2014, at San Francisco’s historic Castro Theatre and the Goethe-Institut. Europe in 1990—the Berlin Wall has just crumbled and the Cold War has ended. Katrine (Juliane Koehler) has been living in Norway for the past 20 years but is is a Norwegian “war child.” Her father was a soldier in the German occupying troops during WWII and she was sent to and raised in totalitarian East Germany, only able to reunite with her Norwegian mother (Norwegian legend Liv Ullmann) long after WWII’s end. When a lawyer asks Katrine and her mother to testify in a trial against the Norwegian state on behalf of the war children who were relocated, she resists. A web of tightly-held secrets and deceit about Katrine’s true identity is unveiled. This drama addresses an important but taboo topic in Norwegian history: the way Norway, after World War II, treated Norwegian women who had relationships with German occupation soldiers and what happened to their children, many of whom were transported to what became Stasi-ruled East Germany. Adaptation of the novel “Eiszeten” by Hannelore Hippe. Filmmaker Georg Maas will attend.
For film lovers in the Bay Area, the annual Berlin & Beyond Film Festival is an essential—it’s where one goes to see the very best new films by German, Austrian and Swiss directors and the crème of the crop of international collaborations from directors working beyond these borders. The focus is Germany and German language but it’s the exceptional storytelling, intense drama and highly cinematic nature of the films, and the complete abandonment of Hollywood special effects, that make this relatively small scale festival a stand-out in the myriad of festivals that are cropping up everywhere. The festival will mark its 18th season with a dazzling roster of special guests onstage and will screen 30 feature length films and 7 shorts, including six North American premieres and two US premieres. Festival director Sophoan Sorn, at the helm for his fourth year now, has collaborated with Festival President Sabine Erlenwein to select films that showcase this year’s theme “Courage in Motion”—delivering cinematic stories that embrace overcoming life’s myriad of obstacles. The festival kicks off Wednesday evening with Germany’s official entry into the 2014 Academy Awards, Two Lives (Zwei Leben, 2012) and an opening night party at Tank18, one of the City’s finest wine bars. It closes (at the Castro venue) with the North American premiere of Nana Nuel’s Silent Summer (Stiller Sommer, 2013), with Nuel and renowned actor Hans-Jochen Wagner in attendance. This year’s festival pays special tribute to legendary author, film producer, screenwriter and filmmaker, Peter Sehr, with a Lifetime Achievement Award for his work in acting. Mr. Sehr, who had a knack for the political period drama, passed in May 2013 from cancer, but his wife and creative partner, director Marie Noëlle, will be present at the festival to receive the posthumous award and will appear in person at the screening of their final film, festival centerpiece Ludwig II (2012), at the Castro Theatre on January 17th, at 5:30 PM. It all begins Wednesday, January 15, and runs Sunday, January 19, in San Francisco, at the historic Castro Theatre, with additional evening screenings on January 20-21 at the Goethe-Institut SF (530 Bush Street).
The festival marks its 18th season with a dazzling roster of special guests onstage—Ali Saghri (producer, Breaking Horizons); Anne Thoma (director/writer, Miles & War); Aylin Tezel (director, Inhale (short film); actor, Breaking Horizons & BFF 2012 Opener Almanya); Christian Schwochow (director, West); Georg Maas (director/screenwriter, Two Lives, The Real World of Peter Gabriel); Hans-Jochen Wagner (actor, Silent Summer); Katja von Garnier (director, Windstorm); Marie Noëlle (director/screenwriter, Ludwig II); Nana Neul (director/screenwriter, Silent Summer); Udo Kramer (production designer, LOLA nominee for Measuring the World 3D); Marc Rothemund (director, The Girl with Nine Wigs; nominee, Best Foreign Language Film Oscar, 2006 for Sophie Scholl – The Final Days); Walter Steffen (director/writer, Munich in India); Xavier Koller (director, The Black Brothers; winner, Best Foreign Language Film Oscar, 1991 for Journey of Hope. For more information and tickets, browse the festival’s official website and stay tuned to ARThound for coverage.
The lineup for the 18th Berlin & Beyond Film Festival:
Castro Theatre:
Wednesday, January 15
4:00 pm Sensational Seven – Short Films 2014
7:00 pm Opening Night Film: Two Lives
9:30 pm Opening Night Party at Tank18
Thursday, January 16
1:00 pm Windstorm
4:00 pm The Shine of Day
6:30 pm Hanna’s Journey
9:00 pm Gold
Friday, January 17
11:30 am Your Beauty Is Worth Nothing
3:00 pm Lullaby Ride
5:30 pm Centerpiece: Ludwig II
9:15 pm Shores of Hope
Saturday, January 18
11:15 am Sound of Heimat – Germany Sings
1:45 pm The Girl With Nine Wings
4:30 pm Miles & War
7:00 pm West
9:45 pm Late Show: Measuring the World (3D)
Sunday, January 19
11:30 am Munich In India
2:00 pm The Black Brothers
4:30 pm Breaking Horizons and Inhale
8:00 pm Castro Closing Night Film: Silent Summer
GOETHE-INSTITUT AUDITORIUM
Monday, January 20
6:00 pm More Than Honey
8:30 pm Free Fall
Tuesday, January 21
6:00 pm Redemption Impossible
8:30 pm Shifting The Blame
January 12, 2014
Posted by genevaanderson |
Film | 18th Berlin & Beyond, Berlin & Beyond, Berlin & Beyond Film Festival, Ludwig II, Marie Noëlle, Peter Sehr |
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