“The Wild Bride:” dark, fascinating, and mythically marvelous─at Berkeley Rep through January 22, 2012
Adapted and directed by Emma Rice. Text and lyrics by Carl Grose / Music by Stu Barker / Choreography by Etta Murfitt
Featuring: Audrey Brisson (the Girl), Stuart Goodwin (the Father and the Prince), Patrycja Kujawska (the Wild), Éva Magyar (the Woman), Stuart McLoughlin (the Devil), and Ian Ross (the Musician)
Designed by Bill Mitchell (sets), Myriddin Wannell (costumes), Malcolm Rippeth (lights), and Simon Baker (sound)
Details: The Wild Bride closes January 22, 2012. The Berkeley Repertory Theatre, Thrust Stage is located at 2025 Addison Street @ Shattuck, Berkeley, CA 94704. Tickets and Info: (510) 647-2949, http://berkeleyrep.org
December 14, 2011 Posted by genevaanderson | Theatre | Audrey Brisson, Éva Magyar, Berkeley Rep, Berkeley Repertory Theatre, Bill Mitchell, Carl Grose, Emma Rice, Etta Murfitt, Ian Ross, Malcolm Rippeth, Myriddin Wannell, Patrycja Kujawska, Simon Baker, Stu Barker, Stuart Goodwin, Stuart McLoughlin, The Wild Bride | Leave a comment
Pages
Categories
- Art (176)
- Asian Art Museum (19)
- Berkeley Art Museum (2)
- California Academy of Sciences (1)
- de Young Museum (22)
- Legion of Honor (16)
- Oakland Museum of California (10)
- Petaluma Arts Council (9)
- SFMOMA (22)
- Sonoma County Museum (5)
- Book (5)
- Chamber Music (14)
- Classical Music (51)
- Dance (19)
- Film (199)
- Food (65)
- Gardening (11)
- Green Music Center (23)
- Jazz Music (8)
- Opera (88)
- Photography (3)
- Symphony (23)
- television (1)
- Theater (2)
- Theatre (91)
- Uncategorized (6)
- Wine (6)
- Art (176)
Recent Comments
- Karen Petersen on SFO’s “Dialogues of the Carmelites”―an opera of faith, with inspiring conversations sung to beautiful music―through Sunday, October 30
- Review: San Francisco Opera’s “Hansel and Gretel”—happily ever after, with adult moments « ARThound on Meet Richard Savino, whose baroque instruments add period splendor to Handel’s “Orlando,” at SF Opera through June 27
- Karen Petersen on Meet Drogen, the unflappable equine star of SF Opera’s “Carmen”—he’s from Penngrove and is a rare Gyspy Vanner
- linda anderson on Meet Richard Savino, whose baroque instruments add period splendor to Handel’s “Orlando,” at SF Opera through June 27
- Zoe Tennant on Meet Richard Savino, whose baroque instruments add period splendor to Handel’s “Orlando,” at SF Opera through June 27
February 2023 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Archives
ARThound 