Geneva Anderson digs into art

Cinnabar Theater wraps in 40th season with a ravishing “Carmen” and the acclaimed Alphabet Players concert, “Stories of the 20th Century,” on Sunday, June 2, 2013

Cinnabar Theater has added a performance on June 12, 2013 to its sold out run of "Carmen," the classic opera by Georges Bizet. The production features Mark Kratz as Don José and Rebecca Krouner as Carmen. Photo by Eric Chazankin

Cinnabar Theater has added a performance on June 12, 2013 to its sold out run of “Carmen,” the classic opera by Georges Bizet. The production features Mark Kratz as Don José and Rebecca Krouner as Carmen. Photo by Eric Chazankin

There’s really nothing that Petaluma’s Cinnabar Theater can’t do— it has wrapped its 40th season with a sensational, fiery “Carmen,” Bizet’s beloved story of seduction and jealous rage set in Seville.  At last night’s opening, mezzo-soprano, Rebecca Krouner—raven-haired, statuesque, impetuous and channeling the devil—seemed to embody Carmen.   Her voice seemed to get richer as the evening progressed and her on-stage chemistry with her leading men—Mark Kratz as soldier, Don José, and Jason Detwiller as the dashing toreador, Escamillo—was palpable.  All Cinnabar’s operas are performed in English.  How wonderful to hear Carmen’s catchy and melodic arias sung in English with the lush accompaniment of Cinnabar’s highly-talented 11 member orchestra conducted by Mary Chun.  “The Flower Song” (“La Fleur Que Tu M’avais Jetée”)(Act I), “Habanera” (“Love is a rebellious bird” or “L’amour est un oiseau rebelle”)(Act I) and the “Toreador song” (Act II)—all came to life as the glowing voices of the woodwinds, strings and brass melded with the voices.  If you’ve seen Carmen in a big house, Cinnabar’s intimate space transforms the experience into something very private and accessible with a completely different feel.  Carmen is all about seduction–through music, voice, and dance and bodies exuding and responding to passion.  The vivacious singers are so close that you almost feel every embrace, slap and wayward glance.

Sensual moment—Krouner in a smoking haute red silk halter dress…all curves brilliantly accounted for. This bias-cut dress had a detachable brocade cape that was joined to the dress at the bosom with several fabric strips that fanned out across her décolletage and shoulders.  After running his hands passionately over her body, Don José (Mark Kratz) was well occupied as he both sang his aria and removed this cape, button by button and strap by strap, to get to the goods.  Whoa!!!!  Costume designer Lisa Eldredge out did herself.

Stand-out performance—soprano Julia Hathaway, as Frasquita, a smuggler and Carmen’s sidekick…the twinkle in her eye, her commanding presence, her distinctive voice …she’s got natural heat and a capricious air that really bolstered the production.

If you want to see this opera, jump NOW because the entire run is sold-out except for a new performance has just been added on Wednesday, June 12, 2013 at 7:30 p.m. Buy tickets here20th_century

Up this Sunday, June 2, at 2 p.m. at Cinnabar Theater, the acclaimed Alphabet Players perform “Stories of the 20th Century,” the final concert of their “Through the Centuries” series.   The performance will celebrate the 20th Century with a delightful diversity of poetry and story set to music.

The Program:

William Walton’s Façade
Featuring the poems of Edith Sitwell
Michael van Why and Elly Lichenstein, Guest Artists

Arnold Schoenberg’s Pierrot Lunaire
based on the poems by Albert Giraud
Karen Clark, Guest Artist

Paul Hindemith’s Frog Went a Courting
And more

The Alphabet Players
Leslie Chin, flute
Roy Zajac, clarinet
Terrie Baune, violin
Karen Rosenak, piano
Daniel Gianola-Norris, trumpet
Steve Parker, alto sax
Kevin Neuhoff, percussion
Judiyaba and Gwyneth Davis, cellos


Elly Lichenstein, Artistic Director, Cinnabar Theater, introduces Terence Keane, Cinnabar’s new Executive Director, to the audience at the May 31, 2013 opening of “Carmen,” Cinnabar’s last production in its celebratory 40th season.  

Details: Cinnabar Theater is located at 3333 Petaluma Blvd. North (at Skillman Lane), Petaluma, CA, 94952.  “Carmen” is sold-out, except for the newly added June 12, 7:30 p.m. performance.  ($35 General, $32 Seniors 65 & Over, $25 under age 22)

“Stories of the 20th Century” is June 2, 2013 at 2 p.m. Buy tickets online here ($20 General, Seniors; $15 Under Age 22)

Early arrival is recommended as there is no assigned seating. For more information, call 707-763-8920 or visit

June 1, 2013 Posted by | Opera | , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

A to Z Concerts presents 8 virtuoso cellists and soprano Carrie Hennessey in “The V Concert” Saturday, September 10, 2011, to benefit Cinnabar Theater

Soprano Carrie Hennessey of Sacramento will sing Heitor Villa-Lobos’ “Bachianas Brasileiras No. 5” for Voice and Eight Cellos in “The V Concert” on September 10, 2011. In June 2010, Hennessey made her debut with Cinnabar Theater in the title role of the opera “Emmeline,” by Tobias Picker. Photo: courtesy Carrie Hennessey

One of the best ways to celebrate the glorious last days of summer in Sonoma County is with an outdoor concert.  Next Saturday, September 10, 2011, “The A to Z Concert series,” will visit the West Petaluma gardens of Sandra and Borue O’Brien.  The performance will feature acclaimed Sacramento soprano Carrie Hennessey performing Villa-Lobos’ “Bachianas Brasileiras No. 5” for Voice and Eight Cellos and other works exclusively by composers whose last names begin with the letter “V.”  “The V Concert” is a benefit for Cinnabar Theater’s opera program and is organized by Sonoma County cellists Judiyaba and Gwyneth Davis, who created “The A to Z Concert series,” a 2-year project comprising 24 concerts with composers whose names represent every letter of the alphabet.  In addition to Villa-Lobos, “The V Concert” will include works by Vivaldi and by the 16th- century Flemish composer Vaet—all in one of West Petaluma’s most beautiful private gardens, surrounded by a redwood grove.  Hosts Sandra and Borue O’Brien have also planned a silent auction and will serve wine, cheeseboards, and desserts.

“This is our 20th concert,” explained cellist Judiyaba, a long-term Sebastopol resident, who organized “The A to Z Concert series” (or “The Alphabet Concerts”) with cellist Gwyneth Davis, a member of the Eloquence String Quartet.   “We started this series because we just love to play chamber music and this gives us an opportunity to explore new repertoire and old favorites and we’ve found so much new music.  What’s fun about our group is that it is composed of eight cellists who have played in literally every orchestra in the Bay Area─the SF Symphony, SF Opera, regional orchestras─so it is very representative.”

 V Concert Program:  Judiyaba whimsically described “The V Concert” as a “varied, venturesome and vibrant program of virtuosi violoncelli” (using the full formal name for the cello).  “The most challenging is the Villa-Lobos—it’s tricky and fun.  We are doing three pieces by the composer “Vaet” [pronounced “Vate”], which are 16th-century motets, or 3-to-5 part choral pieces which could also have been played on instruments.”

Heitor Villa-Lobos (1887-1959), Latin America’s most important composer, had little formal music training.  He instead absorbed the influences of his native Brazil’s indigenous cultures, themselves based on Portuguese, African, and American Indian elements.  Between 1930 and 1945, he composed a series of nine suites he called the Bachianas Brasileiras (“Brazilian Bach pieces”) which meld Brazilian folk and popular music with the style of Johann Sebastian Bach, applying Baroque harmonic and contrapuntal techniques to Brazilian music.  The Bachianas Brasileiras No. 1 and No. 5, both scored for 8 cellos, show the composer’s love for the sonorities of the cello, an instrument that he himself played in Rio de Janeiro’s cinema, theatre, and opera orchestras.  Brazilian soprano Bidú Sayão was Villa-Lobos’ favorite singer and made a number of recordings of his compositions, including the definitive recording of the Bachianas Brasileiras No. 5 (which can be heard here).  Carrie Hennessey will sing this haunting soprano solo in “The V Concert.”  

Sebastopol cellist Judiyaba is co-creator of “The Alphabet Concerts,” a 2 year project comprising 24 concerts with composers whose names represent every letter of the alphabet. She will perform in “The V Concert” with 7 other cellists in a benefit for Cinnabar Theater on September 10, 2011. Photo: courtesy Judiyaba

Antonio Vivaldi (1678-1741), the prolific Venetian superstar of Italian Baroque music, will dominate “The V Concert” program, with performances of his Concerto for two cellos (with multi-cello accompaniment), his Cello Concerto in A minor (featuring SF Opera cellist Victoria Erhlich and accompanied by….yes…more cellists!), and the lilting pastoral aria “Domine Deus” from his beloved Gloria sung by Carrie Hennessey (accompanied by cellos).  All of these pieces showcase the rhythmic exuberance, harmonic invention, and virtuosic string writing that catapulted Vivaldi to celebrity during his lifetime and has kept his music in the limelight ever since.

Jacobus Vaet (c.1529-1567) was a Flemish Renaissance composer noted for distinctive and intricate polyphonic (multi-voiced) sacred music, including nine complete extant masses, and both sacred and secular motets.  The three motets on this program will feature the 8-cello ensemble playing parts originally written for singing voices.

The cellists for “The V Concert” are: Kelly Boyer, Gwyneth Davis, Poppea Dorsam, Victoria Erhlich, Leighton Fong, David Goldblatt, Judiyaba, and Ruth Lane (a Petaluma resident).  And the soprano is Carrie Hennessey.   A wonderful line- up!

Total run time: approximately 2 hours, with intermission. Wine, cheese and desserts.

Cinnabar Theater:  “The V Concert” is a benefit for Cinnabar Theater’s opera program, its founding program.  Cinnabar Theater, Petaluma’s beloved opera and theatre company, was established by the legendary Marvin Klebe in the early 1970’s in the old red schoolhouse that was the original Cinnabar School (near the intersection of Skillman Lane and Petaluma Blvd. North.)  “The main reason why Marvin Klebe founded this company,” said Elly Lichtenstein, Cinnabar’s Artistic Director, “was because he wanted to do opera in a different way, with intimate ensemble works where the individual performers were treated as artists.”  Over the years, Cinnabar, a nonprofit, has dedicated itself to encouraging community participation in the arts and to community education as well.  The theater offers a highly regarded Young Repertory Program that trains youth as young as 4 years old in the dramatic and musical performing arts. 

Sebastopol cellist Gwyneth Davis is a co-creator of “The Alphabet Concerts.” She has performed with most of the regional orchestras in the Bay Area, plays for Cinnabar Opera, and is a pastry chef. Photo: courtesy Judiyaba

Lichtenstein explained that Cinnabar Theater normally produces two operas annually but this year it will feature just one opera, Mozart’s Don Giovanni (March 23-April 15, 2011), and the musical She Loves Me, which opens Cinnabar’s 39th season on September 9, 2011.

Silent Auction:  all proceeds will benefit Cinnabar Theater’s opera program.  Prizes include:

Vineyard tour of Kastania Vineyards, Petaluma

10 one-day passes Roxie Theatre

Round of golf at Rooster Run Golf Club, Windsor Golf Club, and Adobe Creek Golf

4 $25 gift certificates for Absolute Home and Garden

4 $25 gift certificates for Empire Nursery


The V Concert: Saturday, September 10, 2011, 4 p.m., 200 Queens Lane (off King Road), Petaluma, CA.  Tickets: $20 available, or phone 707-763-8920, 10 a.m. to 3 p.m., Monday through Friday.  Reservations highly recommended.

A to Z Concert series:”  The Alphabet Concerts is a 2 year project.  “The W Concert” is October 2, 2011, 7 p.m, Petaluma Museum, featuring Kurt Weill, William Walton and more.

Cinnabar Theater:  Cinnabar Theater’s fall season kicks off on September 9, 2011 with the musical  She Loves Me.  This delightful romantic comedy is based on the play of the same name and the popular film The Shop Around the Corner, on which the more recent film You’ve Got Mail is also based.  (Book by Joe Masteroff/Music by Jerry Bock; Lyrics by Sheldon Harnick; Based on Parfumerie by Miklos Laszlo.)  Get your tickets here or call 707.763.8920.  Cinnabar Theater, 3333 Petaluma Blvd. North, Petaluma, CA  94952, 707.763.8929.

September 1, 2011 Posted by | Chamber Music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment