The San Francisco International Film Festival celebrates its 60th with expanded programming, new venues and name tweaks—Wed, April 5, through Wed, April 19, 2017
A still from Bay Area artist and filmmaker Lynn Hershman Leeson’s new documentary, “Tania Libre,” a portrait of the radical Cuban artist Tania Bruguera, whose work blurs the line between art and activism. The film, Leeson’s seventh, continues her ongoing exploration of groundbreaking women artists. Her influential “!Women Art Revolution” (2010) (SFIFF 54) turned the camera on women artists who are underrepresented in leading museums. Leeson will be awarded the SF International Film Festival’s Golden Gate Persistence of Vision Award on Tuesday, April 11 at YBCA. “Civic Radar,” a retrospective of Leeson’s extraordinary career runs through May 21 at YBCA and an exhibition with Tania Bruguera will open in June there. The 60th SF International Film Festival runs April 5-19, 2017. Image: courtesy, SFFilm
The 2017 San Francisco International Film Festival opened Wednesday at the historic Castro Theatre with Gillian Robespierre’s sentimental indie comedy, Landline (2016), and runs for the next 14 days, offering 181 films from 51 countries, 6 world premieres, 57 women directors and upwards of 100 participating filmmaker guests. This grand festival, the longest running film festival in the Americas, celebrates its 60th anniversary with a few changes and expanded programming that tackles urgent social issues and captures the immense talent as well as the heart of its Bay Area locale.
New this Year
This mammoth fest is now called “SF International Film Festival,” instead of SFIFF, and that’s because its sponsor, SFFILM, changed its name; it was formerly the San Francisco Film Society. SFFILM’s mission remains to “champion the world’s finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area.” Other changes in the festival include: a start date that is two weeks earlier than usual; closing night festivities that occur two days before the festival’s actual end date; the main Festival Box Office is now headquartered in SOMA, in the YBCA Grand Lobby; and the festival itself is spread all over in 14 San Francisco and 1 Berkeley venue, including the Castro Theatre, the Roxie, the Alamo Drafthouse New Mission Theater, SFMOMA’s new state of the art Phyllis Wattis Theater, the new Dolby Cinema (on Market St.) and PFA (inside Berkeley’s new BAMPFA).
The sprawl presents a logistics nightmare for those driving in who require parking. Your best bet is to buy all your tickets in advance and plan to see films within walking distance of one another. It’s worth the hassle to get there. Nothing beats seeing a film the way it was meant to be seen—on the big screen with state-of-the-art acoustics and an engaged audience to keep you company. This festival delivers one of the highest ratios of face time with creative talent and flies in special guests from all over the world for nearly every film who participate in engaging post-screening Q & A’s. These are the exchanges that build lifelong memories and a foundation for understanding cinema.
Shah Rukh Khan (SRK), the undisputed King of Bollywood, will be honored in a special tribute at the Castro on Friday, April 9. Following an on stage conversation with the charismatic mega-star, Karan Johar’s moving drama, “My Name is Khan” (2010), will screen. Khan stars as Rizvan Khan, an Indian Muslim Indian battling Asperger’s syndrome, who moves to San Francisco to stay with his brother after their mother dies. In this stand-out dramatic performances, Khan is forced to navigate the post-9/11 prejudicial landscape. His lot only worsens when he falls in love with and marries a Hindu woman who demands that he tell the U.S. president directly, “My name is Khan, and I am not a terrorist.” As he embarks on this epic quest, with quite showy drama, his warm personality wins hearts and becomes his saving grace. Image: courtesy SFFilm
Special programs
Be on the lookout for a series of high-profile tributes and awards: (Ethan Hawke (April 8, YBCA), Tom Luddy (Mel Novikoff Award, April 9, Castro), Eleanor Coppola (George Gund III Craft of Cinema Award, April 10, SFMOMA), Lynn Hershman Leeson (Persistence of Vision Award, April 11, YBCA), John Ridley (April 12, Alamo Drafthouse), Gordon Gund (April 13, SFMOMA), James Ivory (April 14, SFMOMA), Shah Rukh Khan (April 14, Castro).
Do you love Eastern European and Russian film? Tom Luddy, the recipient of this year’s Mel Novikoff Award, is largely responsible for laying the groundwork for BAMPFA’s vast collection of Soviet-era film when he was the director of PFA, way back in the day by collecting prints that might have otherwise been lost. He then went on to co-found the Telluride Film Festival and, after that, went on to become director of special projects for Francisco Ford Coppola and Zoetrope Studios and then on to collaborate with filmmakers such Agnès Varda, Chris Marker, and Jean-Luc Goddard. The Novikoff Award is presented to an individual whose work has enhanced the film-going public’s appreciation of world cinema. For his afternoon film screening, Luddy has selected the rarely screened Gennadi Shpalikov film, “A Long Happy Life” (Russia, 1966), one of the richest and truest depictions of love in Soviet-era Russia ever created, along with Jean-Luc Goddard’s short “Une bonne à toute faire,” (1981), which was filmed at Coppola’s American Zoetrope and evokes a tableau from a Georges de La Tour painting. (Screens: Sunday, April 9, 4 pm, Castro) Image: courtesy SFFilm
There’s an enhanced music and film schedule. This year’s Centerpiece feature is Geremy Jasper’s Patti Cake$, about an aspiring rap star (April 12, Castro). The Man With a Movie Camera with Devotchka (April 13, Castro) combines Dziga Vertov’s 1929 avant-garde trip through three Soviet cities with a live Devotchka performance.)
Australian actress Danielle Macdonald as aspiring rapper Patricia Dombrowski—a.k.a. Killa P, a.k.a. Patti Cake$—in a scene from Geremy Jasper’s feature debut “PattiCake$,” this year’s Centerpiece Film and the unqualified breakout hit of this year’s Sundance Festival. Cheered on by her grandmother (Cathy Moriarty) and only friends, Jheri (Siddharth Dhananjay) and Basterd (Mamoudou Athie), Patti somehow manages to shoulder her mother’s (Bridget Everett) heartaches and misfortunes and keep her swagger. This film was in part funded by a grant from SFFilm. Both Jasper and Macdonald will be in attendance. Screens: Wednesday, April 12, 7:30 pm, Castro. Image: courtesy SFFilm
The festival is also unveiling new programs involving the technology world. An inaugural Creativity Summit will launch with Dr. Ed Catmull, president of Pixar and Dsiney Animation Studios giving the State of Cinema address (April 8, Dolby Cinema).
Structure:
The first weekend is dedicated to parties, special events and major new films. Following that is a week of international and Bay Area cinema mixed with cross-media explorations culminating in the festival’s 60th anniversary commission at Castro on April 16: The Green Fog–A San Francisco Fantasia, an exciting new collaboration by SFFilm and Stanford Live in which the renowned Kronos Quartet will perform a new score by composer Jacob Garchik to accompany a visual collage by filmmaker Guy Maddin. In addition, the festival continues to tip its hat to new and global filmmakers through its awards. Ten narrative features and ten documentary features will compete for the Golden Gate Awards (GGAs) and nearly $40,000 in total prizes.
A scene from Guy Maddin’s “The Green Fog” in which the filmmaker challenged himself to remake Hitchcock’s “Vertigo” without using any footage from Hitchcock’s classic. Assisted by Evan Johnson, his “Forbidden Room” collaborator, the duo used a variety of Bay Area-based footage from studio classics, ’50’s noir, documentary and experimental films, and 70’s prime time TV —and employed Maddin’s assemblage techniques— to create what Maddin describes as a “parallel universe” version. “The Green Fog–A San Francisco Fantasia” closes the 60th SF International Film Festival,” on April 16 at the historic Castro Theater. The special commission by SFFilm, in collaboration with Stanford Live, includes the world renowned Kronos Quartet performing a new score by composer Jacob Garchik that “collides and converses with Maddin and Johnson’s irreverent footage. Image: SFFilm
Stay-tuned, ARThound will next preview the festival’s top films.
Festival Details:
When: The 60th SF International Film Festival runs 14 days─ Wednesday, April 5 –Wednesday, April 19, 2017.
Tickets: $15 most films, more for Special Events and Parties which generally start at $20. Passes—the popular CINEVOUCHER 10-pack ($140 general public and $120 for SFFilm members) and the exclusive CINEVISA early admittance to every screening, party, and program (with exception of Film Society Awards Night) ($1350 SFFilm members and $1675 general public). How to buy tickets—purchase online at http://www.sffilm.org/festival/attend/tickets or in person during the festival. Main Festival Box Office: is YBCA Grand Lobby, open daily Thursday, April 6 – Sunday, April 16, noon to 8 pm. During the festival , other screening venues also sell tickets.
Advance ticket purchases absolutely recommended as many screenings go to Rush. Check the festival website to see which films are currently at rush (the list is updated frequently).
Day-of Noon Release Tickets: Each day of the Festival, tickets may be released for that day’s rush screenings. Pending availability, tickets may be purchased online or in person at the main festival box, starting at noon. Not all shows will have tickets released, and purchasing is first-come, first-served.
Rush tickets: Last-minute or rush tickets may be available on a first served basis to those waiting in line for cash only about 10 minutes before show time. If you want rush tickets, plan to line up at least 45 minutes prior to screening time. No rush tickets for screenings at BAMPFA
More info: For full schedule and tickets, visit: http://www.sffilm.org/festival
ARThound 