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Geneva Anderson digs into art

“Anya17,” a new opera that explores sex trafficking and slavery, opens Friday at San Francisco’s Marine Memorial Theatre

In “Anya17,” a powerful contemporary opera which has its North American premiere this week at Opera Parallèle, naïve Anya is trafficked into Britain and forced into prostitution by a man pretending to be her boyfriend. The opera is a collaboration between British composer Adam Gorb and librettist Ben Kaye.  Watercolor by Evan Wright.

In “Anya17,” a contemporary opera which has its North American premiere this week at Opera Parallèle, naïve Anya is trafficked into Britain and forced into prostitution by a man pretending to be her boyfriend. The opera is a collaboration between British composer Adam Gorb and librettist Ben Kaye. Watercolor by Evan Wright.

Those who know her, have come to expect great things from Nicole Paiement, Opera Parallèle’s valiant Artistic Director and Conductor. But her timing of the American premiere at Opera Parallèle of “Anya17”—British composer Adam Gorb’s opera about sex trafficking and human slavery—couldn’t have been better.  On June 10, news broke that two San Francisco women (sisters) had been arrested for allegedly operating a sex trafficking ring out of several locations in San Francisco, bringing in young new girls weekly.  Human trafficking is a $32 billion industry and the US State Department estimates that between 20,000 and 40,000 people are trafficked into the country each year as modern-day slaves.  San Francisco and the Bay Area rank among the top 20 destinations, according to the FBI.  Kudos to a composer brave enough to humanize these devastating statistics and base his first opera on the insidious subject.  Gorb teamed up with librettist Ben Kaye and together they created “Anya17,” a dramatized interpretation of the lives of four very different young women trafficked from Eastern Europe and sold into sexual slavery.  The opera, performed twice before in Europe, unfolds through the eyes of Anya, a naïve and vulnerable young girl who falls in love with the wrong guy who persuades her to follow him to the West. Instead of a better life, she is betrayed and coerced into slavery. In order to survive, Anya must find an ultimate inner strength as she struggles to adapt to the humiliation and brutality of her brothel existence. The number 17 in the title comes from the practice of numbering girls on a “menu” in brothels. Last week, I interviewed Adam Gorb who definitely believes that opera can help change the world.  I’ll be posting our interview shortly, so stay tuned.

Free Stage Rehearsal, Friday, June 20: An open stage rehearsal, after which Opera Parallèle Artistic Director and Conductor, Nicole Paiement, and stage director Brian Staufenbiel (Paiement’s husband) will lead the cast and audience in a Q & A question-and-answer session, takes place at 4:30 p.m. Friday at the Marines’ Memorial Theatre, 609 Sutter Street (at Mason) second floor, San Francisco. The event is free and the public is encouraged to attend.

Cast: The role of Anya will be sung by soprano Anna Noggle, whose portrayals have been described as “sensitively drawn and heart-achingly sung” (Opera News). Viktor is baritone Victor Benedetti, lauded by the Chicago Tribune for his “confident and commanding stage presence and strong, dark baritone.” Local favorites are mezzo-sopranos Catherine Cook (who sang Julia Child in OP’s La Bonne Cuisine) and Laura Krumm, soprano Shawnette Sulker, and tenor Andres Ramirez (whom OP audiences enjoyed in Trouble in Tahiti and Ainadamar).

Details: “Anya17” is at 8 p.m. in Friday, June 20, 2014 and Saturday, June 21, 2014 and at 4 p.m. on Sunday, June 22, 2014 at Marines’ Memorial Theatre, 609 Sutter Street (at Mason) second floor, San Francisco. Tickets: $80 to $30, are available online here or phone City Box Office at 415-392-4400. For more information, visit www.operaparallele.org.

June 18, 2014 Posted by | Opera | , , , , , , , , , , , , | Leave a comment

Saturday, November 9, is Open House at San Francisco Opera

San Francisco Opera is reaching out to families to build future audiences.  SFO hosts its second Community Open House on Saturday, November 9 and on November 24 and 30th, SFO will host “The Barber of Seville for Families,” a special two-hour long family-friendly production of Rossini’s hilarious opera.  Photo by Marie-Noelle Robert/Theatre du Chatelet.

San Francisco Opera is reaching out to families to build future audiences. SFO hosts its second Community Open House on Saturday, November 9, and on November 24 and 30th, SFO will host “The Barber of Seville for Families,” a special two-hour long family-friendly production of Rossini’s hilarious opera. Photo by Marie-Noelle Robert/Theatre du Chatelet.

San Francisco Opera (SFO) will host its second Community Open House at the War Memorial Opera House this Saturday, November 9, from 10:30 a.m. to 2:30 p.m.  Free to the public, this special community event is structured for individuals and families who have a curiosity about opera and are interested in learning more about the world of opera, including production and artistic elements.  Children are welcome.

*  Musical presentations at 11:20 a.m. and 12:50 p.m. will feature music from Rossini’s The Barber of Seville conducted by Resident Conductor Giuseppe Finzi and vocal selections featuring Adler Fellows Laura Krumm and Joo Won Kang.

* Musical presentation at 12:10 p.m. will feature the San Francisco Opera Chorus, led by Chorus Director Ian Robertson

*  Activities include sing alongs with the Adler Fellows (10:30 & 11:20 a.m.), stage combat workshops (10:40 & 11:20 a.m. and 12:50 & 1:40 p.m.),  costume demonstrations (12:50 & 1:40 p.m.) and an opportunity to meet General Director David Gockley (1:40 p.m.)

*  Other activities in the opera house lobbies will include arts and crafts projects, a table exploring San Francisco Opera’s archives, a costume photo booth, opera videos on demand and wig and makeup demonstrations.

*  Attendees can enter to win tickets to SFO’s “The Barber of Seville” (11.13.2013 – 12.1.2013) or “The Barber of Seville for Families” (11.24.2013 and 11.30.2013).

Details: War Memorial Opera House is located at 301 Van Ness Avenue, San Francisco.  One of the last Beaux-Arts structures built in the United States, the Opera House seats 3,146, with 200 standing room places.  Every performance features supertitles (English translations) projected above the stage, visible from every seat.

For more information on San Francisco Opera and their upcoming performances, visit http://sfopera.com/Home.aspx

Driving to San Francisco and Parking: Be sure to allow ample time when driving into San Francisco and crossing the Golden Gate Bridge—there is frequently a delay on Highway 101 South due to ongoing road expansion work.  Arrive early at your parking garage of choice because those also fill up, especially when the San Francisco Symphony is performing on the same day.  Recommended Garages:  Two garages are very close to War Memorial Opera House— the Performing Arts Garage (1/2 block) (Grove Street between Franklin and Gough Streets) and Civic Center Garage (roughly 2 blocks) (McAllister Street between Polk and Larken Streets) (both have flat $15 pay cash as you enter policy on performance nights)

November 8, 2013 Posted by | Opera | , , , , , , , , , , | Leave a comment

“The Future is Now,” San Francisco Opera’s 2012 Adler Fellows present a gala concert of opera’s greatest hits— Friday, November 30, 2012, at Herbst Theatre

The 2012 Adler Fellows of San Francisco Opera’s distinguished Adler residency program for young artists. Photo: Scott Wall

In their final concert of 2012, the critically acclaimed Adler Fellows of 2012 will team up with San Francisco Opera Resident Conductor Giuseppe Finzi and the San Francisco Opera Orchestra to perform “The Future is Now,” a gala concert of well-known opera scenes and arias on Friday, November 30 at 7:30 p.m. at the Herbst Theatre in the War Memorial Opera Building, San Francisco.   This night of unforgettable music will include well-known works by opera’s great composers, including Massenet, Mozart, Rossini, Tchaikovsky, Gounod, and Verdi.  For those who have followed the young performers in the Adler program, it is celebration of their talent and accomplishment as many prepare to move on to professional roles the world’s leading opera houses.  “It is the greatest opera fellowship program in the country,” said former Adler Patricia Racette, currently singing Floria Tosca to rave reviews in SFO’s Tosca.

“The Future is Now” features 8 singing Adlers and 2 coaching Adlers.

Sopranos include Marina Harris (Los Angeles, California) and Nadine Sierra (Fort Lauderdale, Florida) who most recently appeared in SFO’s Summer 2012 production of The Magic Flute as Papagena.  In 2009, Sierra was the youngest performer to win the Metropolitan Opera National Council Auditions and this May, at age 23, she had her debut at Carnegie Hall’s intimate Weill Recital Hall.  a

Mezzo-sopranos include Laura Krumm (Iowa City, Iowa) who had her SFO debut and most recent appearance in this fall’s production of Rigoletto as Countess Ceprano and a Page, and Renée Rapier (Marion, Iowa) who had her SFO debut and most recent appearance in this fall’s production of Rigoletto as Giovanna.

The sole tenor is Brian Jagde (Piermont, New York), who is currently getting rave reviews as the painter Mario Cavaradossi in SFO’s Tosca and is also singing the role of Don Jose in SFO’s Carmen for Families, a two-hour version of the opera suitable for children 10 and above.  Jagde was a baritone for ten years and then, 4 years ago, made the switch to tenor.  

Baritones include Ao Li (Shandong, China), who is currently singing in Tosca as Sciarrone, and Joo Won Kang (Seoul, South Korea) who has been very this fall at SFO, performing in Rigoletto as Marullo, in Moby Dick as Captain Gardiner, in Lohengrin  as Noble, and in Tosca as the Jailer.

The sole bass-baritone is Ryan Kuster (Jacksonville, Illinois), who is currently singing in Tosca as Angelotti.

Apprentice coaches Sun Ha Yoon (Seoul, South Korea) and Robert Mollicone (East Greenwich, Rhode Island) will also participate.

PROGRAM:
Manon – Massenet / “Je suis seul…Ah! fuyez, douce image…Toi! Vous!…N’est-ce plus ma main”
Manon – Nadine Sierra
Des Grieux – Brian Jagde

Un Ballo in Maschera – Verdi / “Forse la soglia attinse…Ma se m’è forza perderti”
Riccardo – Brian Jagde

Roméo et Juliette – Gounod / “Dieu! Quel frisson…Amour ranime mon courage”
Juliette – Nadine Sierra

Il Corsaro – Verdi / “Alfin questo Corsaro è mio prigione…Cento leggiadre vergini”
Seid – Joo Won Kang
Selimo – Ryan Kuster

Don Giovanni – Mozart / “Deh vieni alla finestra”
Don Giovanni – Joo Won Wang

La Cenerentola – Rossini / “Sì, tutto cangerà…Là del ciel nell’arcano profondo”
Alidoro – Ryan Kuster
Angelina – Laura Krumm

The Marriage of Figaro – Mozart / “Hai già vinta la causa…Vedrò mentr’io sospiro”
Count Almaviva – Ryan Kuster

Cendrillon – Massenet / “Enfin, je suis ici”
Cendrillon – Laura Krumm

La Clemenza di Tito – Mozart / “Parto, ma tu ben mio”
Sesto – Renée Rapier

Così fan tutte – Mozart / “Ah guarda sorella”
Fiordiligi – Marina Harris
Dorabella – Laura Krumm

Eugene Onegin – Tchaikovsky / “Puskai pagibnuya”
Tatiana – Marina Harris

Mignon – Thomas / “Légères hirondelles”
Mignon – Laura Krumm
Lothario – Ao Li

Il Signor Bruschino – Rossini / “Nel teatro del gran mondo”
Gaudenzio – Ao Li

More About the Adler Fellow Program: Named for the late great San Francisco Opera General Director Kurt Herbert Adler, the Adler Fellowship Program is the Princeton of performance-oriented residencies, offering exceptional young artists intensive individual training, coaching, professional seminars and a wide range of performance opportunities throughout their fellowship. The Adler Fellows have all been selected from the Merola Opera Program, a prestigious resident artist training program sponsored by San Francisco Opera and San Francisco Opera Center that has nurtured the development of more than 150 young artists since its inception.

There are currently ten 2012 Adler Fellows and thirteen new 2013 Adler Fellows were announced on September 26, 2012. That list includes continuing Adlers from 2012: Marina Harris, soprano; Joo Won Kang, baritone; Laura Krumm, mezzo soprano; Ao Li, baritone; Robert Mollicone, coach and accompanist; and Renée Rapier, mezzo soprano.  New 2013 participants include: Hadleigh Adams, bass-baritone, from New Zealand; Jennifer Cherest, soprano, from Maryland; AJ Glueckert, tenor, from Portland, OR; Chuanyue Wang, tenor, from China; Erin Johnson, mezzo-soprano, from New Jersey; and Sun Ha Yoon, apprentice coach, from South Korea. Phillipe Sly, bass-baritone, from the Merola class of 2011 is also included. Unusually, he skipped a year, during which he became a winner of the Metropolitan Opera National Council Auditions, and appeared in several Canadian Opera Company productions.

Details:  “The Future is Now” is Friday, November 30 at 7:30 p.m. at Herbst Theatre, 401 Van Ness Avenue, San Francisco.  Tickets: $60 front orchestra; $50 box seats; $40 rear orchestra and dress circle.  $15 student rush tickets will be available from 11 a.m. on November 30, subject to availability, upon presentation of valid identification, in person only at the San Francisco Opera Box Office (301 Van Ness Avenue at the northwest corner of Grove Street, San Francisco).  All other tickets may be purchased in advance online (click here) or at the SFO Box Office which is open from 10 a.m. to 6 p.m. Tuesday through Friday.

November 28, 2012 Posted by | Opera | , , , , , , , , , , , , , , , , , , | Leave a comment

No Commute! SF Opera’s Adler Fellows are performing classical favorites this Friday, October 12, at SRJC’s Petaluma Campus

San Francisco Opera’s 2012 Adler Fellows. Select fellows from the 2012 and 2013 Adlers will perform a special concert at SRJC’s Petaluma Campus on Friday, October 10, 2012. Photo: courtesy SF Opera

When the Santa Rosa Junior College Chamber Series made the decision to add vocal repertoire to its performances, it went straight to the top, enlisting San Francisco Opera’s Adler Fellows, literally the most talented young opera singers in the country.  This Friday, October 12, 2012, 4 talented Adlers will perform opera, art songs and chansons in a rare and exclusive North Bay exclusive presentation at the Carole L. Ellis Auditorium at the Petaluma Campus of SRJC. Performing Adlers are soprano Nadine Sierra, mezzo-soprano Laura Krumm, mezzo-soprano Renee Rapier and baritone Ao Li.  One of the most exciting experiences you can have is seeing these young artists perform early in their career—they are ALL stars through and through—and having the pleasure of watching their careers develop as they go on to perform at most of the world’s opera houses.  Normally, seeing the Adlers perform entails a lot more work—crossing the bridge and parking—but SRJC has brought these young singers to our doorstep.

Program:

Miss Krumm:  Gioacchino Rossini – La regata veneziana: Anzoleta avanti la regatta, Anzoleta co passa la regatta, Anzoleta dopo la regata

Ao Li:  Franz Schubert -3 songs: Die Forelle, Ständchen, Der Erlkönig

Nadine Sierra: Sergei Rachmaninoff – Op. 38: Noch’ju v sadu u menja, K nej, Margaritki, Krysolov, Son, Au

Renée Rapier: Xavier Montsalvatge – Cinco canciónes negras: Cuba dentro de un piano, Punto da habanera, Chévere, Canción de cuna para dormir a un negrito, Canto negro

 INTERMISSION

Laura Krumm: Rossini – The Barber of Seville: Una voce poco fa

Nadine Sierra: Verdi – Rigoletto: Caro nome

Renée Rapier: Offenbach – The Tales of Hoffmann: Vois sous l’archet frémissant

Ao Li:  Wagner –Tannhäuser: O du mein holder Abendstern

Nadine Sierra, Renée Rapier: Bellini – I Capuleti e i Montecchi: Sì, fuggire!

Ao Li:  Heggie – Moby Dick: Captain Ahab? I must speak with you

Nadine Sierra, Laura Krumm, Renée Rapier: Sondheim: You could drive a person crazy

Adler Fellows Performing Friday:

A native of Iowa City, Iowa, mezzo-soprano Laura Krumm is a first-year Adler Fellow. As a master’s student at the University of North Texas, she was awarded the Bill and Margo Winspear Award and was winner of the 2011 Concerto Competition She has performed in concerts and operas with La Musica Lirica in Novafeltria, Italy and OperaWorks in Los Angeles, and she was a finalist in the 2011 Dallas Opera Guild Competition.

Baritone Ao Li, a second-year Adler Fellow, is a native of Dezhou, China and studied at Shangdong Normal University A frequent recitalist in China, Li is a past recipient of the prestigious Youth of China award, third prize in both the Shandong Qilu Style Contest and the Taipei World Chinese Vocal Competition, the bronze award in The People’s Republic of China Ministry of Culture’s Eighth National Vocal Competition.

Second-year soprano Adler Fellow Nadine Sierra made her San Francisco Opera debut in 2011 creating the roles of Juliet and Barbara in the world premiere of Heart of a Soldier. Sierra’s recent awards include first prize of the George London Competition (2010), the Gerda Lissner International Competition (2010), the Loren Zachary Competition (2010) and the Stella Maris Competition (2011), as well as second prize in the Mirjam Helin International Vocal Competition (2009).

Making her San Francisco Opera debut this season, American mezzo-soprano Renée Rapier is a first-year Adler Fellow. Rapier holds a master’s degree from the University of Northern Iowa. She has been the recipient of the Chautauqua Studio Artist Award, a winner in the Schubert Club Scholarship Competition, a national finalist of the Bel Canto Vocal Scholarship Foundation Competition, and was a national semifinalist at the Metropolitan Opera Council Auditions in 2011.

Mark Morash is a conductor and pianist originally from Halifax, Canada. He serves as the director of musical studies for San Francisco Opera Center where he has conducted for the Merola program, the Adler Fellow Showcase and Western Opera Theater. Morash is a graduate of the University of Michigan, where he studied collaborative piano with Martin Katz. Morash has taught at the University of Toronto and has given master classes throughout the U.S. and Canada and most recently in New Zealand.

More About the Adler Fellow Program: Named for the late great San Francisco Opera General Director Kurt Herbert Adler, the Adler Fellowship Program is the Princeton of performance-oriented residencies, offering exceptional young artists intensive individual training, coaching, professional seminars and a wide range of performance opportunities throughout their fellowship. The Adler Fellows have all been selected from the Merola Opera Program, a prestigious resident artist training program sponsored by San Francisco Opera and San Francisco Opera Center that has nurtured the development of more than 150 young artists since its inception.

There are currently ten 2012 Adler Fellows and thirteen new 2013 Adler Fellows were announced on September 26, 2012.  That list includes continuing Adlers from 2012: Marina Harris, soprano; Joo Won Kang, baritone; Laura Krumm, mezzo soprano; Ao Li, baritone; Robert Mollicone, coach and accompanist; and Renée Rapier, mezzo soprano.  New 2013 participants include: Hadleigh Adams, bass-baritone, from New Zealand; Jennifer Cherest, soprano, from Maryland; AJ Glueckert, tenor, from Portland, OR; Chuanyue Wang, tenor, from China; Erin Johnson, mezzo-soprano, from New Jersey; and Sun Ha Yoon, apprentice coach, from South Korea. Phillipe Sly, bass-baritone, from the Merola class of 2011 is also included.  Unusually, he skipped a year, during which he became a winner of the Metropolitan Opera National Council Auditions, and appeared in several Canadian Opera Company productions.

Fiday’s SRJC Concert Details:  Friday, October 12, at 7:30 PM.  Doors open at 7 PM, Carole L. Ellis Auditorium, Petaluma Campus, SRJC. Tickets are $25 adult/$15 youth. Parking is included for all performances.  Tickets on sale now through City Box Office or  (415) 392-4400, M-F 9:30 AM to 4 PM.  All ticket orders placed less than 7 days prior to performance will be held at Will Call for pick up on the day of performance

Other Upcoming Adler Fellow Performances:  The Adler Fellows’ season culminates with a special year-end concert featuring the singers in an evening of opera scenes and arias with the San Francisco Opera Orchestra. This year’s concert, The Future Is Now: Adler Fellows Gala Concert, showcasing the acclaimed 2012 Adler Fellows, takes place on Friday, November 30, 2012 at 7:30 p.m. at Herbst Theatre in San Francisco.

ARThound’s pervious coverage of Adler concerts: San Francisco Opera’s Adler Fellows Perform Opera Favorites for last Sunday’s Marin Guild Gala (August 9, 2011)

October 10, 2012 Posted by | Opera | , , , , , , , , , , | Leave a comment