ARThound

Geneva Anderson digs into art

Cinnabar Theater’s “Of Mice and Men,” through April 13, 2014

 

Cinnabar Theater in Petaluma presents John Steinbeck’s masterpiece “Of Mice and Men,” starring Samson Hood (left) as Lennie and Keith Baker (right) as George.  The unlikely friends drift from job to job across the farms and fields of California, holding fast to their dream of one day having an acre of land they can call their own.  Photo by Eric Chazankin)

Cinnabar Theater in Petaluma presents John Steinbeck’s masterpiece “Of Mice and Men,” starring Samson Hood (left) as Lennie and Keith Baker (right) as George. The unlikely friends drift from job to job across the farms and fields of California, holding fast to their dream of one day having an acre of land they can call their own. Photo by Eric Chazankin)

The 1937 New York Times review of the Broadway stage production of John Steinbeck’s “Of Mice and Men” reads “If the story were callously told, the conclusion might be unbearable. But Mr. Steinbeck has told it with both compassion and dexterity…In the bunkhouse of a ranch in CA, the story ensnares rootless lives and expands into dreams of a glorious deliverance. (Brooks Atkinson , original review Nov 24, 1937, NYT, p. 20.) It’s now seventy-seven years later and the play, performed at Petaluma’s Cinnabar Theater under the tight direction of Sherri Lee Miller, delivers all the potency and magic that it had back in the Great Depression when audiences could personally relate to the bleak life of migrant workers. Most of us read the novella in high school and were under strict pressure to knock out an essay on some aspect of Lennie and George’s relationship. Revisiting the story and its archetypal characters as adults is another experience all together. Miller has pulled together a team of impeccable actors who bring these tragic characters to life and revitalize their struggles. The audience on opening evening was squirming with anticipation and revulsion at the injustice of Lennie’s plight, the imploding of dreams and the ugly, unquestioned racism of the times. ­­

Set in the 1930’s, the play is carefully staged by Joe Elwick to reflect the grit and sparseness of ranch-hand life in Salinas Valley at the time. From the opening scenes at the riverbank, marked by a simple line of rocks along the stage line, to the sturdy simplicity of the handcrafted log cabin bunk house, which serves as a humble home for the workers, to Crook’s isolated room in the hay barn; the set works both as a backdrop and catalyst. And in Cinnabar’s intimate space, it all makes for a near perfect experience. I’d be willing to bet that the Broadway revival opening in April at the Longacre Theatre with James Franco as Lennie has nothing over Cinnabar’s.

Cinnabar Theater in Petaluma presents Steinbeck’s masterpiece “Of Mice and Men,” featuring (L to R) Kevin Thomas Singer, Samson Hood, Tim Kniffin, and James Gagarin.  After the boss’s son Curley attacks Lennie for no good reason, Lennie squeezes Curley’s hand too hard and crushes it.  Slim tends to Curley while lumbering Lennie is shocked at what he has done.  Photo by Eric Chazankin

Cinnabar Theater in Petaluma presents Steinbeck’s masterpiece “Of Mice and Men,” featuring (L to R) Kevin Thomas Singer, Samson Hood, Tim Kniffin, and James Gagarin. After the boss’s son Curley attacks Lennie for no good reason, Lennie squeezes Curley’s hand too hard and crushes it. Slim tends to Curley while lumbering Lennie is shocked at what he has done. Photo by Eric Chazankin

The great pleasure in the production comes from watching Samson Hood embody Lennie, who is mentally challenged. It’s not much of a stretch for him physically—he’s a giant of a man with huge hands and a lumbering gate that already speak volumes. But the magic is in his thoroughly convincing facial expressions and the absolute sincerity of his child-like delivery, whether he’s hunched over and trying to hide that he has stroked his little mouse to death, or is excitedly dreaming of raising rabbits and living off the fat of the land or is spilling secrets that he’s been asked to keep quiet about. Kind-hearted and simple Lennie doesn’t understand the power of his own strength or the complexity of the world or the ugliness of human nature and he is completely dependent on George to navigate his course.

 As George, Keith Baker, is an intriguing combo of protective caregiver and a go-getter with big dreams. He is gruff and impatient with Lennie one moment and then, after lashing out, he whips back to tender and sentimental. The friendship is exacts a heavy toll on George who must constantly protect and cover up for George as they drift from job to job holding on to their dream.

James Gagarin plays Curley, the ranch-owner’s son with such spite and fury towards everyone that we shudder with revulsion and feel no empathy him when his hand is crushed accidentally by Lennie.

As one-armed Candy, Steinbeck’s for foil the aged and abandoned, Clark Miller manages to convincingly convey the pain of isolation and physical frailty. The scene involving the shooting of his ancient and beloved dog will tug at your conscious. It’s made all the more dramatic by the using a real dog who is old but not so decrepit as to be near death. The idea of shooting it to put it out of its misery seems wrong and is one of the play’s more dramatic moments, beautifully navigated by Clark Miller and by Anthony Abaté who plays callous Carlson with bone-chilling precision.

After the loss of his dog, Candy has nothing to live for but after he overhears George and Lennie discussing the farm, he offers them his life savings (some $250) to go in on the farm and he has something to fix his dreams on. Steinbeck’s play is full of dreaming and, in contrast, the harsh reality of the life of itinerant workers. The men poor their blood and sweat into keeping up the owner’s ranch for a minimal wage and three daily meals—work may keep a man honest but the capitalist system is stacked against the worker who toils his entire life and never advances.

As Crooks, the black stable hand who is forced to live in the barn, Dorian Lockett is cagey, defensive and so disempowered that he is wary of everyone. The repeated use of the word “nigger” predictably drew cringes from the Cinnabar audience who had empathy for Crooks’ plight and recognized his insightfulness and warmth once he let his guard down and began to dream of a place, a piece of land, where he too could be free.

Cinnabar Theater in Petaluma presents Steinbeck’s masterpiece “Of Mice and Men,” featuring Dorian Lockett as Crooks.  Photo by Eric Chazankin

Cinnabar Theater in Petaluma presents Steinbeck’s masterpiece “Of Mice and Men,” featuring Dorian Lockett as Crooks. Photo by Eric Chazankin

Ilana Niernberger, Curly’s vulgar wife does a marvelous job of guiding the audience through a love-hate relationship with her. At first, she appears to be a tart who flirts shamelessly with the workers and is interested in stepping out on her new husband Curly. In the barn, alone with the men, we see her vulnerability and that she is lonely and craves emotional attachment and conversation. Her flirtatious nature ushers in the play’s tragic climax. When she coaxes Lennie to stroke her hair, she finally and fatally understands that he is not able to gauge the power in his touch. Her screams for help only worsen things. As Lennie covers her mouth and tells her to be quiet, he breaks her neck.

The play’s emotional trajectory goes from hope in the American Dream to the shattering of that hope. Cinnabar has taken this great classic and elegantly brought it to life.

Run-time: Two hours and 20 min, including one intermission

Creative Team: Of Mice and Men stars Keith Baker and Samson Hood as the famous friends, George and Lennie. The ensemble of talented actors also features Anthony Abaté (Carlson), James Gagarin (Curley), Tim Kniffin (Slim), Dorian Lockett (Crooks), Clark Miller (Candy), Ilana Niernberger (Curley’s wife), Kevin Singer (Whit), and Barton Smith (The Boss). Directed by Sheri Lee Miller.

Design Team: Joe Elwick (scenery), Pat Fitzgerald (costumes), Wayne Hovey (lights), Jim Peterson (sound). This production is generously underwritten by Sandra O’Brien and Elly Lichenstein.

Details: Of Mice and Men  has been extended an additional week through April 13, 2014, at Cinnabar Theater, 3333 Petaluma Blvd. North, Petaluma, CA 94952. Performances: 8 p.m. Fridays and Saturdays and 2 p.m. Sundays. Tickets: $15 for ages 21 and under; $25 for adults. Purchase tickets online here or call Cinnabar’s Box Office at 707 763-8920 between 10:00 AM and 3:00 PM on weekdays. Tickets may also be available at the door 15 minutes prior to each performance, but pre-purchase is recommended as Cinnabar shows tend to sell out!   For more information about Cinnabar Theater — www.cinnabartheater.org .

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March 26, 2014 Posted by | Theatre | , , , , , , , , , , , , , , , , , , , | Leave a comment

Pounce! From dimwit to witty, Heather Gordon is talented and luscious in Cinnabar Theatre’s “Born Yesterday,” through June 10, 2012

Heather Gordon, of Novato, plays ex-chorus girl, Billie Dawn, in Cinnabar Theatre’s production of Garson Kanin’s “Born Yesterday,” through June 10, 2012. Photo: Eric Chazankin

Tuesday’s election didn’t go the way you had hoped?  Is the country going to hell in a hand-basket held by special interest groups awash in money?  It’s certainly maddening but it’s not new.  As relevant and funny today as it was when it made its 1946 Broadway debut, “Born Yesterday,” now at Cinnabar Theater,  charms with its bittersweet comedy and sardonic look at politics.  After Cinnabar Theater sold out all three performances for its opening weekend week run from June 1 to June 3, 2012, it added a Thursday night show to accommodate overwhelming box office reservation requests.

Ex-show girl and mistress, Billie Dawn, played by the captivating Heather Gordon, gets a new lesson on life, love and politics when she comes to Washington with her corrupt and uncouth junk tycoon boyfriend, Harry Brock, James Pelican.  When Harry hires a liberal newspaper reporter to tutor her in current events, grammar and the necessary gentility for mixing with Washington D.C.’s political elite, he’s the one in for a big awakening.  Newly educated and wisened-up to Harry’s schemes, Billie Dawn sets out to get even with her law-breaking schmuck and then move on.  This endearing story of how one woman changed her life and threw a wrench in a big influence peddler’s machinery, gives hope in a world where it’s a getting to be a real ugly jungle.

Heather Gordon commands, seduces and bewitches with her vulnerability, bringing mesmerizing freshness to Billie Dawn.

Cast: Heather Gordon as Billie Dawn, Gary Grossman as Harry Brock, Paul Huberty as Paul Verrall, Charley Queary as Ed Devery, Samson Hood as Senator Norval Hedges, Nuria Ibars as Mrs. Hedges, Madeleine Ash as Helen, James Pelican as Eddie Brock, Dezi Gallegos as Bootblack, Assistant Manager, Pascale Serp as Bellhop, Barber

Production team: Sheri Lee Miller, Director; Ross Tiffany Jones, Stage Manager; Peter Parish, Scenic Manager; Lisa Eldredge, Wayne Hovey, Costume Designer; Jim Peterson, Lighting Designer; Sound Designer, Jim Peterson; Sharlyn Klein, Production Manager; Production Assistants, Mike Acorne, Aloysha Klebe, Mike Orton.  

Details:  Cinnabar Theatre is located at 3333 Petaluma Blvd. North (at Skillman Lane), Petaluma, CA, 94952.  Tickets online: $25 General, $22 Seniors 65 & Over, $15 Age 22 & Under.  Tickets can also be purchased before the performance but pre-purchase of tickets is highly recommended as the theatre is small.  Early arrival is also recommended as there is no assigned seating.  For more information, call 707-763-8920 or visit http://www.cinnabartheater.org

There are 4 remaining performances:  Thursday, June 7, 2012 at 8 p.m., Friday, June 8, 2012, at 8 p.m., Saturday, June 9, 2012, at 8 p.m. and Sunday, June 10, 2012, at 2 p.m.

June 6, 2012 Posted by | Theatre | , , , , , , , , , , , , , , , , , , | Leave a comment