ARThound

Geneva Anderson digs into art

Soulful, spirited, political—the 17th Sonoma International Film Festival has a line-up of stories from around the world with an emphasis on Cuban film—it kicks off tonight

Columbian director Juan Carlos Melo Guevara’s “Field of Amapolas” (Jardín de Amapolas) addresses the impact of Columbia’s ongoing struggle with corruption through the story of two innocent children.

Columbian director Juan Carlos Melo Guevara’s “Field of Amapolas” (Jardín de Amapolas) screens at the 17th Sonoma International Film Festival, April 2-6, 2014 as part of the popular Vamos Al Cine series. Filmed in Ipiales, in the Nariño region of Colombia, the film addresses the impact of Columbia’s ongoing struggle with corruption through the story of two innocent children. Latin American cinema is hot right now, so much so that in most of the big festival offerings it has nearly replaced Asian cinema. The films are coming not from the old standbys (Mexico, Argentina, Brazil) but from Colombia, Chile, Peru, nations that have had sporadic cinematic output. Columbia in particular is a hotspot for vibrant film. SIFF 17 will offer over a dozen films from Latin America and is showcasing Cuban film.

ARThound loves a great film, one whose story speaks right to my heart.  This year’s 17th Sonoma International Film Festival (SIFF), which kicks off tonight, features over 115 hand-selected films from 22 countries—features, documentaries, world cinema, and shorts.  Two hundred filmmakers and celebrities will attend and participate in premieres, Q&A’s and panel discussions spread over five glorious days in Sonoma. The festival is also one long party, offering pass holders world-class cuisine from local artisans and exceptional wine from Sonoma vintners in  “The Backlot,” SIFF’s culinary hub, a one-of-a-kind hospitality tent on the North side of Sonoma’s City Hall.  Whether you’re a passholder or come for individual film screenings, this festival has a to offer.  It all starts this evening with an opening night party, two opening night films and an after party.  If you’ve missed my previous coverage of the festival basics and Big Nights, here are the links explaining all about the passes vs going solo—

March 23—The line-up has been announced for the 17th Sonoma International Film Festival, April 2-6, 2014…pounce on individual tickets

March 12—Sonoma International Film Festival passes are on sale now and prices will increase on Monday, March 17, 2014

ARThound’s top picks in the World Cinema category:

In choosing these must-see films, I’m looking for something that I won’t be able to see elsewhere, countries that are less represented/new directors generating a buzz, a unique story with an international point of view, and the promise of cinematic magic.  SIFF doesn’t provide critics with screeners, so putting this information together requires lots of research and some guesswork.  Given the ascendency of Latin cinema, I recommend attending as much as you can of this year’s Vamos Al Cine programming.   This wonderful series, initiated three years ago by Claudia Mendoza-Carruth, began as programming for the Spanish speaking community but has morphed into one of the festival’s biggest draws. This year, it offers 10 films, emphasizing distinctive new voices from Columbia (2), Cuba (4), Dominican Republic (1), Mexico (2) and Venezuela (1).  There’s an emphasis on Cuban cinema with 4 Cuban films and several Cuban directors and actors in attendance.

A young Iranian woman is gang raped and must deal with the fall-out in Pourya Avarbaiyany's   "Everything is Fine Here," screening at SIFF 17.

A young Iranian woman is gang raped and must deal with the fall-out in Pourya Avarbaiyany’s “Everything is Fine Here,” screening at SIFF 17.

Everything is Fine Here— Iran | 2012 | 75 min. | Dir. Pourya Avarbaiyany (in attendance)

On the verge of her marriage, Arghavan a 25 year old writer who is newly engaged and acclaimed, with an invitation to lead a prestigious writing workshop in Germany, is gang-raped in a deserted area of Tehran.  In a strict, conservative society where young women are expected to be virgins before marriage, the crime is that of her assailants but the catastrophe is hers. Overwhelmed by rumors, her life turns into a nightmare and her pending marriage and her relationship with her parents are threatened. The film addresses Iran’s perplexing state of gender inequality and the battle of the individual in a discriminatory society to cope when a tragedy occurs. In 2011 in Iran, there were reports from Human Right Agencies chronicling 6 brutal rapes of Iranian women and in some of these cases, Iranian officials blamed the victims. Iran’s women face a host of laws which limit their rights in marriage, divorce and child custody.  In some cases, their testimony in court is regarded as less than half that of a man’s.  This young director is from Tehran.  I can’t wait to hear how he managed to make a film like this.  Screens: Thursday, April 3 (12:15 pm) Vintage House and Friday, April 4 (9:30 pm) Murphy’s Irish Pub

Cuban actors Armando Miguel Gómez and Yuliet Cruz are a couple impacted by the closure of the sugar mill in Carlos Lechuga’s first feature, “Melaza,” screening twice at SIFF 17.

Cuban actors Armando Miguel Gómez and Yuliet Cruz are a couple impacted by the closure of the sugar mill in Carlos Lechuga’s first feature, “Melaza,” screening twice at SIFF 17.

 

Melaza—Cuba | 2012 | 80 min. | Dir. Carlos Lechuga (in attendance)—With the closure of its local sugar mill, the picturesque (fictional) Cuban town of Melaza has become desolate and lifeless. School teacher Aldo (Armando Miguel Gómez) and now-unemployed Monica (Yuliet Cruz) eke out a meager living, going as far as renting out their tiny home to the local prostitute for extra cash. When they get in trouble with the authorities, resulting fines lead to more desperate measures. This beautifully filmed, contemplative first feature explores the social crisis in the Cuban sugar factory neighborhoods following the dismantling of many production units. It poses the question of how to survive in a country in crisis.

This is Lechuga’s first feature film. Director’s statement: “While the post-production process went on, I began to realize that a love story was being told that in the end left an optimistic taste, but which, like molasses (melaza), hides certain bitterness. The bitterness of a tragedy set up in the Tropics, with a brilliant sun, green sugarcane and lovers holding each other’s hands, awaiting the worse.”  Screens: Thursday, April 3 (8:45 pm) Murphy’s Irish Pub and Saturday, April 5 (7:15 pm) La Luz Center

 

 

Chronic Love (Amor Crónico)—Cuba | 2012 | 83 min. | Dir. Jorge Perugorria (in attendance)—This exhilarating and energetic blend of fact and fiction follows flamboyant Cuban-born/New York-based singer and Grammy nominee Cucú Diamantes on her first tour of Cuba. This unique road film interweaves footage of her cabaret-style performances with a fictional love story. A love letter to Cuban cinema, to Cuban music and to its people.  Directed by Cuban actor and visual artist Jorge Perugorría (famous for his part as Diego in Tomás Gutiérrez Alea’s fresa y chocolate (Strawberry and Chocolate), 1994).  Screens: Friday, April 4 (8:00 pm) Sebastani Theater and Saturday, April 5 (5:00 pm) La Luz Center

Yilmaz Erdogan’s “The Butterfly’s Dream” (Kelebeğin Rüyası) was Turkey’s submission for Best foreign Language Oscar.  Set during World War II in Zonguldak, Turkey, the film is the real life story of the bond between two young poets who both contract tuberculosis and fall in love with the same woman.

Yilmaz Erdogan’s “The Butterfly’s Dream” (Kelebeğin Rüyası) was Turkey’s submission for Best foreign Language Oscar. Set during World War II in Zonguldak, Turkey, the film is the real life story of the bond between two young poets who both contract tuberculosis and fall in love with the same woman.

 The Butterfly’s Dream (Kelebeğin Rüyası)—Turkey | 138 min. | 2013 | Dir. Yilmaz Erdogan—Turkey’s submission for Best foreign Language Oscar which had a long gestation period—seven years of screen-writing and two years in pre-production. Set during World War II in impoverished Zonguldak, Turkey, the film is the real life story of the bond between two young poets long forgotten by history—Muzaffer (Kivanç Tatlitug), the optimist romantic, and Rüştü (Mert Firat)  the pessimist dreamer—whose brotherly camaraderie is based upon their shared loved for the written word and their mutual misfortune. Forced to work in the coal mines, they both contract tuberculosis and fall in love with the same woman, an aristocrat’s daughter, played by star Belçim Bilgin, who is also Erdogan’s wife. The title is from an ancient passage by Chinese thinker Chuang Tzu, in which he pondered his dream of being a butterfly. Erdoğan’s gorgeously-shot film addresses the nature of reality and the power of artistic practice to mitigate hardship. Screens: Saturday, April 5 (3:15 pm) Burlingame Hall and Sunday, April 6 (10:00 am) Murphy’s Irish Pub

 Field of Amapolas (Jardín de Amapolas)— Colombia | 87 min. | Dir. Juan Carlos Melo Guevara— Filmed very close to director Juan Carlos Melo Guevara’s hometown of Ipiales in the Nariño region of Colombia, this is the first feature film to ever be shot in the area. When accused of collaborating with the enemy in the ongoing guerilla war in Colombia, farmer Emilio, along with his nine-year- old son Simon, is forced by rebels to vacate his piece of land. After relocating with the help of a relative, Emilio and his son face such an economic struggle that Emilio to takes work in the illegal poppy (Amapolas) fields belonging to a local drug lord, who happens to be his cousin. Meanwhile, Simon meets and befriends Luisa, a girl his own age. She is obsessed with playing with a puppy dog she can’t afford. Simon steals it for her every day, but returns it each night. One day, the cousin discovers Simon’s secret and decides to use him for his own greedy plan.

This is Guevara’s first feature as director, screenwriter and producer. Director’s statement: “The idea was not only make a portrayal unique to the film history of Colombia, but to make a story through the point of view of two kids who can only see their reality with innocence, without speeches or academic criticism; that’s why this is not a film about war, on the contrary, the war is only a stage where life, dreams, and hopes can continue.”Screens: Sunday, April 6 (11:00 am) La Luz Center 

Nigerian director Biye Bandele’s “Half Of A Yellow Sun” finds Chiwetel Ejiofor co-starring opposite Thandie Newton in the adaptation of the bestselling (and Orange Prize for Fiction-winning) novel by Chimamanda Ngozi Adichie, set against the backdrop of the 1967-1970 Nigerian-Biafran war.  This is the first Nigerian film to screen at the Sonoma International Film Festival.

Nigerian director Biye Bandele’s “Half Of A Yellow Sun” finds Chiwetel Ejiofor co-starring opposite Thandie Newton in the adaptation of the bestselling (and Orange Prize for Fiction-winning) novel by Chimamanda Ngozi Adichie, set against the backdrop of the 1967-1970 Nigerian-Biafran war. This is the first Nigerian film to screen at the Sonoma International Film Festival.

Half of a Yellow Sun Nigeria | 2013 | 113 min. | Dir. Biye Bandele—For the first time, SIFF17 welcomes a film from Nigeria, first time writer-director Biyi Bandele’s acclaimed Half of a Yellow Sun, an adaptation of Chimamanda Ngozi Adichie’s bestselling novel of the same name.

This epic chronicle of family drama and tribal violence begins in 1960 and leads up to the Nigerian-Biafran War which ended in 1970. The film tracks war through the story of headstrong twin sisters Olanna (Thandie Newton—Crash, The Pursuit of Happiness) and Kainene (Anika Noni Rose), privileged girls from Lagos, who return home after their respective university educations abroad. Both make similarly scandalous decisions. Olanna defies familial expectations and convention not only by becoming a sociology professor herself, but also by moving in with firebrand academic Odenigbo (Chiwetel Ejiofor—12 Years A Slave, Children of Men) in the college town of Nsukka. Kainene assumes management of the family business and falls in love with an English – and married – writer (Joseph Mawle). The loyalties of the sisters are tested amidst the horrors of the Nigerian Civil War, and the rise and fall of short-lived republic of Biafra. The main focus is on the Olanna and Odenigbo whose passion is ignited over political protest but things get rocky when Odenigbo’s battle-ax mother (Onyeka Onwenu) comes to visit. An uneducated village woman with a mean and scheming personality, Mama is determined to split up the lovebirds up any way she can, and nearly succeeds.Rich in period atmosphere, evoking a strong sense of how these Nigerians lived their lives day-to-day, and how devastated they are when war and all its atrocities rip that fabric apart. Screens: Friday, April 4 (11:00 am) Murphy’s Irish Pub and Sunday, April 6 (2:30 pm) Vintage House

 

SIFF Details:

The 17th Sonoma International Film Festival is April 2-6, 2014. All films are screened in seven intimate venues, all within walking distance along Sonoma’s historic plaza

Click here to purchase all SIFF passes.

Click here for more information, or call 707 933-2600

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April 2, 2014 Posted by | Film, Food, Jazz Music | , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The line-up has been announced for the 17th Sonoma International Film Festival, April 2-6, 2014…pounce on individual tickets

Catalonian actors Claudia Bassols (L) and Jan Cornet (R) are the central couple in Roger Gual’s “Tasting Menu,” screening at the 17th Sonoma International Film Festival, April 2-6, 2014.  The foodies made a reservation one year in advance at a world famous three-star Michelin restaurant outside of Barcelona, on the famous Costa Brava.  When the day finally arrives, they’re separated and learn that this will be their last chance to ever eat there as it’s the restaurant’s closing night.  For the sake of haute cuisine, they agree to dine together.  Joining them are the widowed countess who put the place on the map, potential Japanese investors and their dotty interpreter, American food critics and editors, and a mystery guest who has everyone guessing.  With close-ups of hands chopping and sculpting entrees like works of fine art, breathtaking scenery and high drama, “Tasting Menu,” in Catalan, promises to delight. Claudia Bassols will attend.   Image: Magnolia Films

Catalonian actors Claudia Bassols (L) and Jan Cornet (R) are the central couple in Roger Gual’s “Tasting Menu,” screening at the 17th Sonoma International Film Festival, April 2-6, 2014. The foodies made a reservation one year in advance at a world famous three-star Michelin restaurant outside of Barcelona, on the famous Costa Brava. When the day finally arrives, they’re separated and learn that this will be their last chance to ever eat there as it’s the restaurant’s closing night. For the sake of haute cuisine, they agree to dine together. Joining them are the widowed countess who put the place on the map, potential Japanese investors and their dotty interpreter, American food critics and editors, and a mystery guest who has everyone guessing. With close-ups of hands chopping and sculpting entrees like works of fine art, breathtaking scenery and high drama, “Tasting Menu,” in Catalan, promises to delight. Claudia Bassols will attend. Image: Magnolia Films

The 17th Sonoma International Film Festival (SIFF) is just around the corner—April 2-6, 2014—pairing 5 nights and 4 days of nearly non-stop screenings with great food and wine in gorgeous Sonoma. The program and schedule have just been released and, this year, SIFF is presenting 106 new films from 22 countries—25 documentaries, 19 world cinema, 10 American indies, 10 Spanish-language films in “Vamos Al Cine,” 4 shorts programs, 1 children’s program, 1 student program and 1 “Out of The Earth” UFO program. The screenings all take place at eight intimate venues within walking of Sonoma’s historic town plaza. Many of these will offer wonderful samplings of local food, wine and beer along with the film.

SIFF has a lot to offer both locals and destination visitors.  Festival passes are the way to go if you’re interested in easy access to films, the marvelous parties, and the famous Backlot tent, SIFF’s unofficial hub, which keeps pass-holders satisfied with the finest wines, gourmet offerings and music. Click here to read about all the pass options and price points.   If you haven’t bought a festival pass and still want to see some films, individual single tickets are $15 when purchased in advance.  SIFF caters to pass holders and offers just a limited number of these individual tickets, which are available for most screenings, so NOW is the time to lock in those tickets before they are snapped up.

If you’re a gambler with a lot of time on your hands, you can show up at the festival and hang out in front of the screening venue and wait to buy a ticket for $10 cash after the pass holders and ticket pre-purchasers have been seated. The $10 tickets are not a sure thing they can be an awesome score.

Stay-tuned to ARThound for a full review of the line-up.  For now, the Big Nights—

Opening Night—Wednesday, April 2: The festival kicks off on Wednesday evening with a choice of two films and a first ever after hours party with live music from Sonoma’s own Vanguard Jazz Ensemble at Sonoma’s newest nightspot, Burgers & Vine.  Richard Shepard’s Dom Hemignway (2014) screens at the historic Sebastiani Theatre at 7:45 PM. After spending 12 years in prison for keeping his mouth shut, notorious safe-cracker Dom Hemingway (Jude Law) is back on the streets of London looking to collect what he’s owed. Travelling with his best friend Dickie, Dom visits his crime boss (Demián Bichir) in the south of France to claim his reward and then reconnect with his long-lost daughter Evelyn (Emilia Clark). Screens with Peter McEvilley’s six minute French short, Le Sauvetage (2013) which features Peter Olate’s amazing performing rescue dogs. The dogs will give a brief live performance after the short.

 Jude Law (L) and Nathan Stewart-Jarrett (R) in a scene from Richard Shepard’s “Dom Hemingway” (2014), one of two opening night feature films at the 17th Sonoma International Film Festival.  Just released from prison after taking the fall for his boss, Dom comes after the money he’s owed for keeping silent and protecting his boss Fontaine (Damian Bechir).  Brash, volatile, profane and angry, this is Jude Law at his complicated best.  Image: Foxlight


Jude Law (L) and Nathan Stewart-Jarrett (R) in a scene from Richard Shepard’s “Dom Hemingway” (2014), one of two opening night feature films at the 17th Sonoma International Film Festival. Just released from prison after taking the fall for his boss, Dom (Law) comes after the money he’s owed for keeping silent and protecting his boss Fontaine (Damian Bechir). Brash, volatile, profane and angry, this is Jude Law at his complicated best. Image: Foxlight

Actor and writer Chris Lowell’s directorial debut, Beside Still Waters (2013) screens at 8:15 at Andrews Hall. An ode to the consoling power of deep and abiding friendships, the film observes one night among an intimately connected group of friends in their 20s who reunite at the family lake house of Daniel (played by “90210’s” Ryan Eggold), whose parents have just died in a car crash. Facing the imminent loss of the house, Daniel invites his pals to their old haunt for one last debauched weekend of drinking, dancing, and scheming. An accomplished fine-art photographer, the 28 year-old Lowell uses montages of his own black-and-white photos throughout “Beside Still Waters” to represent Daniel’s haunted memories. Writer & Producer Mo Narang will attend. Screens with Simon Christen’s Adrift (2013), a mesmerizing four minute and 35-second love letter to the fog that surrounds and often engulfs our Bay Area.  Christen worked for two years to capture perfect shots for this masterpiece.

 

Closing Night—Sunday, April 6: From director Amma Asante and the producer of Iron Lady, Damian Jones, comes Belle, a captivating period romance. The film screens at 6 PM at the Sebastiani and is inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle, Lord Mansfield (Tom Wilkinson), and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in 18th century England. Director Amma Assante is attending.

After the Closing Night film, at roughly 8:30 PM, people will gather in the Backlot tent for the presentation of the Jury and Audience Awards, the last hurrah of the festival.

To read ARThound’s festival coverage from March 12, 2014, click here.

Details: The 17th Sonoma International Film Festival is April 2-6, 2014.  Eight screening venues are all within walking distance of the central town plaza.  Street parking is ample.

Passes: Click here to read about and purchase all SIFF passes. Passes were offered at discounted rate until March 17, 2014 and are now full price.

Individual tickets: Click on the festival calendar and then select a film in the daily schedule. If individual tickets are offered for that film, you will see a “tickets” hyperlink which will appear beneath the screening information.

Festival Information: Click here or call 707 933-2600

The 17th Sonoma International Film Festival has 25 documentaries. “Man Up and Go” (2012), directed by Randy Bacon, speaks to the heart. When Roger went to Ethiopia to get his adopted daughter, she was 6 months old, but weighed only 7 pounds and was dying. Roger asked himself, “Is there a way out of this?” He called his dad and heard words that rocked his core: “Roger, man up! If she dies, at least she will die in the arms of a father.” Roger had to inspire men to be better husbands and fathers, so he launched the Man Up movement. Shot in the U.S., Ethiopia and Rwanda, “Man Up and Go” tells the remarkable story several ordinary men who stepped up to change the lives of orphaned children and were forever changed themselves. Photo of Roger Gibson with orphan at Return Ministries, Uganda, courtesy Wynne Elder

The 17th Sonoma International Film Festival has 25 documentaries. “Man Up and Go” (2012), directed by Randy Bacon, speaks to the heart. When Roger went to Ethiopia to get his adopted daughter, she was 6 months old, but weighed only 7 pounds and was dying. Roger asked himself, “Is there a way out of this?” He called his dad and heard words that rocked his core: “Roger, man up! If she dies, at least she will die in the arms of a father.” Roger had to inspire men to be better husbands and fathers, so he launched the Man Up movement. Shot in the U.S., Ethiopia and Rwanda, “Man Up and Go” tells the remarkable story several ordinary men who stepped up to change the lives of orphaned children and were forever changed themselves. Photo of Roger Gibson with orphan at Return Ministries, Uganda, courtesy Wynne Elder

 

March 23, 2014 Posted by | Film, Food | , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Sonoma International Film Festival passes are on sale now and prices will increase on Monday, March 17, 2014

Yılmaz Erdoğan's “The Butterfly's Dream” (2013), Turkey’s submission for Best foreign Language Oscar, is one of will screen at the 17th Sonoma International Film Festival (April 2-6, 2014). Set during World War II in Zonguldak, Turkey, the film is the real life story of two young poets, forgotten by history, whose writing developed while they were both terminally ill with tuberculosis.  The title is from an ancient passage by Chinese thinker Chuang Tzu, in which he pondered his dream of being a butterfly. Erdoğan’s gorgeously shot film addresses the nature of reality and the power of artistic practice to mitigate hardship.

Yılmaz Erdoğan’s “The Butterfly’s Dream” (2013), Turkey’s submission for Best foreign Language Oscar, will screen at the 17th Sonoma International Film Festival (April 2-6, 2014). Set during World War II in Zonguldak, Turkey, the film is the real life story of two young poets, forgotten by history, whose writing developed while they were both fighting to survive tuberculosis. The title is from an ancient passage by Chinese thinker Chuang Tzu, in which he pondered his dream of being a butterfly. Erdoğan’s gorgeously-shot film addresses the nature of reality and the power of artistic practice to mitigate hardship.

If you love cinema, world class food and wine from local artisans and vintners, and the breathtaking beauty of the wine country, it doesn’t get any better than the Sonoma International Film Festival (SIFF).  Discounted passes are now on sale for the 17th annual SIFF—April 2-6, 2014.  Lock in your passes now, as the prices rise considerably on Monday, March 17, 2014.

This year, SIFF features over 115 hand-selected films from 22 countries—features, documentaries, world cinema, Vamos Al Cine (showcasing Spanish-language film), and shorts.  Two hundred filmmakers and celebrities will attend and participate in premieres, Q&A’s an panel discussions.  Guests, celebs and attendees all mingle on the square and in Backlot, SIFF’s decadent den of epicurean delights. Film luminaries who have walked SIFF’s red carpet include: Susan Sarandon, Bruce Willis, Michael Keaton, Blythe Danner, Danny Glover, Lauren Hutton, Demian Bichir, Ray Liotta  and Mary-Louise Parker.  This year’s special guests have yet to be announced.

The line-up, of which we have just a few details, includes 62 full length features films, all selected by Festival Director Kevin McNeely and his programmers Claudia Mendoza-Carruth and Steve Shor, who know exactly what appeals to the savvy audience of this extended weekend fest.  For the first time, SIFF17 welcomes a film from Nigeria, director Biyi Bandele’s acclaimed Half of a Yellow Sun,  an adaptation of Chimamanda Ngozi Adichie’s bestselling novel of the same name.  This year’s Vamos Al Cine program, which began as programming for the Spanish speaking community but has morphed into one of the festival’s biggest draws, will focus on Cuban cinema with Cuban director and actor, Jorge Perugorria, attending.  And dog lover ARThound is excited about this year’s special programming for children (and the young at heart) and the guest appearance of the amazing Olate dogs (winner of America’s Got Talent 2012 and $1 million.  These joyful dogs will perform at the historic Sebastiani Theatre in a special morning that includes the world premiere of Peter McEvilley’s French short, Le Sauvetage—which features Peter Olate’s rescue dogs and addresses animal welfare—and a live musical performance by members of “Everybody is a Star.”   This year, there are an unprecedented 24 documentaries, many of which unpack our increasingly confusing organic and green lifestyle and impart groundbreaking research on the health and environmental impacts of plastic, fracking and hemp.  One of these, Wings of Life, a new Disneynature film, narrated by Meryl Streep, uses incredible cinematography, high-seed, time-lapse and micro filmmaking techniques to reveal the extraordinary importance of flowers and their pollinator partners.  And for foodies, three world cinema offerings explore the fusion of storytelling, fine cuisine and restaurants.

All films are screened in seven intimate venues, all within walking distance along Sonoma’s historic plaza.  Many screenings include delectable gourmet samplings.  The SIFF ambiance is laid-back and the experience is unforgettable…that’s why most guests return year after year.  And it’s for a great cause— since 2002, SIFF and its members have continually supported Sonoma Valley High School’s Media Arts Program. This student program opens doorways to creativity in the digital arts through filmmaking classes, animation, scriptwriting, film theory, and – most of all – storytelling.  So far this year, SIFF has donated $25,000 to Peter Hansen’s media arts program at SVHS, having given almost $450,000 over the past 12 years.

Cinema Pass—$175* – All Films & Panels (*Price increases to $250 on March 17, 2014)

Cinema Soiree Pass —$450* First Entry to films, VIP hospitality area, tribute, parties & receptions & “First Look.” (*Price increases to $600 on March 17, 2014)

Patron Pass/All Access—single $2,500; couple $4,000

 

Click here to purchase all SIFF passes.

Click here for more information, or call 707 933-2600

March 12, 2014 Posted by | Film | , , , , , , , , , , , , , , , , , , | 1 Comment