Love great conversation, food, farming, family and film? Another screening of the sold-out “Changing Season: On the Masumoto Family Farm” has been added to CAAMFest for Saturday, March 21 in Oakland—SO worth the drive
CAAMFest, the Center for Asian American Media’s annual film festival, has added another screening of Jim Choi’s documentary Changing Season: On the Masumoto Family Farm, which has its (sold-out) world premiere on Friday, March 20, 7 PM, at the OMCA (Oakland Museum of California). The OMCA event, which features a pre-film get together, the film screening and the entire Masumoto family on stage in story-telling and conversation is at “Rush.” This means it is sold out BUT there may be a few tickets released at the last moment. The new added screening is Saturday, March 21, at Oakland’s New Parkway Theatre at 7PM and there are ample tickets now but this screening too will most likely sell out. Mas, Nikiko and Marcy will also be in attendance and a lively Q&A will follow the screening.
I had the pleasure of interviewing Nikiko and David “Mas” Masumoto on Monday evening at UC Berkeley (we’re all alums) and this dynamic father daughter duo touched my heart with their loving connection, positive energy and years of farming wisdom. I brought along my dear friend, long-time SRJC librarian Karen Petersen, who first introduced me to Mas via Epitaph for Peach, his 1995 lament over the loss of heirlooms. The public response to Mas’ writing was so encouraging that it essentially led him to re-evaluate the decision to bulldoze his precious heirloom trees. Our meeting couldn’t have come at a better moment because I’d spent the day, and the previous week, out in the garden paving the way for the plantings to come. If you’re the type of person who believes as I do that your garden or orchard is a reflection of who you are, then this is a film and a family that you won’t want to miss. These famous fourth generation Japanese American farmers are best known for their highly-prized heirloom Sun Crest peaches as well as their tenacious adherence to sustainable practices. Over years, they’ve reaped a harvest of not only delicious fruits but also dreams, reflections and abiding kinship. We discussed what it was like to be filmed and the new directions their lives are taking now that Nikiko has returned to home to step into her father’s work boots on their certified organic 80 acre farm in Del Ray (south of Fresno). That’s 80 acres of organic peaches, nectarines, grapes and a fig tree that all need nurturing, often in grueling heat which it turns out is also the perfect incubator for storytelling. They’re all highly creative but Mas’ writing on farming and food includes numerous best-selling books which have been lovingly treasured and dog-eared by foodies, farmers and imagined gardeners.
This beautifully shot film, which was funded by CAAM, chronicles the transitions undergone by Mas and his daughter as they lovingly enact the rituals of passing the reins from one generation to the next and reflect back on the family’s WWII internment in a camp near their farm. Stay tuned to ARThound for the interview. For more information on CAAMFest 2015, click here.
CAAMFest—Asian American film, food, music and comradery kicks off Thursday, March 12, and runs for 11 days in San Francisco, Berkeley and Oakland
Nikiko, Korio, Marci and David “Mas” Masumoto have an 80 acre farm in Del Ray, south of Fresno, where they grow several varieties of prized heirloom peaches and nectarines. They are the subject of the CAAM-produced documentary “Changing Season: On the Masumoto Family Farm,” which lyrically recounts the daughter Nikiko’s decision to take over the reins of the family’s peach business from her father, Mas, the celebrated peach farmer and author. In their lifelong search for the perfect peach, the Masumotos till much more than the soil; they embrace the soul of farming which is an intimate act of bravely nurturing what life throws at you. The Masumotos are being honored at CAAMFest 2015 with a CAAMFeast Award and a special evening at the Oakland Museum of California where the film will have its world premiere. Image: CAAMFest
The Center for Asian American Media’s CAAMfest turns 33 this year and continues its morph from a pure film festival into a series of festive happenings that fuse cutting edge independent film with music and food—all with an Asian American twist. CAAMFest takes place over the next 11 days in venues all around the Bay Area including the Asian Art Museum and the Oakland Museum of California, which add their enticing exhibits to the mix. Formerly the San Francisco Asian American Film Festival (SFIAAFF), CAAMFest 2015 offers more than 100 movies and videos focused on the discovery of new talents, voices and visions. It’s by far the largest festival of Asian American movies in North America. Under the leadership of Masashi Niwano, now in his fifth year as festival & exhibitions director, the event has become one of the country’s major platforms for conveying the richness and diversity of the Asian American multicultural experience. ARThound loves this festival because it’s so excellently curated, delivering rich and unusual stories from around the globe that stay with you for years.
This year, you’ll see Asian American broadly defined too. Iranian director Rakshan Banietemad’s new film, Tales, which picked up the award for Best Screenplay at Venice, caught the CAAMFest programmers’ eyes, not just because it’s a great film but because the director, working under dior conditions in Iran, creatively stitched together a series of shorts, stories from her previous films, to create a full length film. In so doing, she managed to navigate the bureaucracy of the Iranian cultural ministry which requires a license for a feature but not for shorts. Bravo! There are also stories involving the Asian diaspora. Juan Martín Hsu’s La Salada is set in Argentina’s bustling discount market, La Salada, just outside of Buenos Aires, and involves an ensemble cast of Korean, Taiwanese, and Bolivian immigrants whose experiences all converge at the market. It’s thus no surprise that “travel” is this year’s theme. Opportunities for armchair travel abound and over 200 guests will be flying in CAAMFest.
BIG NIGHTS:
Opening Night: The festival kicks off at the historic Castro Theatre on Thursday evening (March 12), with Benson Lee’s Seoul Searching (2015), his new feature film which garnered quite a buzz when it premiered at Sundance in January. A tribute to the 1980’s teen movies of John Hughes, but infused with a Korean sensibility and Lee’s own experiences, this dramedy is set in a state run summer camp in Korea that brings together Korean teens from all over the globe for the purpose of teaching them about their culture. Lee uses the teen’s stories, and their unexpected twists, to explore the Korean diaspora. Lee’s Planet B-Boy, about break-dancers in an international competition, won best documentary and the audience award at CAAMfest in 2008. Lee and several cast members will attend.
Opening Gala: After the screening, there’s an opening night gala at the Asian Art Museum, with a 1980’s dance party with cocktails and fine food amidst the Seduction exhibit of Edo-period Japan. The exhibition has over 60 works of art and features Japanese artist Hishikawa Moronobu’s (1618-1694) spectacular 58 foot long painted silk handscroll, A Visit to the Yoshiwara, which is shown completely unfurled for the first time. The masterpiece, on loan from the John C. Weber, depicts daily life in the entertainment district in the 17th century.
Kalki Koechlin plays Laila in Shonali Bose’s second feature film, “Margarita with a Straw” (2014), CAAMFest’s Centerpiece film, the first Indian film that introduces a character with cerebral palsy. Image: CAAMFest
CAAMfest’s Centerpiece movie: Shonali Bose’s Margarita with a Straw (2014) screens at Castro on Sunday, March 15th and represents the powerful storytelling and moments of palpable intimacy that CAAMFest is famous for. Kalki Koechlin plays Laila, a young woman from Delhi who is determined not to let her cerebral palsy interfere with her life —she writes lyrics for a rock band, flirts wildly with her classmates and dreams of going to New York to participate in NYU’s prestigious creative writing program to which she’s been admitted. Set in Delhi and New York, the film is a brave and glorious homage to that old adage—“follow your heart.”
Closing Night: The festival’s closes with Bruce Seidel’s Lucky Chow, a six-part PBS series which will be showcased over the course of two days—Saturday and Sunday, March 21 and 22—at Oakland’s New Parkway Theater. The series features Danielle Chang (LUCKYRICE culinary festival founder) as she travel across America, taking in the Asian food landscape. Accompanying the film will be an Asian-inspired curated menu from the New Parkway kitchen. Other food-related films are Grace Lee’s Off the Menu: Asian America and Edmond Wong’s Supper Club exploring Bay Area restaurants.
As part of a Spotlight on San Francisco documentary filmmaker Arthur Dong, CAAMFest presents the world premiere of his documentary “The Killing Fields of Dr. Haing S. Ngor” chronicling the period of the Khmer Rouge’s tyrannical stronghold over Cambodia. The story is told through the eyes of the late Dr. Haing S. Ngor, arguably the most recognizable survivor of the Cambodian genocide. Ngor fled to the U.S. and became a worldwide ambassador for justice, recreating his experience in the film “The Killing Fields” (1984), for which he won an Academy Award in 1984, only to be murdered in a Los Angeles Chinatown alley in 1996. Using animation and rare archival material, anchored by Ngor’s richly layered autobiography, this remarkable story brings you face to face with a man who embodied the harsh duality of danger and opportunity. Image: CAAMFest
Honoring the 40th anniversary of Cambodia’s fall to the Khmer Rouge: Lest we not forget the tragic moments that also define cultures, CAAMfest is presenting a collection of powerful stories of survival and resiliency from Cambodia’s tragic Khmer Rouge period. As part of the Spotlight feature on acclaimed filmmaker Arthur Dong, his new documentary, The Killing Fields of Dr. Haing S. Ngor, chronicles the years encapsulating the Khmer Rouge’s tyranny through the eyes of Dr. Haing S. Ngor, who escaped to America and recreated his experience in the film The Killing Fields, for which he won an Academy Award in 1984. Dong will be in conversation with film critic and author B. Ruby Rich on Friday, March 20 at New People Cinema.
Perfectly Peachy: The festival is also honoring the Masumoto Family, fourth generation peach California peach farmers, with a CAAMFeast Award and a special evening of storytelling at the OMCA (Oakland Museum of California) on Friday, March 20, where the CAAM-produced documentary, Changing Season: On the Masumoto Family Farm, will have its world premiere. The entire family— Mas, Marcy, Nikiko and Korio Masumoto—will be in attendance. The Masumotos, who have an 80 acre farm south of Fresno, are famous for their highly-prized heirloom Sun Crest peaches and tenacious adherence to sustainable practices as well as their lyrical writing on farming and food. When was the last time you visited the Oakland Museum? CAAMFest provides a perfect opportunity to combine film with art. Fertile Ground: Art and Community in California (ends April 12) is an exciting collaboration between SFMOMA and OMCA that explores California artists, many of them Bay Area artists. Marion Gray: Within the Light (ends June 21) is a riveting exploration of San Francisco-based photographer Marion Gray’s work over the past 40 years documenting Bay Area artists and art happenings. Bees: Tiny Insects, Big Impact (ends September 20) will educate and entertain the entire family.
In Albert Shin’s second feature “In Her Place,” (2014), Yoon Da-Kyung stars as a wealthy Seoul woman who is desperate to have a child. She arrives at an isolated farm where a struggling widow (Hae-yeon Kil) is hoping to capitalize on her teen daughter’s pregnancy. The woman moves in with the family to wait for the birth, telling her friends at home that she’s decided to have her baby in the U.S. Ahn Ji Hye’s raw performance as the conflicted teen anchors this heart wrenching drama of secret pregnancy. Toronto based director stumbled upon the story while eavesdropping in a café in South Korea. In Korea, adopted children are still stigmatized and the act of adoption is a shameful one. Screens twice at CAAMFest 2015. Image: CAAMFest
Music: In addition to the movies, Korean musicians have a strong presence at CAAMFest with performances from Awkwafina (Chinese Korean American rapper Nora Lum from Queens) and Suboi, the Vietnamese “Queen of Hip Hop” and a host of other party rockers who will keep things lively before and after the movies.
Stay tuned to ARThound for an interview with the Masumotos about all things peachy.
CAAMFEST Details:
When/Where: CAAMfest 2015 runs March 12-22, 2014 at 8 screening venues in San Francisco, Berkeley, and Oakland and as well as select museums, bars and music halls.
Tickets: This popular festival sells outs, so advance ticket purchase is highly recommended for most films and events. Regular screenings are $14 with $1 to $2 discounts for students, seniors, disabled and current CAAM members. Special screenings, programs and social events are more. Festival 6-pack passes are also available for $75 (6 screenings for price of 5). All access passes are $450 for CAAM members and $500 for general. Click here for ticket purchases online. Tickets may also be purchased in person and various venue box offices open one hour before the first festival screening of the day. Rush Tickets: If a screening or event has sold all of its available tickets, there is still a chance to get in by waiting in the Rush line. The Rush line will form outside of the venue around 45 minutes before the screening is set to begin. Cash only and one rush ticket per person and there are no guarantees.
Unpacking the festival: Click here to see full schedule in day by day calendar format with hyperlinks for film and event descriptions and for ticket purchase. The official website— CAAMFest 2015
ARThound 