A to Z Concerts presents 8 virtuoso cellists and soprano Carrie Hennessey in “The V Concert” Saturday, September 10, 2011, to benefit Cinnabar Theater
Soprano Carrie Hennessey of Sacramento will sing Heitor Villa-Lobos’ “Bachianas Brasileiras No. 5” for Voice and Eight Cellos in “The V Concert” on September 10, 2011. In June 2010, Hennessey made her debut with Cinnabar Theater in the title role of the opera “Emmeline,” by Tobias Picker. Photo: courtesy Carrie Hennessey
One of the best ways to celebrate the glorious last days of summer in Sonoma County is with an outdoor concert. Next Saturday, September 10, 2011, “The A to Z Concert series,” will visit the West Petaluma gardens of Sandra and Borue O’Brien. The performance will feature acclaimed Sacramento soprano Carrie Hennessey performing Villa-Lobos’ “Bachianas Brasileiras No. 5” for Voice and Eight Cellos and other works exclusively by composers whose last names begin with the letter “V.” “The V Concert” is a benefit for Cinnabar Theater’s opera program and is organized by Sonoma County cellists Judiyaba and Gwyneth Davis, who created “The A to Z Concert series,” a 2-year project comprising 24 concerts with composers whose names represent every letter of the alphabet. In addition to Villa-Lobos, “The V Concert” will include works by Vivaldi and by the 16th- century Flemish composer Vaet—all in one of West Petaluma’s most beautiful private gardens, surrounded by a redwood grove. Hosts Sandra and Borue O’Brien have also planned a silent auction and will serve wine, cheeseboards, and desserts.
“This is our 20th concert,” explained cellist Judiyaba, a long-term Sebastopol resident, who organized “The A to Z Concert series” (or “The Alphabet Concerts”) with cellist Gwyneth Davis, a member of the Eloquence String Quartet. “We started this series because we just love to play chamber music and this gives us an opportunity to explore new repertoire and old favorites and we’ve found so much new music. What’s fun about our group is that it is composed of eight cellists who have played in literally every orchestra in the Bay Area─the SF Symphony, SF Opera, regional orchestras─so it is very representative.”
V Concert Program: Judiyaba whimsically described “The V Concert” as a “varied, venturesome and vibrant program of virtuosi violoncelli” (using the full formal name for the cello). “The most challenging is the Villa-Lobos—it’s tricky and fun. We are doing three pieces by the composer “Vaet” [pronounced “Vate”], which are 16th-century motets, or 3-to-5 part choral pieces which could also have been played on instruments.”
Heitor Villa-Lobos (1887-1959), Latin America’s most important composer, had little formal music training. He instead absorbed the influences of his native Brazil’s indigenous cultures, themselves based on Portuguese, African, and American Indian elements. Between 1930 and 1945, he composed a series of nine suites he called the Bachianas Brasileiras (“Brazilian Bach pieces”) which meld Brazilian folk and popular music with the style of Johann Sebastian Bach, applying Baroque harmonic and contrapuntal techniques to Brazilian music. The Bachianas Brasileiras No. 1 and No. 5, both scored for 8 cellos, show the composer’s love for the sonorities of the cello, an instrument that he himself played in Rio de Janeiro’s cinema, theatre, and opera orchestras. Brazilian soprano Bidú Sayão was Villa-Lobos’ favorite singer and made a number of recordings of his compositions, including the definitive recording of the Bachianas Brasileiras No. 5 (which can be heard here). Carrie Hennessey will sing this haunting soprano solo in “The V Concert.”
Sebastopol cellist Judiyaba is co-creator of “The Alphabet Concerts,” a 2 year project comprising 24 concerts with composers whose names represent every letter of the alphabet. She will perform in “The V Concert” with 7 other cellists in a benefit for Cinnabar Theater on September 10, 2011. Photo: courtesy Judiyaba
Antonio Vivaldi (1678-1741), the prolific Venetian superstar of Italian Baroque music, will dominate “The V Concert” program, with performances of his Concerto for two cellos (with multi-cello accompaniment), his Cello Concerto in A minor (featuring SF Opera cellist Victoria Erhlich and accompanied by….yes…more cellists!), and the lilting pastoral aria “Domine Deus” from his beloved Gloria sung by Carrie Hennessey (accompanied by cellos). All of these pieces showcase the rhythmic exuberance, harmonic invention, and virtuosic string writing that catapulted Vivaldi to celebrity during his lifetime and has kept his music in the limelight ever since.
Jacobus Vaet (c.1529-1567) was a Flemish Renaissance composer noted for distinctive and intricate polyphonic (multi-voiced) sacred music, including nine complete extant masses, and both sacred and secular motets. The three motets on this program will feature the 8-cello ensemble playing parts originally written for singing voices.
The cellists for “The V Concert” are: Kelly Boyer, Gwyneth Davis, Poppea Dorsam, Victoria Erhlich, Leighton Fong, David Goldblatt, Judiyaba, and Ruth Lane (a Petaluma resident). And the soprano is Carrie Hennessey. A wonderful line- up!
Total run time: approximately 2 hours, with intermission. Wine, cheese and desserts.
Cinnabar Theater: “The V Concert” is a benefit for Cinnabar Theater’s opera program, its founding program. Cinnabar Theater, Petaluma’s beloved opera and theatre company, was established by the legendary Marvin Klebe in the early 1970’s in the old red schoolhouse that was the original Cinnabar School (near the intersection of Skillman Lane and Petaluma Blvd. North.) “The main reason why Marvin Klebe founded this company,” said Elly Lichtenstein, Cinnabar’s Artistic Director, “was because he wanted to do opera in a different way, with intimate ensemble works where the individual performers were treated as artists.” Over the years, Cinnabar, a nonprofit, has dedicated itself to encouraging community participation in the arts and to community education as well. The theater offers a highly regarded Young Repertory Program that trains youth as young as 4 years old in the dramatic and musical performing arts.
Sebastopol cellist Gwyneth Davis is a co-creator of “The Alphabet Concerts.” She has performed with most of the regional orchestras in the Bay Area, plays for Cinnabar Opera, and is a pastry chef. Photo: courtesy Judiyaba
Lichtenstein explained that Cinnabar Theater normally produces two operas annually but this year it will feature just one opera, Mozart’s Don Giovanni (March 23-April 15, 2011), and the musical She Loves Me, which opens Cinnabar’s 39th season on September 9, 2011.
Silent Auction: all proceeds will benefit Cinnabar Theater’s opera program. Prizes include:
Vineyard tour of Kastania Vineyards, Petaluma
10 one-day passes Roxie Theatre
Round of golf at Rooster Run Golf Club, Windsor Golf Club, and Adobe Creek Golf
4 $25 gift certificates for Absolute Home and Garden
4 $25 gift certificates for Empire Nursery
Details:
The V Concert: Saturday, September 10, 2011, 4 p.m., 200 Queens Lane (off King Road), Petaluma, CA. Tickets: $20 available http://www.cinnabartheater.org/1112/The.V.Concert.cinnabar.html, or phone 707-763-8920, 10 a.m. to 3 p.m., Monday through Friday. Reservations highly recommended.
“A to Z Concert series:” The Alphabet Concerts is a 2 year project. “The W Concert” is October 2, 2011, 7 p.m, Petaluma Museum, featuring Kurt Weill, William Walton and more.
Cinnabar Theater: Cinnabar Theater’s fall season kicks off on September 9, 2011 with the musical She Loves Me. This delightful romantic comedy is based on the play of the same name and the popular film The Shop Around the Corner, on which the more recent film You’ve Got Mail is also based. (Book by Joe Masteroff/Music by Jerry Bock; Lyrics by Sheldon Harnick; Based on Parfumerie by Miklos Laszlo.) Get your tickets here or call 707.763.8920. Cinnabar Theater, 3333 Petaluma Blvd. North, Petaluma, CA 94952, 707.763.8929.
Peter Sellars’s new “Griselda” collaboration with L.A. artist Gronk hits a new level of bold, but never without cause
Los Angeles artist Gronk created a 110 ft x18 ft mural─bold, colorful and abstract─which is the set for Peter Sellars’ new production of Vivaldi’s “Griselda,” at Santa Fe Opera. People either love or hate it. Photo: courtesy Bob Godwin, Santa Fe Opera
Ask anyone who’s been to the Santa Fe Opera this summer and no one is neutral about Peter Sellars’s new production of Vivaldi’s Griselda. At the heart of the production and the spirited debate is the set, a huge —110’ x 18’— abstract mural painted by Los Angeles artist Gronk which has such a powerful dramatic presence that it literally defines the drama occurring in front of it. There are several things that are unique about this innovative set that I, a newcomer to opera but long-time visual arts writer, found interesting and appealing. Most fascinating was that the end product perfectly meshed with Peter Sellars’s idea that the set design should provide the strong dramatic framework lacking in the Vivaldi opera itself. And while lots of artists have “created” opera sets —David Hockney among the most famous—Gronk’s level of involvement is unprecedented as he painted everything himself, without assistance. I attended the July 20th performance and spoke with Peter Sellars, Gronk, and some of the performers in the production about the role of this stunning mural. (Stay tuned for the interviews)
Los Angeles artist Gronk has collaborated with Peter Sellars on 5 productions. Sellars believes that Gronk’s abstract mural for “Griselda” at Santa Fe Opera transcends tradition in set design and provides the dramatic framework lacking in Vivaldi's opera itself. Photo: courtesy Bob Godwin, Santa Fe Opera
ARThound 