The 44th Mill Valley Film Festival is October 7-17, 2021—in theater and online—non-member tickets on sale now

Music and journalism lovers, add this engaging documentary to your MVFF playlist— “Like A Rolling Stone: The Life & Times of Ben Fong-Torres.” Bay Area director Suzanne Joe Kai has crafted a ten-years-in-the-making portrait of Oakland-born, Ben Fong-Torres, the music editor of Rolling Stone magazine and KSAN-FM dj, who became America’s premiere rock interviewer and music journalist.  Fong-Torres introduced the world to the musicians they loved through his formidable and engaging Q & A interviews, which became a standard in journalism.   Kai’s doc goes back to Torres’ childhood as the son of Chinese immigrants, his tragic loss of his brother Ben to gang violence, his rise at Rolling Stone. It also covers his activism for the rights of Asian Americans through his writing for San Francisco’s Chinatown newspaper, East-West. Supplemented with iconic music clips and commentary from musicians and artists of the day (Jim Morrison, Marvin Gaye, Tina Turner, Ray Charles, Quincy Jones, Steve Martin, Annie Leibovitz).  Screens twice at MVFF:  Sunday, October 10, and Monday, October 11, with filmmaker Suzanne Joe Kai and subjects Ben Fong-Torres and Dianne Fong-Torres in person for onstage conversations at both screenings.  On Sunday, October 10, Sweetwater Music Hall will host a live music event with Ben Fong-Torres in attendance.  

Lucky day for film lovers.  The 44th Mill Valley Film Festival (MVFF44), which opens in three weeks, and runs October 7- 17, 2021, has general admission tickets available on September 16 for almost all its films.  Generally, the esteemed festival’s films and events are in such demand that many are sold out to California Film Institute (CFI) members before tickets are made available to the general public.  Most in-theater screenings, save a few big nights, are available now. This won’t last for long, so browse the program and don’t dally in pre-purchasing tickets.  Several of these films will figure in the looming Oscar race and it’s very gratifying to say “I already saw that,” especially when talent appears on stage in conversation.

After last year’s almost entirely virtual edition, this year, the festival will return to a few more live events while offering substantial online content. MVFF44 is smaller than usual too, reflecting the challenges of programming with Covid: 118 films representing 39 countries with 37 premieres and 55 percent of all films are directed or co-directed by women.  Thirty-seven features will screen in theaters only—Smith Rafael Film Center (San Rafael), CineArts Sequoia (Mill Valley) and PFA (Berkeley)—and 28 features and 65 shorts will screen online with a few of these in theaters too.  A MVFF Online pass covers all online programming, offering potentially substantial discounts the more films watched.   

With the Delta and the new Mu variants of the coronavirus pressing concerns in the Bay Area, safety will be the festival’s top priority. To attend any of its in-theater events or live musical performances, the festival will require proof of vaccination, or a recent negative coronavirus test, as well as a valid ID, which will be checked at every event.  Screenings and events be held at 75 percent theater capacity.  Masks will be required;  no concessions.

Almost everyone knows someone touched by adoption.  Amanda Lipitz’s documentary “Found“ screens once in-theater at MVFF44.   The film follows three American teen girls, each a single daughter adopted from China, who learn through a 23andMe search that they are cousins. As they gradually bond, they have increasingly intimate conversations about their adoptee experiences, origins and lost histories.  They decide to travel to China together to find their birth parents and some answers to long unanswered questions.  The film also introduces their birth parents who suffered under China’s one-child policy (relinquishing daughters over sons) as well as the orphanage workers who cared for the babes as they awaited adoption. This moving doc goes beyond the niche of adoption to weave a relatable portrait of searching for one’s identity. It also expands on the experience of being and feeling “other” in America.  Screens:  Saturday, October 16, 2021, Smith Rafael Film Center, 6:30 pm

Arthound will be posting more on MVFF, so stay tuned.

Shortlist of MVFF44’s live offerings:

In-theater Opening night/October. 7: “Cyrano,” from director Joe Wright, starring Peter Dinklage. A musical adaptation of Edmond Rostand’s 1897 play “Cyrano de Bergerac,” inspired by the 2018 musical stage play adapted and directed by Erica Schmidt. Director Joe Wright will appear in conversation.

In-theater Tributes: October 8: Director Jane Campion and “The Power of the Dog” (it’s been 10+ years since her last film); October 25: Director/actor Kenneth Branaugh and screening of “Belfast.”

In-theater Spotlights: October 9: Actor Simon Rex and “Red Rocket”; October 13: director Denis Villeneuve and “Dune“; October 16: Director Paolo Sorrentino and “The Hand of God“; October 16: Director Maggie Gyllenhaal and “The Lost Daughter.”

In-theater Centerpiece Program/October. 12: Director Mike Mills in conversation and“C’mon C’mon,” a family drama starring Joaquin Phoenix.

In-theater Mind the Gap special screening/October 14: Producer Nina Yang Bongiovi (“Fruitvale Station,” “Sorry to Bother You”) will receive the 2021 Mind the Gap Award, Independent Producer of the Year and will be joined in conversation by Director Rebecca Hall, along with “Passing,” a film about passing as white in the Jim Crow era starring Tessa Thompson and Ruth Negga.

In-theater Closing night, Oct. 17: Director Wes Anderson’s “The French Dispatch,” a tribute to the New Yorker’s fabled literary world with idiosyncratic performances from Benicio del Toro, Adrien Brody, Saoirse Ronan, Tilda Swinton, and Jeffrey Wright.

MVFF music: Four live music shows at Mill Valley’s historic Sweetwater Music Hall paired with four musical docs playing at CineArts Sequoia: October 9: MONOPHONICS and “Lady Buds“; October 10: house band and Ben Fong-Torres and “Like a Rolling Stone: The Life and Times of Ben Fong-Torres“. October 11: THE BARRY GOLDBERG – JIMMY VIVINO BLUES REUNION (Featuring ROB STONE) and “Born in Chicago“; October 15: ABEL SANCHEZ & TEATRO CAMPESINO and guest musicians in a benefit honoring Cesar Chavez and “Song for Cesar.”

Details:  

MVFF44 is October 7-17, 2021.  Tickets to most films are $16.50 general admission, $14 CFI members.  Special events start at $25.  MVFF Online pass, $130 for CA residents, allows access to all online films, programs, conversations.

Complete schedule:  https://www.mvff.com/program-mvff44.

Petaluma Cinema Series 15 fabulous films on Wednesday Nights through May

In Frederick Marx's Journey from Zanskar, screening at the Petaluma Film Series this Wednesday, a road threatens the indigenous Zanskar's culture and unbroken Budhist traitions children are sent to a special school to preserve the language and culture. Photo: Nick Sherman

The 4^th season of the Petaluma Cinema Series is underway.  Bay Area award-winning filmmaker Frederick Marx’s 2010 documentary,  Journey from Zanskar, screens Wednesday, February 9, 2011 at 7 p.m. at the Carole L. Ellis Auditorium on Santa Rosa Junior College’s Petaluma campus.  Frederick Marx will be in conversation with Mike Traina, series organizer and SRJC Film Instructor, at 6 p.m. and the community is encouraged to attend. 

The Petaluma Cinema Series offers 15 films in 15 weeks every fall and spring in conjunction with the SJRC’s fall and spring semesters.  The series mixes community and guests with film students in a cinemateque environment and is sponsored by the Petaluma Film Alliance, a strategic partnership between the SRJC, community businesses, and private individuals dedicated to film awareness within the community.  The Ellis Auditorium is a spectacular film facility, offering HD, full surround sound and new seating.  

Mike Traina has organized both the series and the alliance and is excited about its potential. “The overriding objective is to showcase a balanced blend of foreign, classic, and independent films and to create a progression that showcases film techniques for the students who are taking it as a class.  The first third of the films are about the filmmaker’s journey and a broad introduction to film appreciation at a more advanced level.  In the middle block, each film is selected to showcase a particular aspect of film aesthetics–production design, cinematography, sound, or acting.  The last third is special topics– animation, film noir, surrealism.  And because the college emphasizes special calendar events—black history month, so forth–I try to create some overlap within the cinema series.  In March, all of the introductions will have some focus on women in the industry.  I’ve got two directors–Jacqueline Zünd will be in conversation about Goodnight Nobody and I’ll screen Mira Nair’s film Monsoon Wedding which I’m also using to highlight its cinematography.  I’ve got two icons too— Elizabeth Taylor and Marlena Dietrich. “

Fredrick Marx’s Journey from Zanskar, screening Wednesday with Marx in the pre-film discussion, was very popular with audiences at the Mill Valley Film Festival last October.  The 90 minute documentary tells a moving and important story about the heroism of monks and children who are trying to preserve Tibetan culture.  Like many documentaries in this genre, the film is also controversial and has been criticized (Zanskar Resource) for its role in creating a situation that will popularize Zanskar and thereby accelerate the destruction of its untainted culture and traditions.

For Mike Traina, including the film in the series was an easy choice “Marx is a long time Bay Area filmmaker and I like to showcase work that is produced in Bay Area and filmmakers who try to work outside the industry and he has done this quite successfully.  His Hoop Dreams, about boys and basketball, was nominated for an Oscar in 1995.   He’s also trying to raise awareness about Zanskar and has a nonprofit related to roads and schools in the region.  Anytime we can bring a filmmaker of this caliber in and provide the community with direct access, we try to do it.”

Petaluma Cinema Series line-up:

February 9: Journey from Zanskar (Frederick Marx, 2010, USA)

February 16: Moolaadé (Ousmane Sembene, 2004, Senegal)  Moolaadé tells the extraordinary tale of a brave West African woman who decides to shelter four little girls from the torturous (and sometimes fatal) procedure of female circumcision, a traditional rite of passage in her village. This sumptuously shot and thought-provoking film, directed by the African continent’s most internationally acclaimed filmmaker, elegantly addresses one of the most controversial issues of our age. 

February 23: Y Tu Mamá También (Alfonso Cuaron, 2001, Mexico)  Gael Garcia Bernal and Diego Luna star in this sexy coming-of-age road movie. Acclaimed Mexican filmmaker Alfonso Cuaron explores the sensual and chaotic relationships between the three central characters as well as the socio-political changes taking place in Mexico itself, ultimately offering the viewer powerful lessons concerning life, love, and growing up.

March 2: The Blue Angel (Joseph von Sternberg, 1930, Germany)  Joseph Von Sternberg’s 1930 expressionist classic uses memorable performances and extraordinary visual design to tell the story of a pretentious professor (Emil Jannings) and the seductive cabaret singer (Marlene Dietrich) who manipulates him into despair and shame. A relentless, twisted tragedy of repression and moral degradation, The Blue Angel is a milestone in the expressionist canon and a portrait of crumbling Weimar Germany.

March 9: Monsoon Wedding (Mira Nair, 2001, India)  Cultures and families collide in Mira Nair’s exuberant Bollywood tale of five interweaving love stories set against the background of an arranged Indian marriage. Cathartic and colorful, this entertaining crowd pleaser has warmed the hearts of audiences around the world and become one of India’s biggest global box office sensations.

March 16: Goodnight Nobody (Jacqueline Zünd, 2010, Switzerland)

March 30: A Place in the Sun (George Stevens, 1951, USA)

April 6: Raging Bull (Martin Scorsese, 1980, USA)

April 13: The Conversation (Francis Ford Coppola, 1974, USA)

April 20: The Big Animal (Jerzy Stuhr, 2000, Poland)

April 27: Double Indemnity (Billy Wilder, 1944, USA)

May 4: Fantastic Mr. Fox (Wes Anderson, 2009, USA)

May 11: You, the Living (Roy Anderson, 2007, Sweden)

May 18: Annie Hall (Woody Allen, 1977, USA)

Details: Wednesday evenings from February 9 through May 18, 2011.  Pre-film lectures at 6 p.m.  Films at 7 p.m.  Theatre seats 257 persons with handicap accessibility.  General Admission $5, Seniors and PFA members $4, Individual Series Pass $40, Students with ASP card free.  Box office is open from 5:30-7:15 p.m. on Wednesday nights.

Parking: On campus parking is $4 and visitors to the campus will need $4 in change or crisp bills to purchase a dashboard parking pass from the yellow machines in the parking lots. The machines do not give change.  The pass is good until midnight.

Special Cinema Series Parking Passes:  Those attending the series can purchase a $20 series parking pass at the box office at Carole L. Ellis Auditorium to display on their dashboards which will cover parking from 5 p.m. onward on evenings that films are screening thus avoiding SRJC’s yellow parking machine experience altogether.  

For additional information email:  info@petalumafilmfest.org  or http://www.petalumafilmfest.org/home/Petaluma_Film_Alliance.html