ARThound

Geneva Anderson digs into art

Smithsonian’s Sackler curator, Debra Diamond, speaks Thursday, April 10, 2014, on “Yoga: The Art of Transformation” at the Asian Art Museum

 

Smithsonian curator Debra Diamond, curator of  “Yoga: The Art of Transformation” at the Asian Art Museum through May 25, 20114, will speak about  the challenges of creating the groundbreaking exhibition on the visual culture of yoga at the Asian Art Museum on Thursday, April 10, at 7 PM.  Here, Diamond speaks to journalists at the exhibition press conference about early twentieth century Western memorabilia which depicted yogis and ascetics as emaciated exotics performing voyeuristic stunts.  Uniting spectacle, ethnography and missionary activities, these postcards and small objects such as a “Fakir Sitting on a Bed of Nails” were collected as part of a trend of cataloguing Indian people.

Smithsonian curator Debra Diamond, curator of “Yoga: The Art of Transformation” at the Asian Art Museum through May 25, 20114, will speak about the challenges of creating the groundbreaking exhibition on the visual culture of yoga at the Asian Art Museum on Thursday, April 10, at 7 PM. Here, Diamond speaks to journalists at the exhibition press conference about early twentieth century Western memorabilia which depicted yogis and ascetics as emaciated exotics performing voyeuristic stunts. Uniting spectacle, ethnography and missionary activities, these postcards and small objects such as a “Fakir Sitting on a Bed of Nails” were collected as part of a trend of cataloguing Indian people.

Debra Diamond, curator of South Asian art at the Smithsonian’s Freer|Sackler Galleries of Art, and curator of Yoga: The Art of Transformation at San Francisco’s Asian Art Museum (AAM) through May 25, 20114, will speak at the museum on Thursday, April 10, at 7 PM about the process of creating the first major study on the visual culture of yoga. Diamond, who also edited the exhibition’s comprehensive catalog of the same title, will chart the project, starting with its initial concept and research through interdisciplinary collaborations with scholars, yoga practitioners and exhibition designers. Focusing on the masterworks currently on view at AAM, she will illuminate how visual culture conveys embodied transformations and reveals yoga’s diverse and profound manifestations in history. Diamond led the press tour for the exhibition when it opened in February.  She is a top-rate scholar and engaging speaker and had the press corps transfixed with her detailed explanations of the history and significance of these rare artifacts.

Diamond devoted six years to preparing the groundbreaking exhibition and selected its roughly 140 artworks from more than 30 different places around the world.  Her exhibition catalogue for Garden and Cosmos: The Royal Paintings of Jodhpur (fall 2008) received two major awards for scholarship: the College Art Association’s Alfred H. Barr award and the Smithsonian Secretary’s Award for Research. She has also published on yoga imagery, new methods in Indian art history, contemporary Asian art, and various aspects of the Freer|Sackler collections.  After her talk, Debra Diamond will be signing exhibition catalogs in North Court, outside of the museum store.

ARThound spoke to Debra Diamond at the AAM’s press conference about her interest in the art of yoga:

“The major group of paintings in “Garden and Cosmos” were the hatha yoga and Nath Sampraday which were the core of the project and also of my dissertation (at Columbia).  In studying them over the years, I found that there was no written material and no one knew much about the Nath Sampraday. I would look through Indian art books for clues as to how these images developed and I kept whatever was relevant in a cardboard box and crated that around with me.  The minute that “Garden and Cosmos” closed, I proposed this exhibition to the Sackler.  I said we can expand from that one moment.  We can look at how yoga manifested in history over time and through various cultures if we follow the visual history and it will be fascinating.  I realized that no one had put it together. Because yoga was so central to Indian culture, the greatest artists worked on these tatvas and we could tell the story of yoga through the great masterpieces of Indian art. This reframing has been completely engaging.”

Note: Seating capacity is limited – first come, first served.

Details: Yoga: The Art of Transformation is at the Asian Art Museum through May 25, 2014. The Asian Art Museum is located at 200 Larkin Street (at Civic Center Plaza), San Francisco.  Hours: Tuesday-Sunday, 10 a.m. to 5 p.m., with extended evening hours every Thursday until 9 p.m.  Admission (Yoga: Art of Transformation exhibition is included in general admission): $10 Adults; $10 seniors, students; $10 youth 13-17 and free to 12 and under.   On weekends, admission is $2 more.  Parking: The Asian Art Museum does not have a parking facility, but it is served by the following parking facilities—all within walking distance of the museum: Civic Center Plaza Garage is the closest and most reasonably priced and has 840 spaces. From Van Ness, turn left on McAllister.  Entrance is on McAllister, between Polk and Larkin Streets.  Info: www.asianart.org.

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April 7, 2014 Posted by | Art | , , , , | Leave a comment

Not just film, CAAMFest, has super-sized into an Asian American cultural extravaganza—it starts Wednesday, March 13, and runs for 10 days in San Francisco, Berkeley, and Oakland

New York artist Tenzing Rigdol’s poignant installation is the focus of Tenzi Tsetan Choklay’s feature documentary, “Bringing Tibet Home,” screening at CAAMFest 2014, March 13-23, 2014.   Following the death of his father, a Tibetan refugee, Rigdol embarks on a journey to bring 20,000 kilos of native Tibetan soil from Nepal to India. The smuggled soil is laid out on a platform in Dharamsala, the Himalayan hill town where the Dali Lama and many Tibetan refugees are based.  For many, this is a reunion; for some, this the first time that they set foot on their native soil; and for a few, this is probably the last time that they ever see anything of their lost nation.  A powerful portrait of artistic determination that explores homeland, exile and the transgressive power of art.  Image: courtesy CAAM

New York artist Tenzing Rigdol’s poignant installation is the focus of Tenzi Tsetan Choklay’s feature documentary, “Bringing Tibet Home,” screening at CAAMFest 2014, March 13-23, 2014. Following the death of his father, a Tibetan refugee, Rigdol embarks on a journey to bring 20,000 kilos of native Tibetan soil from Nepal to India. The smuggled soil is laid out on a platform in Dharamsala, the Himalayan hill town where the Dali Lama and many Tibetan refugees are based. For many, this is a reunion; for some, this the first time that they set foot on their native soil; and for a few, this is probably the last time that they ever see anything of their lost nation. A powerful portrait of artistic determination that explores homeland, exile and the transgressive power of art. Filmmaker will attend. Image: courtesy CAAM

CAAMFest is 32 this year and no longer just about great film.  The 10 day festival, which takes place between March 13th and 23th , in San Francisco, Berkeley and Oakland, has long showcased the best and newest in Asian American film.  It got restless when it turned 30 though:  it changed its name from SFIAFF (San Francisco International Asian American Film Festival ) to the shorter CAAMFest , named after its sponsor, CAAM , San Francisco’s Center for Asian American Media.  Under the guidance of Festival Director Masashi Niwano, now in his fourth year at the helm, it also responded to changing times by tweaking its programming.  And growing.  And growing.  It now bills itself as the nation’s “largest showcase for new Asian and Asian American film.”

Music and Food:  In addition to its 121 films and videos, and stellar presentations and tributes, CAAMFest 2014 includes cutting edge musicians and the fusion of great food and film line-up.  Korean and Vietnamese hip hop and rock music, and leading female performers are the focus of the two “Directions in Sound” evenings. On March 22, 23-year-old rapper, singer and songwriter, Suboi (Hàng Lâm Trang Anh), tagged Vietnam’s Queen of Hiphop, will have her U.S. debut at 111 Minna Gallery.

Suboi, the first female rapper to make it big in Vietnam, makes her U.S. debut at CAAMFest.

Suboi, the first female rapper to make it big in Vietnam, makes her U.S. debut at CAAMFest.

Culinary artists like superstar Chef Martin Yan (of PBS and M.Y. China) and award-winning Chocolatier Windy Lieu of Sôcôla Chocolates are the focus of CAAMfeast,” a high-end tasting party/fundraiser, while three fabulous food films celebrate storytelling around Asian food.

CAAMFEST expands into artsy Oakland:  Promising to engage all the senses is “Super Awesome Launch,” an evening at the Oakland Museum of California (Friday, March 7) that includes a sneak preview of its highly anticipated upcoming spring exhibition, SuperAwesome: Art and Giant Robot, along with the chance to meet arts visionary and Eric Nakamura, who curated the exhibition.   What? Never heard of Nakamura? Then you’re WAY WAY behind the times and need a serious CAAMFEST infusion. Twenty years ago, in 1994, Nakamura founded Giant Robot, Los Angeles’ Little Osaka based store, magazine, art gallery that became an uber-destination for Asian and Asian American popular culture and art.  You can meet Eric Nakamura and experience the art in person at OMCA, which has become quite the hopping venue on Friday nights. The evening also includes high energy bands from Taiwan, a caravan of food trucks, and a screening of Patrick Epino and Stephen Dypiangco’s Awesome Asian Bad Guys (2013) starring Tamlyn Tomita and Dante Basco.  Easy to see why they call it “Super Awesome Launch.”   And, this year CAAMFEST has its closing night party in Oakland as well (see below), marking what promises to be a sweet partnership with the community’s vibrant arts organizations and galleries.

Big Nights of Film

Opening Night: The festival kicks off this Wednesday, March 13 with the US premiere of Vietnamese American director Ham Tran’s (Journey from the Fall, 2006) romantic comedy, How to Fight in Six Inch Heels, at the historic Castro Theater.  The film was Vietnam’s top box office draw for 2013 and features San Jose native Kathy Uyen as a New York fashion designer who infiltrates Saigon’s high-fashion world to test her fiancé’s fidelity. After the premiere, CAAMFest heads over to the Asian Art Museum for its Opening Night Gala, which features food from local chefs and restaurants, a special presentation by fashion stylists Retrofit Republic, dancing to beats spun by local DJ’s and the Asian’s amazing new exhibition, Yoga: The Art of Transformation.

How To Fight In Six Inch Heels (Âm Mưu Giày Gót Nhọn)  

Select Special Presentations:  Each year, CAAMFest highlights the works of significant media makers and their contributions to modern cinema.  In Conversation with Grace Lee: Award-winning documentary filmmaker Grace Lee will be in conversation at the Castro Theatre on Saturday, March 16, discussing her new documentary, American Revolutionary: The Evolution of Grace Lee Boggs (2013), profiling the extraordinary life of activist and feminist Grace Lee Boggs which screens right after the conversation.  Lee’s narrative feature comedy, American Zombie (2006), screens on Friday, March 14.

American Revolutionary:  The Evolution of Grace Lee Boggs

Tribute: Run Run Shaw:  CAAMFest offers a three film tribute to the legendary movie mogul Sir Run Run Shaw, who over the course of nine decades fostered some of the greatest filmmaking talent in Hong Kong, and produced some American classics such as Blade Runner (1982).  The films—The Kingdom and the Beauty; King Boxer (The Five Fingers of Death); and my personal favorite, Come Drink With Me, will all screen at the Chinatown’s Great Star Theater on March 15th..  The Great Star, refurbished in 2010, hosts both Chinese-language film and Chinese opera.

Set in imperial China, Chinese director Li Han-hsiang’s dazzling musical drama “The Kingdom and the Beauty” (1959) consolidated the Chinese operetta’s popularity in Hong Kong.  When  restless Chinese emperor (Chao Lei) disguises himself as a commoner and takes a stroll, he falls in love with a country peasant (movie queen Lin Dai) and promises to marry her after spending one night together—only for their budding romance to be abruptly curtailed. The film is part of a three film tribute at Chinatown’s Great Star Theater to Hong Kong entertainment and media mogul Run Run Shaw.

Set in imperial China, Chinese director Li Han-hsiang’s dazzling musical drama “The Kingdom and the Beauty” (1959) consolidated the Chinese operetta’s popularity in Hong Kong. When restless Chinese emperor (Chao Lei) disguises himself as a commoner and takes a stroll, he falls in love with a country peasant (movie queen Lin Dai) and promises to marry her after spending one night together—only for their budding romance to be abruptly curtailed. The film is part of a three film tribute at Chinatown’s Great Star Theater to Hong Kong entertainment and media mogul Run Run Shaw.

Closing Night: The Closing Night Gala, Sunday, March 23, marks the festival’s expansion to downtown Oakland’s arts district.  The evening starts off at the New Parkway Theater with a screening of Emmy Award-winning filmmaker Marissa Aroy’s documentary, Delano Manongs (2013).  A prescient chronicle of the life of Filipino activist Larry Itliong (1913-77), who organized the 1965 Delano Grape Strike and helped launch the United Farm Workers, the documentary explores the vital contribution of Filipinos to the American Farm labor movement.  Following this screening, the Gala moves one block to Vessel Gallery for a closing party that takes place amongst the art exhibition “Periphery: New Works by Cyrus Tilton and Paintings by Tim Rice.”

CAAMFEST expands into Oakland:

Stay-tuned to ARThound for detailed film picks, which will include:

Anthony Chen’s Ilo Ilo (2013) Winner of the Caméra d”Or at Cannes this May, a mesmerizing portrait of a middle class Indonesian family in crisis that sprang out of the director’s childhood in the Singapore and his nurturing relationship with his Filipina nanny who worked as a domestic helper for his family for 8 years from 1988 to 1997.  (Screens March 15 at 6:30 PM at Pacific Film Archive and March 17 at 6 PM at Sundance Kabuki Cinemas.)

Director Yuya Ishii’s The Great Passage (2013), Japan’s 2013 Oscar nominee for Best Foreign Language Film about a shy, eccentric young man, who joins the Dictionary Editorial Department of a big Tokyo publishing house to help compile a new dictionary, “The Great Passage” and over the course of years is transformed.  (Screens: March 15 at 2:30 PM at Sundance Kabuki Cinemas and March 16 at 3:30 PM at Pacific Film Archive.)

Tenzi Tsetan Choklay’s feature documentary, Bringing Tibet Home (2013). Following the death of his father, a Tibetan refugee, Rigdol embarks on a remarkable journey to bring 20,000 kilos of native Tibetan soil from Nepal to India. The smuggled soil is laid out on a platform in Dharamsala, the Himalayan hill town where the Dali Lama and many Tibetan refugees are based.  For many, this is a reunion; for some, this the first time that they set foot on their native soil; and for a few, this is probably the last time that they ever see anything of their lost nation. (Screens: March 14 at 5 PM at New People Cinemas and March 19 at 7 PM at Pacific Film Archive.)

CAAMFEST Details:

When/Where: CAAMfest 2014 runs March 13-23, 2014 at 8 screening venues in San Francisco, Berkeley, and Oakland and as well as select museums, galleries, bars and music halls.

Tickets: This popular festival sells outs, so advance ticket purchase is highly recommended for most films and events.  Regular screenings are $12 with $1 to $2 discounts for students, seniors, disabled and current CAAM members.  Special screenings, programs and social events are more.  Festival 6-pack passes are also available for $60 (6 screenings for price of 5). All access passes are $450 for CAAM members and $500 for general.  Click here for ticket purchases online.  Tickets may also be purchased in person and various venue box offices open one hour before the first festival screening of the day.

Unpacking the festival: Click here to see full schedule in day by day calendar format with hyperlinks for film and event descriptions and for ticket purchase.  The official website— CAAMFest 2014.

March 9, 2014 Posted by | Dance, Film, Food, Oakland Museum of California | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment