ART hound

Geneva Anderson digs into art

Gordon Getty’s 80th Birthday concert with Plácido Domingo, Frederica von Stade, MTT and the San Francisco Symphony, January 6, 2014, at Davies Symphony Hall

Gordon Getty thanking the crowd for his “Happy Birthday” serenade, enthusiastically sung by the Davies audience, SFS Chorus, accompanied by SFS  (son Billy Getty is to the right).  Photo: Moanalani Jeffrey Photography

Gordon Getty thanking the crowd for his “Happy Birthday” serenade, enthusiastically sung by the Davies audience and SFS Chorus, accompanied by SFS (son Billy Getty is to the right; step-mother Teddy Getty Gaston in green and wife Ann Getty sporting a huge emerald broach by JAR (from Gordon) to her right). Photo: Moanalani Jeffrey Photography

Michael Tilson Thomas, the San Francisco Symphony and Chorus in the world premiere of Gordon Getty’s A Prayer for My Daughter.  Photo: Moanalani Jeffrey Photography

Michael Tilson Thomas, the San Francisco Symphony and Chorus in the world premiere of Gordon Getty’s “A Prayer for My Daughter.” Photo: Moanalani Jeffrey Photography

Gordon Getty on stage at Davies Symphony Hall after the world premiere his new work, “A Prayer for My Daughter.”  Photo: Moanalani Jeffrey Photography

Gordon Getty on stage at Davies Symphony Hall after the world premiere his new work, “A Prayer for My Daughter.” Photo: Moanalani Jeffrey Photography

Plácido Domingo returned  to perform with the SFS for the first time since his debut with the Orchestra more than forty years ago—a 1973 performance of Verdi’s Requiem with then-Music Director Edo de Waart.   From the moment he stepped on stage to conduct Strauss’ “Overture to Die Fledermaus,” Domingo generated a buoyant high that carried Gordon Getty’s 80th birthday celebration.  When he sang “Di Provenza il mar, il suol” from Verdi’s “La Traviata,” the audience went wild. The Spanish tenor (who turns 73 on January 21, 2014) has sung 144 operatic roles and is currently the General Director of the Los Angeles Opera.  Photo: IPS

Plácido Domingo returned to perform with the SFS for the first time since his debut with the Orchestra more than forty years ago—a 1973 performance of Verdi’s Requiem with then-Music Director Edo de Waart. From the moment he stepped on stage to conduct Strauss’ “Overture to Die Fledermaus,” Domingo generated a buoyant high that carried the celebration. When he sang “Di Provenza il mar, il suol” from Verdi’s “La Traviata,” the audience went wild. Getty later told the audience that Domingo had once performed the entire second Act of “La Traviata” for him in his home. The Spanish tenor (who turns 73 on January 21, 2014) has sung 144 operatic roles and is currently the General Director of the Los Angeles Opera. Photo: IPS

Frederica von Stade (“Flicka”) and Plácido Domingo’s “Lippen schweigen” duet from Lehár’s “The Merry Widow” concluded with a delightful waltz.  Photo: Moanalani Jeffrey Photography

Frederica von Stade (“Flicka”) and Plácido Domingo’s “Lippen schweigen” duet from Lehár’s “The Merry Widow” concluded with a delightful waltz. Photo: Moanalani Jeffrey Photography

Pianist Robin Sutherland and soprano Lisa Delan performed Gordon Getty’s “Four Dickinson Songs” which included the beloved “A Bird Came Down the Walk” and “Because I Could Not Stop for Death.” Getty has been enthralled with Emily Dickinson since his college days and in 2012 released “The White Election,” (written in 1981), a song cycle on 32 Dickinson poems, sung by Delan. Getty’s collaboration with Delan began in the 1998 when she sang the title role in the world premiere of his "Joan and the Bells," a role she has since reprised in France, Germany, the U.S., and Russia. Photo: Moanalani Jeffrey Photography

Pianist Robin Sutherland and soprano Lisa Delan performed Gordon Getty’s “Four Dickinson Songs” which included the beloved “A Bird Came Down the Walk” and “Because I Could Not Stop for Death.” Getty has been enthralled with Emily Dickinson since his college days and in 2012 released “The White Election,” (written in 1981), a song cycle on 32 Dickinson poems, sung by Delan. Getty’s collaboration with Delan began in the 1998 when she sang the title role in the world premiere of his “Joan and the Bells,” a role she has since reprised in France, Germany, the U.S., and Russia. Photo: Moanalani Jeffrey Photography

Urns of fragrant red roses adorned the lobby of Davies Symphony Hall for Gordon Getty’s 80th Birthday bash.  Getty has served on the SFS Board of Governors since 1979.  During his tenure, he and his wife, Ann, have provided leadership and generous support for some the Symphony’s most important initiatives, including the acoustic renovation of Davies Symphony Hall in 1990, the Grammy award-winning Mahler recording cycle, and the Orchestra’s international tours.  Photo: Geneva Anderson

Urns of fragrant red roses adorned the lobby of Davies Symphony Hall for Gordon Getty’s 80th Birthday bash. Getty has served on the SFS Board of Governors since 1979. During his tenure, he and his wife, Ann, have provided leadership and generous support for some the Symphony’s most important initiatives, including the acoustic renovation of Davies Symphony Hall in 1990, the Grammy award-winning Mahler recording cycle, and the Orchestra’s international tours. Photo: Geneva Anderson

Grammy Time!  Davies sparkled with cabinets displaying San Francisco Symphony wins.  Last year’s Grammy for Best Orchestral Performance for its live recording of works by Bay Area composer John Adams added up to the 15th Grammy for San Francisco Symphony.  Photo: Geneva Anderson

Grammy Time! Davies sparkled with cabinets displaying San Francisco Symphony wins. Last year’s Grammy for Best Orchestral Performance for its live recording of works by Bay Area composer John Adams added up to the 15th Grammy for San Francisco Symphony. Photo: Geneva Anderson

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January 10, 2014 - Posted by | Classical Music | , , , , , , , , , , ,

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