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Geneva Anderson digs into art

“Ramses the Great and the Gold of the Pharaohs” opens August 20 at the de Young—rare lion cub mummy and stunning virtual reality experience add to the buzz

Installation view of “Ramses the Great and the Gold of the Pharaohs,” at the de Young Museum August 20, 2022 -February 12, 2023. Image: World Heritage Exhibitions.

Closing summer with a bang, we’re off to ancient Egypt.  “Ramses the Great and the Gold of the Pharaohs,” opens Saturday, August 20, at the de Young Museum.  The first exhibition about Ramses the Great in over 30 years and the first ever in San Francisco, this multimedia extravaganza has the de Young as the second stop on its global tour. Fresh from its world premiere at HMNS (Houston Museum of Natural Sciences) where it received rave reviews, it includes 180 objects, the most important trove of treasures related to Ramses the Great ever to leave Egypt.

Many of these items are newly discovered and have never toured before. Among the rarest finds are recently excavated mummies of lion cubs from the Saqqara necropolis—a vast ancient burial ground, some 30 miles south of Cairo, that once served the Ancient Egyptian capital of Memphis—as well as treasures discovered in the royal tombs of Dahshur and Tanis.  

The de Young promises gallery after gallery of royal statues, sarcophagi, spectacular masks, magnificent jewelry, and ornate golden tomb treasures all revealing the fabulous wealth of the pharaohs, the astonishing skill of ancient Egyptian tomb builders, and the superb workmanship of Egyptian artists. Drone photography, immersive video and multimedia productions, and life-size photo-murals will re-create pivotal moments from Ramses’ life, including his monumental building projects and his triumph in May 1274 BC over the Hittites at the Battle of Kadesh (near the modern Lebanon–Syria border), considered the largest chariot battle ever fought. This exciting blending of art, history, and technology that will expand our understanding of Ramses’ as the most celebrated pharaoh of the New Kingdom, Egypt’s golden age.

Mummified lion cub, Egyptian late period, Ptolemaic Period, Linen, 5 1/8 x 13 ¾ x 7 1/16 inches, Sharm al-Sheik Museum.  In late 2019, five lion cub mummies were discovered in a catacomb of cat mummies underneath the ruins of the Bubasteion temple in Saqqara, some 20 miles south of Cairo, on the Nile’s West Bank.  Pior to that, only one other lion mummy had been discovered in Egypt.  The lion played a tremendous role in the iconography of ancient Egypt symbolizing royal authority and lions have been found on Egyptian royal beds and chairs.  Image: courtesy Egyptian Ministry of Antiquities

“This is a once in a lifetime experience,” said curator Dr. Renée Dryfus, recently named FAMSF’s George and Judy Marcus Distinguished Curator in Charge, Ancient Art, who organized the exhibit’s presentation for the de Young. “These objects are coming from Egypt’s major museums and when they go back to Egypt, I doubt you will be seeing them again for many generations.”

Jewelry held a significant place in the lives of the ancient Egyptians, anchoring social status and helping them transcend into the afterlife. You’ll want to take your time with the exhibit’s stunning jewelry, noting its generous use of gold and semi-precious stones, intricate craftsmanship, and a built-in language of protection to ward off evil. If you’re like me, you’ll probably also be asking yourself why there is no tech gimmick that lets viewers try these on these exquisite pieces and imagine themselves as Egyptian royalty.

Ramses and his many wives and children wore elaborate gold earrings, bracelets, rings and necklaces, examples of which are on display. They considered gold to be “the skin of the gods.” An ornate single gold earring bears the name of Ramses the Eleventh. Ramses II was so revered that, after his death, nine more Pharaohs bore his name. The three rows of decorations are tiny cobras snakes wearing sun disks and Atef crowns rearing up to strike anyone who dares to harm the King.

Eternally fashionable: Falcon-headed collar and counterweight of Princess Neferuptah. Egyptian, Middle Kingdom, Dynasty 12 Gold, carnelian, and feldspar, 14 1/2 in. (36.8 cm) Egyptian Museum, Cairo.  Photo: Sandro Vannini, FAMSF

A gorgeous collar, made of six rows of carnelian, feldspar, and glass paste beads with the bottom row droplets representing flower buds is one of the treasures discovered in the Hawara tomb of 12th dynasty Princess Neferuptah, daughter of Amenemhat III (who ruled around 1860-1814BC). Neferuptah lived roughly 500 years before Ramses II. The solid gold ends are shaped as large falcon heads—symbolizing protection in the afterlife by the falcon god, Horus.  At 36 cm wide, roughly 14 inches, it has considerable weight and employs an opulent counterweight at the back to help prevent the collar slipping down the chest while being worn.  This necklace bears a striking resemblance to a collar found within the innermost coffin of Tutankhamun, who lived roughly 200 years before Neferuptah and was buried with six collars, each with exquisite gold falcon head ends.  One of these collars, which was discovered draped over Tut’s thighs, employs a very similar design scheme to Neferuptah’s collar and has the same droplet beads, representing flower buds, as its final row. The exhibit also includes the breathtaking 22nd dynasty cuff bracelet of Sheshonq II, a masterpiece in gold inlaid with lapis lazuli, carnelian and faience and a huge inlaid eye of Horus.

VR component: “Ramses & Nefertari: Journey to Osiris.”  Visitors sit in Positron Voyager Chairs, state-of-the-art VR pod chairs, and travel to ancient Egypt in an experience overwhelmingly described as “exciting” by visitors to its reveal at Houston Museum of Natural Sciences.  Image: World Heritage Exhibitions

Visitors can also enjoy the optional Ramses & Nefertari: Journey to Osiris, a thrilling 10 minute and 30 second VR (virtual reality) experience featuring the Positron Voyager Chair, a VR platform that moves and vibrates so that you can actually sense what ancient Egypt was like as you tour of two of Ramses’ most impressive monuments—Abu Simbel and Nefertari’s tomb—led by the spirit of Nefertari, the pharaoh’s beloved queen.  While we’ve all had our share of dubious new media experiences in museums, this seems the perfect blending of immersive entertainment and teaching experience, bound to bring out the kid in all of us and mesmerize the kids we bring along with us.

Upper part of a colossal of Ramses II. Egyptian, Ashmunein, New Kingdom, Dynasty 19 Limestone, 76 3/4 x 27 1/2 x 33 1/2 in. (195 x 70 x 85 cm)
Egyptian Museum, Cairo. Photo: Sandro Vannini, courtesy FAMSF

Ramses II, believed to be a god on Earth, ruled for 67 years as part of the 19th Dynasty, in the 13th century before Christ.  He fought the Hittites, signed the world’s first official peace treaty and fathered over 50 sons and 50 daughters, the most children of any pharaoh.  His reign corresponded with a great flourishing of the arts and he undertook an unparalleled building program, creating the great temples at Karnak and Luxor, erecting enormous temples, obelisks, and statues and expanding Egypt’s empire. 

His tomb is located in the Valley of the Kings, the final resting place of New Kingdom pharaohs for over 500 years. Because his tomb was plundered in ancient times, “Ramses the Great and the Gold of the Pharaohs” doesn’t actually include any objects from Ramses’ tomb but, instead, includes objects from royal tombs found elsewhere in Egypt, providing an idea of the extraordinary objects that Ramses’s tomb must have included.

“Kings before and after Ramses erected colossal statues of themselves, but none are larger or greater in number than those commissioned by Ramses the Great,” said Renée Dreyfus. “The temples he erected, statues he commissioned, monuments he inscribed throughout Egypt and Nubia, and funerary temple and royal tomb he built were reminders of his earthly power and closeness to the gods. The proliferation of his name led to it becoming almost a synonym for kingship.”

After closing in February, 2023, the exhibit heads to Europe, where its first stop is the Parc de la Villette cultural complex in Paris (April – September 2023).

Details: Ramses the Great and the Gold of the Pharaohs” is August 20, 2022 through November 12, 2023.  Advanced ticket purchase is essential; a great number of timed tickets have already been sold.  Different prices for weekdays vs. weekends. FAMSF members free for one visit only; additional member tickets $23.  Non-member Adult prices: weekdays: $35; weekend $40.

Additional VR experience: Ramses & Nefertari: Journey to Osiris,  FAMSF members free. Non-member Adult price: $18 both weekdays and weekends.  

August 13, 2022 Posted by | Art, de Young Museum | , , , , , , , , , , , , , , , , | Leave a comment