Green Music Center welcomes Zarin Mehta as its new Executive Co-director

Zarin Mehta, the former president and executive director of the New York Philharmonic Orchestra, is the new co-executive director of Green Music Center. He officially starts work on November 1, 2013. Mehta will focus on artistic planning and management of GMC alongside Sonoma State University CFO Larry Furukawa-Schlereth, who also serves as co-executive director of GMC. Mehta is pictured standing in the Joan & Sanford I. Weill Hall. Photo: Kristen Loken

It’s been somewhat of a whirlwind at Weill Hall—this Tuesday’s Silk Road Ensemble performance, which people are raving about, was the tenth concert in the Green Music Center’s (GMC) 2013-14 Mastercard Performance Series which is delivering a very strong and diverse line-up.  Just eight months ago, with great fanfare, GMC welcomed French diplomat Emmanuel Morlet as its first Artistic Director.  That relationship didn’t jell and Mortlett exited during the summer without having had much of an impact—the second season’s programming was locked in before his arrival.  Yesterday afternoon, GMC made public the appointment of Zarin Mehta as its new co-executive director.  Mehta, who turned 75 on Monday, recently concluded his 12-year tenure as president and executive director of the New York Philharmonic Orchestra.  At GMC, he will focus on artistic planning and management alongside Sonoma State University (SSU) Chief Financial Officer Larry Furukawa-Schlereth, who also serves as co-executive director of GMC.

Mehta, the younger brother of famed conductor Zubin Mehta, currently resides in Chicago with his wife, Carmen, and will be splitting his time between Chicago and Sonoma County.  Mehta will be paid an annual salary of $300,000.  Two hundred and fifty thousand dollars of that will be underwritten by Sandy and Joan Weill, and SSU will make up the remaining $50,000 until GMC is able to raise the funds to cover the cost, an issue their GMC advisory board met about Wednesday and assigned a very high priority.

“With the leadership of Zarin Mehta, and his world-class expertise and experience, the GMC is set to become the centerpiece of Sonoma cultural life and a major draw to the region, without doubt, from near and far,” said Furukawa-Schlereth.  “I’m looking tremendously forward to working with Zarin to put the GMC on the international musical map and welcoming him to the Sonoma County community.”

“It was during Lang Lang’s recent visit to Sonoma to perform at Weill Hall last month when he asked me whether Zarin had been approached by the GMC,” said Sandy Weill.  “Upon hearing that he had not, Lang Lang reached out to his mentor Zarin…and they talked about the unique opportunity at the GMC.  Joan and I could not be more excited…The hard work has just begun but attracting the caliber of somebody like Zarin gives us every confidence that we can achieve greatness.”

In 2011, Weill and his wife, Joan, donated $12 million to finish GMC’s concert hall which had been 15 years in the planning but stalled due to lack of funds.  After the donation, Weill became GMC’s chairman; the 1400 seat concert hall was named the Joan and Sanford I. Weill Hall and a grand vision emerged.  GMC’s spectacular first season offered 22 concerts in the MasterCard Performance Series with luminaries as Lang Lang, Alison Krauss, Yo Yo Ma, and Joyce DiDonato.  Some 60 other musical events, including regular performances of the San Francisco Symphony and the Santa Rosa Symphony that were not part of the series, were also realized.

Mehta’s artistic influence will ease itself in gradually over the next year.  Under the helm of artistic consultant Robert Cole, GMC’s second season is well underway and its 2014-15 season programming is nearly complete.  It was Cole, who retired recently from a very successful run with Cal Performances, who locked in soprano Renée Fleming as GMC’s second season’s opener and the renowned Vienna Philharmonic Orchestra, which will perform on March 11, 2014.  GMC programming is tweaked on a regular basis and, at any point, Mehta can bring in additional programming.  GMC reports there is room for change.

Calling on seasoned musical friendships and his broad international experience, Mehta will ultimately set the artistic vision for GMC and its year-round MasterCard Performance Series in Weill Hall, including presentations of important orchestras, ensembles and artists from a wide spectrum of classical music, jazz, world music and other forms.  Each season will also continue to feature regular performances by the San Francisco Symphony and the Santa Rosa Symphony

Mehta will also cultivate GMC programming as two exciting new performance venues are completed – the 250 seat Schroeder Hall, featuring a Brombaugh tracker organ, slated to open in 2014, and the MasterCard Performing Arts Pavilion, an open-air space, expected to open in 2015.  He will build and further develop public and young people’s educational programs and partnerships, including ongoing work with The Weill Music Institute at Carnegie Hall in New York.  In all of these endeavors, he will work closely with Furukawa-Schlereth.

Mehta’s first official day on the job is Friday, November 1, 2013.  “The vision that was begun by Sonoma State University’s President, Dr. Ruben Armiñana, with Donald and Maureen Green, and brought to fruition by Sandy Weill and the Board, with Larry Schlereth’s quiet hard work, is exemplary in the American musical landscape,” said Zarin Mehta.  “To create a new, world-class center for music, performance, and education, in the heart of the magnificent Sonoma County Wine Country – one of the most beautiful settings imaginable – requires determination, dedication, and most of all, a true love of music…My wife, Carmen, and I, look forward to becoming part of the San Francisco Bay Area community and developing GMC into an international musical destination.”

As for Mehta’s hefty salary, Furukawa-Schlereth reported Wednesday that the GMC advisory board met on Wednesday and plans to fundraise to support Mehta’s position, so that the center will not be a drain on the university’s budget.  For an indefinite period though, Sonoma State will pay $50,000 of Mehta’s $300,000 annual salary.

Jessia Anderson, Associate Director of Communications GMC, confirmed that Mehta is currently looking for a home near GMC and he will be splitting his time between here and Chicago.  His wife of 47 years, Carmen, is a vocal instructor in Chicago and the couple has roots there so they will not be giving up their home there.

Mehta comes with considerable arts management experience. Mehta started out as an accountant in Montreal and served as managing director of the Montreal Symphony (1981-1990), CEO of the Ravinia Festival (1990-2000), and began his New York Philharmonic position in 2000 as executive director, becoming president four years later.  Around 2003, when Sandy Weill was chairman of Carnegie Hall, he and Mehta (along with Philharmonic board chair Paul B. Guenther) were involved with negotiating the merger of  Carnegie Hall with the Philharmonic, but the deal collapsed in 2003.   Daniel Wakin of The New York Times reported September, 27, 2010, in an article about Mehta’s retirement, that Mehta’s accomplishments during his tenure at New York Philharmonic include maintaining labor peace; a record of exotic touring, including a singular visit to North Korea; and helping bring Credit Suisse aboard as global sponsor.

If you’re looking to catch a glimpse of Mehta at Weill Hall, he will not be attending Saturday’s Mariza concert.  He will be back in Chicago.  The question of when his famed brother, Zubin, will make his Weill Hall debut is open.  As for a car, Zarin will have to scramble as brother Zubin nabbed the vanity CA plate “M8A” long ago for the commute from Brentwood to the Los Angeles Philharmonic Orchestra.

Goat Rodeo Sessions, at Green Music Center this Friday, September 23, 2013 —the concert everyone’s buzzing about….plenty of ticket options still remain

The Goat Rodeo Sessions with special guest vocalist Aoife O’Donovan perform at Green Music Center this Friday. (L to R) bassist Edgar Meyer, mandolin master Chris Thile, cello virtuoso Yo-Yo Ma, and bluegrass fiddler Stuart Duncan join together create a unique, genre-breaking sound that’s part composed, part improvised and uniquely American. The music is so difficult to pull off, the group likens it to a Goat Rodeo – an aviation term for a situation in which 100 things need to go right to avoid disaster. Photo: Jeremy Cowart

The Goat Rodeo Sessions, joined by singer Aoife O’Donovan, wraps its first tour with just three West Coast performances including Friday night at Green Music Center’s Weill Hall and Lawn.  It wasn’t too long ago that we had to trek down in traffic to Berkeley’s Greek Theatre for big name concerts.  All that’s behind us now—nestled right here we’ve got the acoustically stellar Weill Hall with its back doors that open out to expansive terraced patios and lawn seating, giving audiences a wonderful way to connect with performers on stage while enjoying the magic of late summer in the wine country.

If you were lucky enough to get tickets to Yo-Yo Ma’s January 26 concert at Weill Hall with Kathryn Stott on piano—a program of cello masterpieces that brought us to tears and introduced us Ma’s extraordinary humbling humanity—chances are you were first to snap up tickets coveted inside-the-hall seats for Friday’s performance.  In a 2005 article for Smithsonian magazine, Bay Area music critic Josh Kosman summed it up “If Yo-Yo Ma didn’t exist, no novelist in the world would have dared invent him. The combination of virtues—musical, intellectual, personal—is simply too implausible.”   At the press conference for the summer season we learned that our new hall and enthusiasm had impressed Ma too and that he was excited to come back with the innovative ensemble The Goat Rodeo Sessions and show us another side of his musical expression.  He’ll be sharing the stage with bluegrass fiddler Stuart Duncan, bassist Edgar Meyer, and mandolin master Chris Thile—each Grammy winners and virtuosos in their own right and with Aoife O’Donovan, lead singer for Crooked Still string band and the folk-noir trio Sometymes Why.

Call it what you will—bluegrass, chambergrass or just plain good grass for string quartet, The Goat Rodeo Sessions combines a variety musical styles and traditions while leaving plenty of room for improvisation.  Immensely popularized by their Grammy Award-winning 2011 album for Sony Masterworks, the ensemble has reunited outside the studio just once for a January 2012 concert at Boston’s House of Blues that was simulcast to theaters around the country and later released as a DVD.

What’s a “goat rodeo,” you might wonder?   The term is from the world of aviation where so many things go wrong that a right move needs to made for it all not to end in disaster.  The group feels kinship with that concept and the name has suits highly their improvisational approach to music and life.

I’ve been to several of GMC’s summer performances, with seats inside and outside the hall, and they’ve all been spectacular in their own right.   Truth be told, it can get chilly when the fog rolls in, but there’s an exciting crowd vibe that emerges when you’re outdoors. I’m trying a table seat for this concert.   There’s something about Ma’s personality and his profound ability to from a connection with his audience that came through in his January performance that touched me—I can’t wait to see him as part of this group and to experience the give and take vibe that this type of intense collaboration requires.   With over 15 songs on the program, with plenty of opportunity for improvisation from all four of the players, it’s bound to be a goat rodeo to beat all.

Members of the Goat Rodeo Sessions—cellist Yo-Yo Ma, bassist Edgar Meyer, mandolinist Chris Thile, and fiddler Stuart Duncan— performing “Attaboy,” from the Goat Rodeo Sessions Live.  

The Goat Rodeo Sessions performs at Google New York in 2011 (Presented by Google on YouTube)

Details:  Goat Rodeo Sessions is Friday, August 23, 2013, at 7:30 PM at Green Music Center’s Weill Hall and Lawn.

Ticket Availability:  As of Tuesday (August 20, 2013) there were approximately 100 Table Seats available at $45 and 2,000 lawn places available at $25.  Tickets inside Weill Hall sold out almost immediately when they were listed.  There may inside seating available ($55 to $100) due to ticket returns: check with the Box Office in person 30 minutes prior to Friday’s concert.  Ticket purchases can be made online at www.gmc.edu, or over the phone with the Sonoma State University Box Office at 866.955.6040. Regular business hours are Monday through Friday from 8 a.m. to 4:30 p.m.  The Box Office is located in the interior of the Sonoma State University campus – ticket windows adjacent to the Green Music Center are only open prior to performances.

Dining:  It is too late to order from the selection of special Whole Foods dinners.  Concessions at the Green Music Center are offered all year in the Person Lobby and during the summer on the south end of Weill Lawn. Offering everything from small bites to full meals, the concession offerings can help complete your Green Music Center experience. Guests are also welcome to bring their own food and non-alcoholic beverages (unopened, must be sealed) into the venue but no alcohol.  All alcohol must be purchased on-site.

Directions: Green Music Center is located on the campus of Sonoma State University in Rohnert Park, California, at the intersection of Rohnert Park Expressway and Petaluma Hill Road.

From the south, take U.S. Highway 101 north to the Rohnert Park Expressway exit. At the end of the exit ramp, turn right onto Rohnert Park Expressway. Drive 2.2 miles to the Sonoma State University entrance on your right.

From the north, take U.S. Highway 101 south to the Rohnert Park Expressway exit. At the end of the exit ramp, turn left onto Rohnert Park Expressway. Drive 2.2 miles to the Sonoma State University entrance on your right.

Tara Erraught—she came she conquered! Monday, April 22, 8 a.m.—Green Music Center 2013-14 Subscription Tickets go on sale to the public

Her career was launched with an unexpected debut, replacing an ailing colleague and scoring great acclaim as Romeo in Bellini’s “I Capuleti e i Montecchi” at Bavarian State Opera. The rest is history. 26-year-old Irish-born mezzo-soprano Tara Erraught has elated critics and audiences ever since. Today’s recital at Weill Hall included songs by Dvořák, Respighi, Brahms, Wolf, Handel and Rossini. She was last in this season’s fabulous opera line-up, part of the Jan Shrem and Maria Manetti Shrem Vocal Arts Series, which included eight soloists.

For those who missed mezzo Tara Erraught’s recital today at Green Music Center’s Weill Hall, she was FABULOUS.  The young Irish-born mezzo is blessed with a huge expressive voice, blissful tone and a radiant style that enchanted the audience through two encores.  Erraught sang rarely performed songs by Ottorino Respighi and Hugo Wolf as well as Brahms, Handel and Rossini—she explained that the common thread was their engrossing stories.  The repertoire was varied and performed in German and Italian, giving a good opportunity to hear her impressive range as well as linguistic dexterity.  In the second half,  Handel’s “Dopo notte: from Ariodante and Rossini’s “Una voce poco fa” from Barber of Seville, were so enthralling that you could have heard a pin drop as the audience reveled in her dynamic and colorful voice accelerating into divinely executed trills.   This was my first time hearing her live and this repertoire and the acoustics of Weill Hall combined to create the perfect vehicle for her to display what’s so special about her singing.   She topped off the afternoon with an encore that included “Danny Boy” and the rapt audience immediately began sniffling and wiping away the tears.  What a joy to experience a young singer at the top of her game, something we’ll brag about years from now. 

Erraught’s ascent has been rapid, so much so that when the programmers at Green Music Center booked her, it was solely on the basis of her acclaim for jumping in with five-days’ notice to perform Romeo in a new production of Bellini’s I Capuleti e i Montecchi at the Bavarian State Opera.  She nailed it.  Since then, she’s been booked with debuts in several continents.  She is scheduled for a second North American recital tour in 2014, so you may be able to catch her then.  

In all, the GMC’s talent spotting radar has proved impeccable and that’s in large part due to Robert Cole whose connections are golden.  The inaugural season brought well-known delights—Joyce DiDonato, Yo-Yo Ma, Wynton Marsalis, and Alison Krauss—and introduced some top world musicians less familiar in these parts—Spanish world-music singer Buika and Mexican-American singer and composer Lila Downs. 

Now is the time to lock in tickets for the second season. Tomorrow at 8 a.m. (Monday, April 22, 2013), subscription tickets go on sale for the 2013-2014 season.

Green Music Center’s 2013-14 MasterCard Performance Series Season:   

Six preset subscription packages are available for purchase at 15% off single ticket prices. Four of these packages are classically focused, featuring an assemblage of instrumental, choral, orchestral, and vocal performances. Two packages separately consist of jazz and world music offerings.

Subscriptions have already been offered to high-level patrons, followed by current subscribers and MasterCard cardholders.  On Monday, subscription tickets will be made available to the general public. ARThound checked with the GMC box office just before they closed on Friday and there are still plenty of great seats to be had, except for Renée Fleming, the season opener.

Opening Night Celebration, Sunday, September 15, 2013—Reminiscent of last fall’s inaugural festivities, this year’s season opener is global celeb soprano Renée Fleming, one of the world’s most beloved vocalists.  The unique rear wall of Weill Hall will be open to the terraced lawns and offers expanded seating for 5,000 additional outdoor patrons. There is very limited inside hall seating for this special performance. The only way to secure a ticket is to buy either a set subscription to one of the six pre-set series and purchase the concert as an add-on OR as part of the “Pick 6” package which allows patrons to select any six performances from the season lineup at a discount of 10% off single ticket prices.

Festivities will continue throughout the month of September with two additional Indian summer concerts utilizing the outdoor seating of Weill Lawn, beginning with world-renowned violinist Itzhak Perlman on Sept. 21, and followed by jazz legend Herbie Hancock on Sept. 28.

ORCHESTRAL:

Orchestral headliners of the season include the Vienna Philharmonic Orchestra in March, The English Concert performing Handel’s Theodora, Venice Baroque Orchestra with rising star counter-tenor Philippe Jaroussky, and returning holiday favorite Handel’s Messiah by Philharmonia Baroque Orchestra and Chorale.

VOCAL:

Acclaimed sopranos Jessye Norman, Ruth Ann Swenson, and Deborah Voigt are featured in a phenomenal vocal lineup, that also includes baritones Bryn Terfel in October and Florian Boesch in May, accompanied by Malcolm Martineau on piano. “An Afternoon of Opera” in March pairs operatic sensations Leah Crocetto and David Lomeli, accompanied by Weill Hall’s resident orchestra, the Santa Rosa Symphony.

ISTRUMETNAL:

An array of award-winning instrumentalists is intertwined throughout the twenty- three concert season, beginning with a return performance by Chinese superstar Lang Lang. The season also features fellow pianists Garrick Ohlsson and Richard Goode, as well as acclaimed violinist Hilary Hahn, and a performance by The Takács Quartet.

JAZZ & WORLD MUSIC:

Six jazz and world music concerts showcase an impressive range of artistry, including Portuguese fado artist Mariza, Spanish flamenco sensation Estrella Morente, the distinguished Silk Road Ensemble, the inspirational Bahia Orchestra Project, and rising jazz stars Jon Batiste and Stay Human.

Descriptions of all packages and purchase options are at: www.gmc.sonoma.edu

Package prices for three-concert sets range from $78 to $204 and four-concert bundles range in price from $138-$336. The “Pick 6” package allows patrons to select any six performances from the season lineup at a discount of 10% off single ticket prices. SSU students receive a 50% discount on all tickets (limit one per student per event) and SSU faculty and staff receive a 20% discount (limit two per employee per event).

Ticket purchases can be made online at www.gmc.sonoma.edu, or, over the phone with the Sonoma State University Box Office at 866.955.6040. Regular business hours are Monday through Friday from 8am to 4:30pm.

Single tickets will go on sale this summer.

ADDITIONAL PROGRAMMING:

 Programming in addition to the MasterCard Performance Series includes a full season by Weill Hall’s resident orchestra, the Santa Rosa Symphony, led by music director Bruno Ferrandis and performing seven triple-sets of classical works and a variety of family and youth concerts.

The Grammy award-winning San Francisco Symphony returns to Weill Hall for a second year, featuring four concerts led by Michael Tilson-Thomas, Semyon Bychkov, Alexander Barantschik, and Charles Dutoit.